Trophy Unlocked: 2025

Saturday, December 13, 2025

Stubs - Miracle on Main St.

Miracle on Main St. (1939) Starring Margo, Walter Abel, William Collier Sr., Lyle Talbot. Directed by Steve Sekely. Screenplay by Frederick Jackson. Produced by Jack H. Skirball. Run time: 78 minutes. Black and White. USA Christmas, Melodrama

Before there was Cher or Madonna, there was Margo. Born María Marguerita Guadalupe Teresa Estela Bolado Castilla y O'Donnell, in Mexico City, Margo began her career as a dancer, at age 9, working for her uncle Xavier Cugat and his band in performances at nightclubs in Mexico. While accompanying Cugat and his orchestra at the Waldorf Astoria in New York City, Margo was discovered by producer and director Ben Hecht and screenwriter Charles MacArthur, who cast the 17-year-old performer as the lead in their film Crime Without Passion. She would also have a memorable part in Frank Capra’s Lost Horizon (1937).

Call of Duty 4: Modern Warfare (PS3)

Back in high school, in the far-off era of the mid-2000s, I couldn’t escape discussion about Call of Duty (CoD) from fellow students, particularly the Modern Warfare trilogy (even one of my teachers played Modern Warfare 2 at the time). Despite this, however, I never really touched the games for one reason or another due to my differing tastes in games at the time. I have since played more FPS games, as you can see on this blog, but even then, I still never touched CoD and hadn’t intended to thanks to the series’ increasingly mixed reception. That would change, however, as I learned that the series had more than just the name going for it and actually left a major impact on FPS games and gaming as a whole. As such, I decided that for the fifteenth anniversary of this blog, I would finally do my due diligence and play the Modern Warfare trilogy, beginning with Call of Duty 4: Modern Warfare (CoD4) from 2007, developed by Infinity Ward. I didn’t know exactly what to expect going in, but I walked away finally understanding the game’s appeal and lasting influence.

Five Nights at Freddy's 2 (Film)

When the first Five Nights at Freddy’s (FNAF) film finally came out in 2023 and proved itself a runaway success, making back over ten times its $20 million budget, a sequel, Five Nights at Freddy’s 2 (FNAF2), based on the game of the same name, was inevitable. As a fan, I was hyped enough for the film that I attended the Hall H panel at San Diego Comic-Con, where the cast and crew discussed the experience working on the film and they had announced a Scream reunion with Matthew Lillard and Skeet Ulrich appearing in the same film once again (they also gave away pizza boxes lifted straight out of FNAF). As a reviewer, I recognized the flaws in FNAF, even more so on repeated viewings, though there were assurances that the production crew had listened to feedback and incorporated the criticisms into the sequel, which had a much smoother production. While FNAF2 did leave me curious about the future of the series, I can’t deny that it was overall a step down from the original.

Zootopia 2

Ever since seeing the original Zootopia in 2016, I’ve always felt that there was a lot of untapped storytelling potential for its setting. While this has come in the form of comics and children’s books, as well as the short-form Disney+ series Zootopia+, I’ve felt a lot more could be done with a longer story, as the premise seems to lend itself perfectly to an episodic TV series. While this does not appear to be happening, the next best thing came nearly 10 years later with the announcement of the sequel film Zootopia 2, though my expectations were tempered a bit by Disney’s recent sequel track record. It is then fortunate that the film not only surpassed these expectations, but actually managed to improve on the first in some ways.

Stubs - Larceny, Inc.

Larceny, Inc. (1942) starring Edward G. Robinson, Jane Wyman, Broderick Crawford, Jack Carson, Anthony Quinn, Edward Brophy. Directed by Lloyd Bacon. Screenplay by Everett Freeman, Edwin Gilbert. Based on the play The Night Before Christmas by Laura and S. J. Perelman (New York, 10 Apr 1941). Executive Producer: Hal B. Wallis. Run time: 95 minutes. Black and White. USA. Comedy, Drama, Christmas

Towards the end of his career at Warner Bros., Edward G. Robinson made movies that spoofed the hard-nosed gangster roles that had made him a star; comedies, like A Slight Case of Murder (1938) and Brother Orchid (1940). Both of these films were directed by Lloyd Bacon, so it is no surprise that Bacon would be chosen to direct Robinson’s final film at the studio, the comedy Larceny, Inc.

