Showing posts with label Deadpool 2. Show all posts
Showing posts with label Deadpool 2. Show all posts

Tuesday, July 23, 2024

Second Look - Deadpool 2 (All Three Cuts)


Note: This review contains spoilers for Deadpool and Deadpool 2.

Deadpool 2 sits in a unique position within the X-Men film series. Not only did Fox greenlight this sequel by the time the first film released, but after its premiere in May 2018, it would receive two additional cuts within the same year: the direct-to-video extended Super Duper Cut in August and the theatrically-released PG-13 Once Upon a Deadpool in December. Due to a lack of an official word on the matter, one could conclude that Fox wanted to make as much money as possible ahead of the Disney/Fox merger that completed in March 2019, but in any case, Deadpool 2 did break additional box office records on in its initial release, including highest-grossing R-rated film of all time (by just $3 million over Deadpool) until 2019’s Joker.

Since I’ve made it no secret that I’m a fan of Deadpool, it should come as no surprise that Deadpool 2’s existence piqued my interest enough that I watched all three cuts of the film as they came out. Although I still liked the film after rewatching it in the context of the rest of the X-Men films, I now find that the difference between Deadpool and Deadpool 2 feels more like the difference between Shrek and Shrek 2: while the sequel has more narrative complexity and shows more technical competency than the original, it doesn’t age as well due to the dated humor rooted in the exact moment it came out.

Monday, December 31, 2018

2018 - The Highlights (EHeroFlareNeos)

With 2019 approaching, now’s the perfect time to reflect back on the highs and lows in 2018 entertainment, in no particular order. I didn’t play as many new games this year, but the movie category has more than enough to make up for it, plus the return of the Worst Movie and Worst Game categories, reserved only for the particularly horrible.

Top Movies of 2018




After ten years of commitment to the Marvel Cinematic Universe, Infinity War made the journey feel worth it. Thanos was fleshed out to a greater extent than his previous appearances and the story is surprisingly tragic in its development and conclusion, all while teasing the true finale, now known as Avengers: Endgame. Perhaps the only thing holding this movie back, however, is the fact that, for better or worse, a complete understanding of the events in Infinity War requires knowledge of all 18 previous MCU movies.




Deadpool 2 is an R-Rated superhero film, and sequel, done right. It’s hilarious like the original, but is also able to couple that with a story that explores more of the tragic aspect of Deadpool. Two recuts would follow, Deadpool 2 Super Duper Cut and Once Upon a Deadpool, and while they are enjoyable in their own right, neither of them can quite top the original theatrical cut.




Despite releasing in February, Game Night was the comedic gem the trailers made it out to be. The premise of a game night gone wrong went a long way thanks to clever writing and smart, well-timed humor backed by talented actors. Definitely worth watching more than once.




Though lumped in with all of the live-action Disney remakes, Christopher Robin is actually more of a continuation of The Many Adventures of Winnie the Pooh that explores how Christopher Robin’s life turned out after going off to boarding school and serving in the war. While not perfect, Christopher Robin is a welcome, optimistic change of pace.




Given the dwindling reception of the previous live-action Transformers films, Bumblebee managed to finally do the property justice. Thanks largely to a change in director, Travis Knight instead of Michael Bay, as well as a tighter script and relatively conservative use of special effects, it’s now possible to wholly enjoy a Transformers movie as a movie rather than a guilty pleasure at best.




Considering the reception to Sony’s take on Spider-Man after Sam Raimi’s trilogy and the poor reputation of their animation studio, it’s amazing that Spider-Man: Into the Spider-Verse turned out as well as it did. Into the Spider-Verse offers a refreshing take on the property with stellar animation and a well-written story, as well as featuring Miles Morales as the main character. Whether you’re familiar with Spider-Man films or not, this is a movie you don’t want to miss.

Top Games of 2018



Dragon Ball FighterZ

After decades of attempts at perfecting a Dragon Ball fighting game, FighterZ feels like the one that finally got it right, courtesy of Arc System Works. The attention to detail, including individual character animations and an art style that looks exactly like the anime, is what helps sell the presentation, which is fortunately coupled with gameplay mechanics that are focused more on competitive viability rather than fanservice. Playing Dragon Ball FighterZ is a worthwhile experience, especially if you’re a Dragon Ball fan.




