Stubs: Citizen Kane - A Second Screening

Citizen Kane (1941) Starring: Orson Welles, Joseph Cotton, Dorothy Comingore, Ray Collins, George Coulouris, Agnes Moorehead. Directed by Orson Welles. Screenplay by Herman J. Mankiewicz, Orson Welles. Music by Bernard Hermann. Produced by Orson Welles. Run Time: 119 minutes. U.S. B&W Drama.

There is a real difference between watching a film on home video and watching it in a theater. This recently happened to me with Citizen Kane, which recently was part of a Fathom Event, celebrating its 85th anniversary. I had previously reviewed the film for this blog, based on watching it on disc. I won’t go through the history of the film, or a detailed synopsis, please see the previous post for that.

Classic Hollywood films, of which this would definitely count, were made to be seen in theaters and that is really the only way to get the full experience filmmakers intended. While I had seen the film several times, I did get a different appreciation for it, seeing it in a theater.

We were treated before the film with an introduction by Leonard Maltin, the well-known film critic/historian. In his prologue, he lauded Citizen Kane as the greatest film ever made. That’s a high honor to lay on something and the only way to prove that is to watch the film.

Sonic Riders (PS2)

Since speed is a core part of the Sonic the Hedgehog franchise, it was only natural that at some point it would enter the world of racing games. While not the first, one of the better-known attempts at this is Sonic Riders, which also features the first appearances of a trio of characters named Jet the Hawk, Wave the Swallow and Storm the Albatross, collectively known as the Babylon Rogues. This was also one of a few Sonic games I engaged with as a kid, and the Babylon Rogues’ reintroduction to the franchise through the IDW comics and the more recent Sonic Racing: CrossWorlds led me to revisit their roots. For the purpose of this review, I mainly engaged with the Story Mode, though the game’s controls and difficulty unfortunately led me to not finish it, as much as I really wanted to.

Stubs - Dr. Who and The Daleks

Dr. Who and The Daleks (1965) starring Peter Cushing, Roy Castle, Jennie Linden, Roberta Tovey. Directed by Gordon Flemyng. Screenplay by Milton Subotsky. Based on The Daleks by Terry Nation. Produced by Milton Subotsky, Max J. Rosenberg Run time: 82 minutes. Color. United Kingdom. Science Fiction

If you’re a devotee of Doctor Who, you’ve no doubt heard of the Daleks. They are almost as old as the franchise themselves. They made their first appearance in the second serial of the First Doctor (William Hartnell). In the serial, the Doctor, his granddaughter Susan Foreman (Carole Ann Ford), and her teachers Ian Chesterton (William Russell) and Barbara Wright (Jacqueline Hill) land in an alien jungle and are captured by the Daleks, a race of mutated creatures who survive off the radiation that remains in the atmosphere after a nuclear war with their enemies. As the group attempt to escape the Daleks, they discover more about the planet and the ensuing war, and attempt to broker a peace.

Doctor Who, at this time, was still relatively new and many characteristics of the Doctor wouldn’t be recognizable to fans of the series today. The character hadn’t really been thoroughly established; not yet a Time Lord, as an example.

Amicus Productions bought an option to make the story and two sequels from Terry Nation, the writer of the story, and the BBC, which produced the series, for £500. With a budget of £180,000, the film went into production at Shepperton Studios in April 1965. It was released in the UK on August 23, 1965.

Avatar Aang: The Last Airbender

It goes without saying that Nickelodeon’s Avatar: The Last Airbender (ATLA) proved very popular and successful, so much so that it spawned two follow-up series, The Legend of Korra (Korra) and the upcoming Seven Havens. In the interim, however, it has had two divisive live-action adaptations, M. Night Shyamalan’s infamous The Last Airbender film and the Avatar: The Last Airbender remake from Netflix. Creative differences regarding the latter would inspire the formation of Avatar Studios, with series creators Michael Dante DiMartino and Bryan Konietzko at the helm, to expand the world of ATLA, starting with what would become the film Avatar Aang: The Last Airbender (Avatar Aang). This project would later receive more notoriety not just for a pivot from the original theatrical distribution to streaming directly on Paramount+, but also for someone leaking the entire finished film online months in advance.

Of course, release plans moved forward, with a premiere at San Diego Comic-Con 2026 (I attended the event, but didn’t go to the screening) and a limited run in only two theaters solely to qualify for the Oscars shortlist, despite protest from fans and members of the crew. Although I would have seen the film anyway as an ATLA fan, the increased awareness from the troubles surrounding the film’s production and release further piqued my curiosity. Although I found the film enjoyable, it did unfortunately fall short where it counted the most.

Mortal Kombat (1995)

When the fighting game Mortal Kombat debuted in arcades in 1992, its success led to a sequel, Mortal Kombat II, in 1993. As Mortal Kombat 3 (MK3) was being developed for a 1995 release, the games were expanded into a multimedia franchise, including a PG-13 live-action film, Mortal Kombat (MK95), released months after MK3. While I was aware of the franchise for the longest time before being formally introduced to it through the 2011 game, I became curious about MK95 film after seeing the 2021 reboot, but didn’t follow through on it until recently when I saw Mortal Kombat II (2026) in a theater. While I found it to be enjoyable in places, I found it to have a flawed execution and some missed opportunities.

Stubs - The Odyssey (2026)

The Odyssey (2026) starring Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong'o, Samantha Morton, Zendaya, Charlize Theron Directed by Christopher Nolan. Screenplay by Christoper Nolan. Based on Homer's Odyssey. Produced by Christopher Nolan, Emma Thomas. Run time: 173 minutes. Color. USA/UK Epic, Action, Fantasy, IMAX

As a follow up to his Academy Award winning Oppenheimer, director Christopher Nolan chose a text that dates back to the 8^th century B.C. attributed to Homer, a Greek poet. It is a sort of sequel to The Iliad, which centers on a quarrel between King Agamemnon and the warrior Achilles during the last year of the Trojan War. It’s follow-up, The Odyssey, chronicles the ten-year journey of Odysseus, king of Ithaca, back to his home after the fall of Troy.

It seems a little surprising that such a film based on a 2,800-year-old poem would arrive with such anticipation. Most tickets for its opening weekend sold out months in advance. But that is the pull of Christopher Nolan, the director behind Oppenheimer but also such films as Memento (2000), Insomnia (2002), Batman Begins (2005), The Dark Knight (2008), The Dark Knight Rises (2012), Inception (2010), Interstellar (2014), Dunkirk (2017), and Tenet (2020). He has a following few modern directors have, save, perhaps, Steven Spielberg.

Ballerina (2025)

The John Wick franchise has proven lucrative enough to spawn a franchise in its own right, and following John Wick: Chapter 4 (Chapter 4), now includes spin-off films. The first of these, Ballerina (full title From the World of John Wick: Ballerina), was released earlier this year and seeing a trailer for it was what got me started on going through the John Wick franchise in the first place. Now that I’ve circled back to it, I found it somewhat decent, but the timeline as presented in the movie makes its placement within its parent series confusing.