Sonic Heroes (Xbox)

Note: This review contains spoilers for Sonic Adventure 2 and Sonic Heroes.

Following the release of Sonic Adventure 2 (SA2), the previously unthinkable happened when Sega went third-party and started developing titles for non-Sega consoles and handhelds, including Sonic Advance, which officially ended the long-standing rivalry with Nintendo. When Sega showed interest in developing a multi-platform Sonic game, Sonic Team USA landed on a team-based concept to take advantage of the capabilities of newer hardware. Since the new title, Sonic Heroes (Heroes), would celebrate the series’ twelfth anniversary, they also decided that they would create a standalone experience closer to the Genesis games instead of a third Adventure entry, both due to the number of numbered sequels hitting the market and out of a desire for accessibility. The final game would launch in 2003 to mixed reception, but still sold very well and led to the development of 2005’s Shadow the Hedgehog.

Unlike some of the other Sonic games I’ve reviewed recently, I actually have more of a personal history with this one. When it first came out, it was one of the first Sonic console games I owned, so I played it obsessively, yet I couldn’t ever finish the game. At some point, I didn’t have my PS2 copy anymore, though an original Xbox that I bought still had a copy in the disc drive, so I ended up playing that copy for the purpose of this review (the disc had seen better days, but the data layer still looked fine). Fortunately, the disc held up well as I finally completed Heroes over twenty years later and concluded that it’s built around a neat idea with a tedious and frustrating execution.

Stubs - Armored Car Robbery

Armored Car Robbery (1950) Starring Charles McGraw, Adele Jergens, William Talman Directed by Richard Fleischer. Screenplay by Earl Felton, Gerald Drayson Adams. Produced by Herman Schlom. Run Time: 67 minutes. Black and White. USA Film Noir, Crime, Drama, Police, Heist

Many films that get categorized as film noirs fit into another group of titles called B pictures. Armored Car Robbery is such a film. An RKO Pictures production, Armored Car Robbery, according to film professor Bob Porfirio, possesses the "film noir visual style" of the many RKO crime and suspense films of the early 1950s, such as: high-contrast photography integrating studio and location shooting, expressionistic lighting, deep focus, and haunting music (by Roy Webb).

Dispatch (PC)

During the 2000s and especially the 2010s, Telltale games made a name for themselves with classic point-and-click adventure games, as well as choice-driven narratives. Unfortunately, they wouldn’t last forever and eventually went bankrupt in 2018. Although the studio would come back soon after, some of their former talent rose from the ashes and formed their own studios, one of which was the LA-based AdHoc Studio, specifically formed with those who had worked on Telltale’s The Walking Dead, The Wolf Among Us, and Tales from the Borderlands. Early on, AdHoc were hired to work on a live-action superhero workplace comedy, which got scrapped due to the COVID-19 pandemic. They didn’t want their work to go to waste, however, so they repurposed the idea into the choice-based narrative game known as Dispatch.

When I had first heard of the game at the 2024 Game Awards, the concept grabbed my attention enough that I played the demo when it released in early 2025. I loved it enough that I bought the game Day 1 on Steam, but couldn’t get around to it immediately thanks to my focus on Silent Hill f, so I didn’t get to really experience the episodic release schedule, two episodes a week for four weeks, in real time. When I did get to Dispatch, however, I thought that AdHoc had made a very strong first impression, one that can only improve from here.

Thus Spoke Kishibe Rohan: At a Confessional

Following the release of Rohan at the Louvre, I continued to keep up with the live-action Thus Spoke Kishibe Rohan (TSKR) drama as it became available in English, and remain a big fan of it for how well it translates the world of JoJo’s Bizarre Adventure to live-action. When another film based on the series, Thus Spoke Kishibe Rohan: At a Confessional (At a Confessional) (JP: Kishibe Rohan wa Ugokanai Zange-shitsu), was announced, this time based on the original At a Confessional manga one-shot that started the spin-off manga, I was instantly hyped for it, both as someone who read the one-shot and watched the OVA adaptation, and based on how well Rohan at the Louvre turned out. This hype was instantly all but completely shattered as soon as I heard about how the music was handled (more on that later), but I still wanted to see it anyway once it became available in the US. Now that I’ve finally seen it through Amazon Prime Video, while I did think it was worth the wait to see it in English, it overall falls just shy of Rohan at the Louvre.