While the God of War series is an all-time classic, the games went on long enough that the formula was getting stale. Enter God of War (2018), which managed to find a way to breathe new life into the franchise. Though there are legitimate criticisms, this game’s take on an older Kratos, the new approach to combat and the exploration of Norse mythology, as opposed to Greek mythology, are nonetheless captivating and the sequel hook at the end felt very much earned. Simply put, it’s a must-play game for PS4 owners.




After the sleeper hit that was Undertale, TobyFox has proven that he is capable of even more with the surprise release of Deltarune Chapter 1. While the story is sort of a compressed version of Undertale, the party-style combat system is a natural expansion of the unique TPS/Bullet Hell hybrid of its predecessor, the combat sprites are colorful and more detailed and the new characters are written so well that they leave a lasting impression even months after you finish your first playthrough. Hopefully, TobyFox finds the resources necessary to deliver on additional chapters of Deltarune in the future.

Top Disappointments of 2018




I wasn’t that enthusiastic about Solo based on the initial trailers and the reports of a troubled production and actually watching it didn’t do much to change my mind. It’s by no means a bad movie, but the story is weakened by its use of Expanded Universe lore, something that maybe only a fraction of fans would’ve been invested in from the get-go, plus the fact that the actors seem more like they’re playing dress up. Add in a hook for a sequel that’s never going to happen and you’re left walking away with a feeling of emptiness.




I wasn’t the biggest fan of Jurassic Park going in, since the premise is pretty dumb when you think about it, but I still enjoyed certain aspects of Jurassic Park and Jurassic World and hoped Fallen Kingdom would be an improvement. Unfortunately, it’s anything but, largely due to poor logic and terrible decisions on part of the characters. I don’t know why they ever thought keeping the dinosaurs alive was a good idea, but if the teased sequel ever comes to pass, then hopefully, by some miracle, the characters finally come to their senses.




For a movie as good as the original Wreck-It Ralph, I didn’t expect Ralph Breaks the Internet to be so disappointing. Where the original was very well-written and executed, the sequel feels like more of a quick cash grab so that Disney could spend a good chunk of the movie advertising all of their properties. The characters are a little more self-absorbed, the writing relies too much on ignoring the consequences that the original revolved around and film’s interpretation of internet culture will unfortunately date the movie within a few years, in spite of how clever some of the references can get. Unlike the original, this one is more of a take-it-or-leave-it.

Worst Movie of 2018




I don’t know how it was possible, but the Sharknado franchise somehow got even worse in its final installment. With rocky time travel logic, a number of Z-list cameos, terrible special effects, an abundance of anachronisms and a wholly unsatisfying ending, only Sharknado die-hards will find The Last Sharknado even remotely entertaining.

Worst Game of 2018




There’s no way to really sugarcoat this, but The Quiet Man is one of the worst games I’ve ever played. It’s a three-hour movie with some buggy, glitch-ridden brawler segments tacked on so that it can just barely qualify as a game. It fails as a movie because you need to sit through an indecipherable mess to view The Quiet Man -Answered-, a marginal improvement that elevates it to merely an unwatchable mess, and it fails as a game because of tedious and grindy combat sequences with poorly explained mechanics and missing animations that cause both Dane and the enemies to teleport everywhere. Add to that the ugly graphics and terrible soundtrack and you get a “game” that you are honestly better off experiencing through a Let’s Play on YouTube. Even then, however, there are far better things you could do with three to six precious hours of your life.

2018 - The Highlights (Tetris_King)

The end of the year offers a chance to think about the highlights of the year, both good and bad. Not many games were played this year, resulting in a much shorter list, though there was a spike in new movies watched compared to previous years. Due to the number of superhero movies this year that I actually liked, the Top Movies lists are split between superhero and non-superhero films. Each list is presented in no particular order, with links to respective reviews where applicable.