Stubs - The Big Steal

The Big Steal (1949) Starring Robert Mitchum, Jane Greer, William Bendix, Patric Knowles, Ramon Novarro Directed by Don Siegel Screenplay by Daniel Mainwaring, Gerald Drayson Adams Based on the short story "The Road to Carmichael's" by Richard Wormser in The Saturday Evening Post (19 Sep 1942). Produced by Jack J. Gross Run time: 71 minutes. USA Drama, Crime, Film Noir

Robert Mitchum and Jane Greer starred together in Out of the Past (1947), which is considered by many to be one of the best film noirs ever made. The film was a hit at the time, so a silver screen reunion with the two of them wouldn’t seem out of the question. However, their pairing in The Big Steal almost didn’t happen.

Shantae Advance: Risky Revolution (GBA)

Before the original Shantae had a sequel in the form of 2010’s Risky’s Revenge, WayForward started development on a demo for an alternate sequel for the Game Boy Advance (GBA). Due to Shantae’s low sales, however, prospective publishers wouldn’t pick it up and the project went on hold, with different story and gameplay elements recycled for other entries. In 2023, however, WayForward announced that development on the original demo would resume and they would release the finished game as Shantae Advance: Risky Revolution on physical Game Boy Advance cartridges, with modern console ports to follow, as part of their partnership with Limited Run Games. The long-awaited final game would receive mixed reviews from critics, though that’s par for the course with the series.

As a Shantae fan who loves physical media, I bought a copy of the GBA version and later a copy of the modern console port (pre-order still unfulfilled as of this writing). Although I received my GBA copy in a timely fashion, I wouldn’t get to it as quickly as I would have liked for different reasons, but when I did, I locked in and made steady progress in short bursts whenever I could. By the time I got to the end, I enjoyed myself and felt glad that Risky Revolution finally saw the light of day. However, either due to its prolonged development or other limitations, it’s sadly not without some jank.

Stubs - I Wake Up Screaming

I Wake Up Screaming (1941) starring Betty Grable, Victor Mature, Carole Landis. Directed by Bruce Humberstone. Screenplay by Dwight Taylor. Based on the novel I Wake Up Screaming by Steve Fisher (New York, 1941). Produced by Milton Sperling Run time: 82 minutes. Black and White. USA. Film Noir

In 1941, the first major studio film noir, The Maltese Falcon, was released, on October 3rd, followed later that same year by I Wake Up Screaming, released by 20^th Century Fox, on November 14th. Filming took place between July 21, 1941 and late August with re-shoots on September 4, under the working title Hot Spot and was originally released under that title. However, fans of Betty Grable, the star and main attraction, were not expecting her in a mystery thriller. Retitled back to I Wake Up Screaming, the film did better and actually earned $574,100 profit on a budget of $462,500, taking in $1,491,500 at the box office.

Once Upon a Katamari (PS5)

Following Touch My Katamari on the PS Vita in 2011 (2012 in the US), the Katamari series went dormant for years aside from mobile games, until the release of Katamari Damacy Reroll (Reroll) in 2018, as part of a series of remakes from Bandai Namco, showed a willingness to revisit the series. The success of Reroll led to a follow-up, We Love Katamari Reroll + Royal Reverie in 2023, the success of which created the possibility of further installments. This would come to fruition with the announcement of a proper new game earlier this year, the first in 14 years, titled Once Upon a Katamari. As a fan of the Katamari series who had actually been waiting for such an announcement the whole time, the news and initial trailer was enough to excite me, albeit with cautious optimism. Thankfully, this optimism paid off, as it feels like the spirit of Katamari is alive and well in this installment.

Stubs - Odds Against Tomorrow

Odds Against Tomorrow (1959) Starring Harry Belafonte, Robert Ryan, Shelley Winters, Ed Begley, Gloria Grahame. Directed by Robert Wise. Screenplay by Abraham Polonsky and Nelson Gidding (credited to John O. Killens, Nelson Gidding) Based on the novel Odds Against Tomorrow by William P. McGivern (New York, 1957). Produced by Robert Wise Run time: 96 minutes. Black and White USA Drama, Film Noir

Harry Belafonte was perhaps best known as a singer aka King of Calypso, but he was more than that. A vocal and visible supporter of civil rights, he was also an actor, and in the case of Odds Against Tomorrow, also a producer, having founded his own production company, HarBel, which was behind the film.

Chainsaw Man – The Movie: Reze Arc

Note: This review contains spoilers for Chainsaw Man Season 1.

The overwhelming success of Demon Slayer: Kimetsu no Yaiba – The Movie: Mugen Train appears to have started a trend, in which some anime adaptations adapt an arc from the source material as a feature film. Such was the case with 2024’s Overlord: The Sacred Kingdom, as well as Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle (Infinity Castle) earlier this year, and this trend continues with Chainsaw Man – The Movie: Reze Arc (Reze Arc) (JP: Gekijō-ban Chensō Man Reze-hen), which takes place after Season 1 of the Chainsaw Man anime. Since I became a fan of Chainsaw Man through said anime, I was excited for Reze Arc after learning of its canon status, but the two-year gap since the ending of the first season led to me rewatching it again shortly before my appointed screening to get a reminder on what happened. After managing to catch a dubbed screening, I felt Reze Arc was worth the wait.

Silent Hill f (PS5)

Back in 2022, Konami announced a full revival of the Silent Hill IP that included a number of video game projects, including a teaser for Silent Hill f (SHf), developed by NeoBards Entertainment. Even back then, SHf stood out for its distinct Japanese flair, which came from a desire to bring the series back to its roots after worry that the series had grown too “Western” following the Team Silent era (games that they clarified were influenced by Western media, but filtered through a Japanese lens, creating a unique blend of both sensibilities). To this end, they brought on famed horror game writer Ryukishi07, known for the When They Cry series of visual novels, and set the game in 1960s Japan. When this entry finally released in 2025, it not only received critical praise, but became the fastest-selling game in the series, with one million copies sold in only three days.

From the outset, the concept of SHf intrigued me as someone open to exploring other aspects of Silent Hill that developers hadn’t yet tapped into and as someone used to legacy media experimenting with their format once in a while. As such, it was a day one buy for me and I started playing it as soon as I got the chance. Thanks to a combination of personal health factors, however, as well as my prior reviews locking myself into viewing every single ending, it did take me a bit longer than I had initially thought to truly complete the game. Although I found the final product flawed like any other Silent Hill game, I can confidently say that trying out a new direction paid off spectacularly.

Fobia Vol. 1

Note: Product received for free in exchange for a copy of Powers Squared Vol. 1 and an honest review.

When you’ve dedicated yourself to creative works, it’s natural to want to branch out and try new things when inspiration strikes. One such medium creatives have branched out to is comic books, whether they’re actors, like Keanu Revees (BRZRKER) or David Dastmalchian (Count Crowley), or content creators, like penguinz0 (Godslap) or Jacksepticeye (Altrverse). Now, Derrick Acosta of Mega64 fame has thrown his own hat into the ring with Fobia, a horror anthology inspired by other anthologies like Tales from the Crypt and Slow Death, among others. In an impressive feat for a first-time independent comics creator, he managed to raise $34,671 on Kickstarter to bring Vol. 1 of his dream to fruition, with physical books on the way and a Vol. 2 already in the works. As an independent comics creator myself, it’s nice to see someone else with a burning passion for the medium and, as a Mega64 fan, I was curious about his latest venture.

Little Nightmares III (PS5)

Following the success of Little Nightmares II in 2021, it was inevitable that publisher Bandai Namco would want to continue capitalizing on the series, with Little Nightmares III in development under Supermassive Games after original developer Tarsier was purchased by Embracer. Despite the change in hands, I wanted to continue supporting the Little Nightmares IP due to its more unique approach to horror. After waiting patiently for the long-awaited third entry, I found myself enjoying it at first, only to end up getting gated enough by the game’s own mechanics to put it down before getting the chance to finish it.