Top Non-Superhero Movies of 2018



While not exactly masterworks of cinema, the first five live-action Transformers films could (for the most part) be enjoyed as guilty pleasures, with Age of Extinction coming the closest to being a decent movie following the change in lead actor to Mark Wahlberg. Bumblebee is different in that a change of director seemed to be what was needed to make a legitimately good movie on both a storytelling and cinematic level, helped by a much smaller robot cast and fights that are admittedly easier to follow. For those keeping track of lore, although it is designed to be a prequel to the 2007 movie, there are enough retcons (more have been noted than I was able to catch on my first viewing) that make Bumblebee not entirely compatible with the other films. Despite these discrepancies, Bumblebee is also designed such that you do not need prior knowledge to enjoy it and makes for solid family entertainment.



I wasn’t sure what to make of this movie when it first came out, though when I finally watched it on home video it turned out to be one of the funniest movies to come out this year. There is a perfect blend of comedy and suspense as it follows the events of a friendly game night gone completely wrong, with enough twists to make even the audience question what’s real and what’s part of someone else’s game, aided by some great acting and cinematography.



Christopher Robin tells a genuinely emotional story about an adult Christopher Robin returning to the Hundred-Acre Wood and reconnecting with his inner child. Though labeled as one of Disney’s live-action remakes, it’s more of a continuation from the end of 1977’s The Many Adventures of Winnie the Pooh that still manages to preserve the general innocence of the source material. Winnie the Pooh fans and children at heart should definitely check this one out.

Top Superhero Movies of 2018



Where Age of Ultron and much of Phase 3 went wrong, Infinity War set right. Thanos is made to be one of the most well-rounded villains in the MCU, to the point where the movie is more about him than any of the Avengers. Knowledge of the preceding 18 films is still required to fully enjoy it (sort of like a pop quiz), though the film is still accessible to those with only a passing knowledge of the MCU.



With how much success the first Deadpool movie had, not to mention how many box office records were broken, a sequel was inevitable. Though not quite as good due to how much raunchier it felt the need to be, Deadpool 2 manages to still be a very entertaining and funny movie in its own right. Though a little excessive in how they were released in the same year, Deadpool 2 Super Duper Cut (an unrated, extended cut of the movie with more jokes) and Once Upon a Deadpool (a PG-13 cut where Deadpool reads a sanitized version of the story to Fred Savage a la The Princess Bride) are also worth watching at least once.



I wasn’t sure what to expect after Justice League proved to be kind of a mess. Aquaman turned out to be a close second in terms of quality to Wonder Woman, surpassing my previous expectations. There are some pacing issues that bog it down a little (did it really need to be around two and a half hours?), though despite that it was a pretty enjoyable movie, enough to give me higher hopes for the DCEU’s next follow-up, Shazam!



In what is perhaps the best Spider-Man movie since Spider-Man 2, Into the Spider-Verse takes full advantage of its comic book style to deliver a really fun experience. The animation is spectacular and the writing manages to juggle a large ensemble of characters very well such that it doesn’t feel bloated. This is a definite must-see for Spider-Man fans, though the movie makes sure that even the most casual fan can have a good time as well.

Top Games of 2018



While the God of War games are generally enjoyable, the Greek mythology setting and gameplay style was getting pretty stale (see: God of War: Ascension), so a change of setting to Norse mythology and an overhauled gameplay style make for a nice change of pace. Kratos goes through some nice character evolution as he goes on a journey with his son Atreus as they explore a beautifully-designed Norse setting while starting to encounter members of the Norse pantheon that are out to get them. The game also hints at a sequel as well as the potential to explore Egyptian mythology sometime in the future, both of which I can’t wait to see play out.



Though I haven’t played very many games on PlayStation VR as of yet, Moss proves what is possible even when the game is not in first-person. Aside from the player’s presence being justified in-universe, the fact that you can more-or-less get up and freely look around the scenery makes you feel like you are part of Quill’s adventure, sometimes even making you wish you could physically reach out to help her. Though not explicitly spelled out on the box, the game presents itself as being Part 1 of a larger story, something I would gladly invest in seeing continue.