Stubs - Frankenstein (2025)

Frankenstein (2025) starring Oscar Isaac, Jacob Elordi, Mia Goth, Felix Kammerer, Lars Mikkelsen, David Bradley, Lauren Collins, Charles Dance, and Christoph Waltz. Directed by Guillermo del Toro. Screenplay by Guillermo del Toro. Based on Frankenstein; or, The Modern Prometheus by Mary Shelley. Produced by Guillermo del Toro, J. Miles Dale, Scott Stuber Run time: 150 minutes. Color. USA. Gothic Science Fiction

If you’re like me, when you think of Frankenstein’s Monster, you immediately think of Boris Karloff, the star of James Whale’s 1931 film; part of the Universal Monsterverse, which for some are the classic horror films. While many of these films are based on classic books, sometimes the adaptation is very loose, which is the case with Frankenstein (1931).

A couple of years ago, I found out for myself by reading Shelley’s book. Not that it ruined my enjoyment of the classic film, but when I heard that Guillermo del Toro was going to make a film based on the book, I was hopeful that it would be closer to the source material. I’m happy to report that, though there is some poetic license taken, including the ending, the new Frankenstein is closer to the Shelley novel.

Second Look - Touch My Katamari

As the popularity of the Katamari series continued, the series later ventured back into the handheld space, this time with a launch title for the PS Vita in 2012 (2011 in Japan) called Touch My Katamari. Unfortunately, the game was a failure, resulting in the series going all but dormant for 14 years until the announcement of Once Upon a Katamari, at least partially attributed to the PS Vita itself failing as a system. The formal return of the franchise led me to dig out my copy of Touch My Katamari, which I last played in 2013 according to my save data, to reevaluate my opinions. Looking back on it, although I noticed more flaws in the game this time, I still found it an ultimately entertaining experience, even if not the best.

Katamari Forever

While Beautiful Katamari was the first Katamari game to be absent from a PlayStation console, it would return to the PS3 with Katamari Forever, a tribute to five years of the franchise. I actually remember playing this game when it first came out and liked it enough to consider it my personal favorite of the series, but over time I had forgotten the nuances of the game itself. On booting the game back up again in anticipation of Once Upon A Katamari, this turned out to be because I hadn’t played it since 2011. While I was noticing more flaws this time, I was ultimately reminded why I considered it my favorite, and still is.

Second Look - Beautiful Katamari (+ DLC)

As the Katamari series continued to show success, a new console game was made following the handheld Me & My Katamari. In a departure from previous titles which were on the PlayStation family of systems, this new game, Beautiful Katamari, was released exclusively for the Xbox 360; the intent was to go multiplatform, however only the Xbox 360 version ever got made. After mainly sticking with the PlayStation line for the longest time, since it has most of the games I want to play, Beautiful Katamari was on my radar when I finally branched out to the Xbox systems, and so I played it once I got the chance. At the time, I did not buy the DLC, which I would later check off my shopping list when the Xbox 360 store was shutting down, but I would not revisit the game again until the announcement of the upcoming Once Upon A Katamari.

As of this writing, I have yet to resolve some issues I have been having with my Xbox 360, so it was fortunate that I was able to play this game again, DLC included, on the Xbox Series X as part of the backwards compatibility program, though I will admit to playing with a DualSense through a converter to make it more comfortable for me to play. On my most recent playthrough, I liked it more than I remembered, though my feelings remain mixed.

Me & My Katamari

With the success of We Love Katamari on the PS2, it was natural for Namco to want to capitalize further on the Katamari brand with or without Keita Takahashi’s involvement. In a first for the series, Namco proceeded without him for a new entry made for the PSP, Me & My Katamari, in 2005. Regardless of its issues, the PSP was my handheld of choice for many years and helped get me through high school, with this game being part of my library since I was obsessed with the series at the time. With the announcement of Once Upon A Katamari on modern platforms, I decided to take another look at this game on another save file, though I was surprised to see that I hadn’t played it since 2010. While I would still consider the game to be pretty fun, enough time has passed that its flaws stand out more to me through fresh eyes.

Tron: Ares

Note: This review contains spoilers for Tron: Legacy.

About fifteen years after the release of Tron: Legacy, and coincidentally about fifteen years after the start of this blog, Tron fans finally witnessed the release of a third film, Tron: Ares. Although Legacy director Joseph Kosinski had plans for a sequel, which would have been known as Tron: Ascension, it entered development hell due to a combination of Tomorrowland bombing at the box office and Disney’s buyouts of Lucasfilm and Marvel, though the company never outright cancelled it. Around 2017, plans shifted to the Jared Leto-led sequel that we have now, with a different writer (Jesse Wigutow), director (Joachim Rønning) and composer (Nine Inch Nails) to boot. As a fan of the franchise, I felt hyped going in despite the chosen lead, as I simply felt glad that Disney gave us more Tron at all. However, now that I’ve actually seen Ares, in IMAX 3D no less, I can happily say that although it’s not the best written installment, it was well worth the fifteen-year wait.

Tron: Catalyst (PC)

Two years after the release of Tron: Identity (Identity), developer Bithell Games would return to the Tron franchise with a new game, Tron: Catalyst (Catalyst), as part of the greater buildup to Tron: Ares. Since there was a general drought of Tron content at the time of the announcement, I was excited for it in part due to liking Tron: Identity, but bought it after it came out as part of a Steam sale and only recently got around to it. While the gameplay may be different, the storytelling remains one of the developer’s strong points and made me invested in seeing more.

Stubs - The Sound of Music

The Sound of Music (1965) starring Julie Andrews, Christopher Plummer, Eleanor Parker. Directed by Robert Wise. Screenplay by Ernest Lehman, with the partial use of ideas by Georg Hurdalek. Based on the musical The Sound of Music, music by Richard Rodgers, lyrics by Oscar Hammerstein II, book by Howard Lindsay and Russel Crouse, and originally produced on the stage by Leland Hayward, Richard Halliday, Richard Rodgers, and Oscar Hammerstein II (New York, 16 Nov 1959). Produced by Robert Wise. Run time: 172 minutes. Color. Musical, Drama, Romance

In 1965, 20^th Century Fox put out a movie that would not only help it recover from the $30 million loss on Cleopatra (1963), but would go on to be, for a time, the highest grossing film of all-time. By all standards, except for some early reviews, the film was wildly popular and a runaway hit. I remember it playing at my local theater for a year; unheard of today.

The movie is based on the musical that started its run in 1959. The musical’s narrative was derived from Maria Augusta von Trapp’s 1949 autobiography, The Story of the Trapp Family Singers. At that time, the book had already been made into two popular West German feature films directed by Wolfgang Liebeneiner, Die Trapp-Familie (1956), and its sequel, Die Trapp-Familie in Amerika (1958). The Broadway musical saw $2,325,000 in advance sales and ran from November 16, 1959 to June 15, 1963.

Paramount Pictures had optioned rights to Die Trapp-Familie, and approached Vincent J. Donehue, the musical’s Broadway director, about directing an American version, starring Audrey Hepburn, but Donehue advised the studio not to, “You can’t possibly make it as a movie, you’ve got to let it go; the way to do this is a musical for Mary Martin.” Paramount dropped its option when Hepburn wasn’t available.

Stubs - Downton Abbey: The Grand Finale

Downton Abbey: The Grand Finale (2025) starring Hugh Bonneville, Jim Carter, Michelle Dockery, Paul Giamatti, Elizabeth McGovern, Penelope Wilton. Directed by Simon Curtis. Screenplay by Julian Fellowes. Based on Downton Abbey by Julian Fellowes. Produced by Gareth Neame, Julian Fellowes, Liz Trubridge Run time: 123 minutes. Color. United Kingdom. Historical Drama

Like all good things, the Downton Abbey universe has come to an end in a fitting way with Downton Abbey: The Grand Finale, the third in a trilogy of post-television films. For people, like myself, who have watched the series and the first two films, this final film is a great culmination for a franchise that started on British television in 2010.

Death Stranding 2: On the Beach

Note: This review contains spoilers for Death Stranding.

Although Death Stranding (DS1) originally launched to mixed reception, Hideo Kojima considered creating a sequel to further establish the “Strand” genre. As it turned out, development had started when Kojima had written the story prior to 2020, but the way the COVID-19 pandemic had impacted the world made him decide on a rewrite. Since then, he rewrote parts of the story again in response to positive reception from test audiences, fearing that he had created something too mainstream. The final game launched in June 2025 on the PS5, this time to more positive reception, with the name Death Stranding 2: On the Beach (DS2).