In an attempt to breath new life into the toys-to-life genre, developer Ubisoft decided to take a different approach and focus on a play style inspired by model kits, which turned out really well in the long run. Aside from taking full advantage of this unique gameplay (compared to other games in the genre), one of the best features included is the ability to play with or without the toys, making it much more portable and opening up a lot more options to players. The Switch version (which I played) includes special content based on Nintendo’s Star Fox brand, giving newcomers a taste of Star Fox lore and providing existing fans incentive to pick up this game. Based on how well the concept played out, it would be interesting to see where Ubisoft takes it from here, if at all.

Top Disappointments of 2018



Not the worst Star Wars movie out there, though it certainly doesn’t match up to Rogue One in terms of how well it works as a prequel. Casting aside, it’s not exactly a good sign when the story relies on the audience having knowledge of Expanded Universe material in order to follow it. It also for some reason sets itself up for a sequel that will likely never come to pass due to its failure at the box office.



Though divisive, Jurassic World was at least decently enjoyable thanks to the performance of Chris Pratt, even if its story didn’t make the most sense. However, not even Chris Pratt could save the mess that is Jurassic World: Fallen Kingdom. To keep it short, I was agreeing with Jeff Goldblum’s character in that they should have just left the dinosaurs to die after what happened in the last movie (or even the original Jurassic Park). The post-credits scene is also one of the weakest I have ever seen, much like the rest of the movie, which doesn’t exactly bode well for the future of the franchise.



I had low expectations going in and I was still let down. The story doesn’t make much sense even by Sharknado standards, plus the increased abundance of forced jokes and unnecessary cameos don’t help matters. Thankfully the franchise is finally done and (hopefully) we can all move on from this.



Ralph Breaks the Internet has all of the heart and none of the soul that the original Wreck-It Ralph had. Despite having the same director, the movie commits the sin of going against the first movie’s message and internal logic in order to make it work, something which bugged me the entire time. The movie’s depiction of the internet, and especially online gaming, is very clever and well-designed, however there was a point where it felt more like an ad for (while being a self-parody of) Disney. While unnecessary sequels have proven to work at times, this is sadly not one of them.

Honorable Mentions



While it didn’t make it onto my Top Games list (as I had not played very many new games this year), it seemed disingenuous not to include the new Spider-Man game on this list. Though I haven’t much experience with this type of game, I found myself invested in the game’s continuity and characters as well as wanting to explore every nook and cranny of New York to see what I could find. This is a must-play for fans of Spider-Man and the gameplay style of the Batman: Arkham series and I’m interested in seeing where/if developer Insomniac can expand on this new universe.

2018 - The Highlights (lionsroar)

Films watched for the first time and reviewed in 2018

Note: Since Trophy Unlocked has to pay for most of the movies we see in the theaters and for most of the films we watch at home, we don’t have the scope of a newspaper reviewer. We don’t see everything that’s out, so our ratings of films are based on what we decide to spend our money on.

The Highlights, in no particular order:


The Shape of Water

Guillermo del Toro's take on the Creature from the Black Lagoon gives it a definite Cold War twist.  Imaginative to say the least. A tour de force for actress Sally Hawkins who goes above and beyond in her depiction of Elisa Esposito, the mute cleaning woman who befriends the beast. Michael Shannon's performance as Col. Richard Strickland is also very good as well. A horror film with a heart, this film won Best Picture honors at the 2018 Academy Awards.


Avengers: Infinity War

For a film that was the 19th in a series that has been going on for ten years, there was a lot riding on Avengers: Infinity War. Over that time, seeing Marvel films was a lot like school, I began to feel like I had to see the films rather than wanted to see them. However, Infinity War is a good partial payoff for all the time invested. The story is not concluded, but this was a very entertaining film.


Deadpool 2 and Once Upon a Deadpool

Deadpool 2 may have its flaws but our favorite merc is back and Cable has come with him. I believe I saw this film at least three times this year in its various versions, including twice in the theater with the original and Once Upon A Deadpool versions. Ryan Reynolds is the driving force behind this and deserves much of the credit for making a successful R-rated Superhero franchise. The PG-13 version released at the holidays uses the same wraparound story that The Princess Bride used, complete with Fred Savage reprising his role. 



Bradley Cooper makes his directorial debut with yet another A Star is Born remake. Lady Gaga plays the protege who surpasses her mentor becoming the bigger success as he drifts into alcoholism. The end result is a very strong film that will definitely be remembered during Awards season. Looking forward to seeing what Cooper does when he takes a path less trodden and directs something original.