When DS1 came out, I felt like I was in a minority that liked the game in spite of its flaws, but I could still recognize the issues that had turned so many away during its initial release. As such, I liked that more people eventually came around on the game following its PC port, then more excited when I learned about the development of DS2. It should be no surprise, then, that I had been playing the game whenever I could since launch day, pouring as much time as I did before (about 50 hours) until I reached the credits. Where I found the original a flawed, but solid step forward for Kojima Productions, DS2 manages to go above and beyond as an example of a sequel outshining the original in almost every conceivable way.

Elio

I hate to say this about a studio that I loved growing up, but the 2020s have not been kind to Pixar. Although they’ve had hits with Soul and Luca, duds like Lightyear and, to a lesser extent, Elemental have stood out far more than they would have in the past. This feeling perhaps contributed to my lack of motivation to see Elio, their latest release, based on both the original 2023 teaser and revised 2024 teaser, the latter of which had occurred due to a test screening in which not a single person said they liked it enough to watch it in a theater. My apathy felt justified when, despite the revised direction and positive critical reception, the film had bombed at the box office, making only $154 million on a budget of about $150-200 million. Of course, we remained undeterred in our streak of viewing every single Pixar film in some form or another and finally gave it a try when it hit Disney+. Sadly, although I did like it a little more than I thought I would, I still thought while the credits rolled that I would have felt ripped off if I had paid for the full theatrical experience.

Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle

Note: This review contains spoilers for Demon Slayer: Kimetsu no Yaiba.

Although the original Demon Slayer: Kimetsu no Yaiba manga had ended in 2020, the anime adaptation by Ufotable is still going strong, so much so that their interpretation of the Infinity Castle arc was announced as a film trilogy. The first part, Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle (Full title: Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle – Part 1: Akaza Returns) (Infinity Castle) released this year to strong critical reviews and an equally explosive box office, breaking several records and surpassing 2020’s Demon Slayer: Kimetsu no Yaiba – The Movie: Mugen Train (Mugen Train) as the highest-grossing Japanese film worldwide. Rather impressive, to say the least, which is how I watched the English dub alongside those who had only seen Mugen Train and Episode 63 of the anime, contrasting with my own experience as an anime-only viewer who had kept up with the series from the beginning. Although I did feel that Infinity Castle lived up to the hype, I couldn’t help feeling that the film format had, ironically, created a major issue that Mugen Train did so well at avoiding.

Lilo & Stitch (2025)

2002 saw the release of Lilo & Stitch, which launched one of Disney’s most lucrative franchises that continues to see legacy support in some way, shape or form. As an anecdotal testament to this, I’ve attended the Animation Academy attraction twice on a trip the California Adventure park, where a Disney animator guides guests through drawing a character, and there was some crowd control for drawing Stitch in particular. 2025 eventually saw the franchise enter Disney’s recent push for remaking their animated films into live-action and/or very realistic CG, with the remake simply bearing the Lilo & Stitch moniker. As someone who is largely not a fan of this second wave of remakes, I was turned off enough by the announcement to not see it in a theater, but decided out of morbid curiosity to watch it anyway after it made its way to Disney+ just to see how bad it was. After satisfying my curiosity, I feel that skipping the theater was the right call on this one.

A Celebration of 1700 Reviews

Below is a list of links to every review from 1201-1300, broken up every 25 links for easy navigation. Each review will also be color-coded as such: Movie, Video Game.

1-300. A Celebration of 300 Reviews

301-400. A Celebration of 400 Reviews

401-500. A Celebration of 500 Reviews

501-600. A Celebration of 600 Reviews

601-700. A Celebration of 700 Reviews

701-800. A Celebration of 800 Reviews

801-900. A Celebration of 900 Reviews

901-1000. A Celebration of 1000 Reviews

1001-1100. A Celebration of 1100 Reviews

1101-1200. A Celebration of 1200 Reviews

1201-1300. A Celebration of 1300 Reviews

1301-1400. A Celebration of 1400 Reviews