Bumblebee

After five live-action films, the Transformers series moved from Michael Bay to director Travis Knight, perhaps best-known for the stop-motion films made at Laika Studios. While the film relies less on special effects than previous films, there is also a better human character at the center of the story, Charlie, played by Hailee Steinfeld. I would strongly recommend them to keep making movies with her in the lead and Knight behind the camera. This is the best of the Transformers live-action films. One hopes that the franchise hasn't found its footing too late.

The disappointments, in no particular order:

Three Billboards Outside Ebbing, Missouri

For a film that was nominated for Best Screenplay, Three Billboards Outside Ebbing, Missouri (2017) was a second act looking for a third. More of a character study than a complete film. The film has what I consider to be a lousy ending, leaving unresolved what I would assume was the point the film was setting up.

Early Man

I am normally a big fan of Nick Park's work, but this seems to be one of the weaker of Aardman Animation's films. Entertaining, the plot was very predictable. You expect more from them than the usual underdog sports film. Good, but it could have been a lot better.

Solo: A Star Wars Story

Remember when Star Wars films were few and far between? In their rush to capitalize on the franchise, Disney has been making one-offs in addition to the main series. Sometimes these are very good, like Rogue One. Other times they are rather ill-conceived like Solo: A Star Wars Story. This film seems like a money grab from the get-go but fails to deliver the goods. While I'm a fan of Alden Ehrenreich's, I would say he was miscast as Han Solo and the altered origin story doesn't necessarily jibe with what is already out in the Star Wars universe.

Ralph Breaks the Internet

After the success of Wreck-It Ralph, it seemed unlikely that there wouldn't be a sequel. Too bad that it turns something somewhat original into an internet version of The Emoji Movie. Not only did they miss out on the obvious sequel title Ralph Wrecks the Internet, but they turned it into something desperately close to a commercial about Disney.com.


Jurassic World: Fallen Kingdom

There is so much wrong with this film that I'm not sure where to start. The film starts with the dinosaurs that, by the way, kill and eat people, are in danger when a volcano explodes on their island. Instead of rejoicing that these man-made genetic mutants are going to go extinct, there are plans to try and save them. Dumber still would be to try and weaponize them, which they try to do in the film as well. The film sets itself up for a trilogy since you've got to have one these days, but I think I'll stay home next time. Time for this franchise to go extinct as well.

Saturday, December 22, 2018

Once Upon a Deadpool


Note: The following review contains spoilers for Deadpool 2.

Following the success of Deadpool 2 and, presumably, the Deadpool 2 Super Duper Cut re-release, Fox has decided to re-release Deadpool 2 yet again, this time as a PG-13 version titled Once Upon a Deadpool. While this is obviously a blatant cash-grab, Once Upon a Deadpool features 16 minutes of additional content that actually makes the third viewing worth it.

At Christmastime, Fred Savage (Fred Savage) wakes up in a bedroom, only to quickly realize that Deadpool (Ryan Reynolds) has kidnapped him and is holding him in a perfect recreation of the bedroom from The Princess Bride. Deadpool reveals that he won’t release him until he hears a bedtime story, actually a sanitized version of Deadpool 2. Desperate to leave, Savage decides to hear the story, read to him from a book whose spine reads Deadpool 2: The King James Edition.

Fred Savage (left) is forced to hear Deadpool (Ryan Reynolds; right) read
him a sanitized version of Deadpool 2 during Christmastime.

The rest of the story plays out largely the same as Deadpool 2, but cut and censored to appeal to the PG-13 market. As with most PG-13 superhero movies, this involves a general lack of blood and gore and swearing limited to a single f-word, but liberal usage of “shit” and “bitch”; ironically, despite Deadpool stressing the limit of one f-word, none are uttered throughout the entire film (unless you count one used during Juggernaut’s (Ryan Reynolds) theme). Additionally, a mosaic censor is applied to some nudity and a few scenes are shortened to remove certain jokes. For example, Deadpool now only asks Cable (Josh Brolin) one question about the future, regarding whether or not dubstep is still a thing.

Although the central story of Once Upon a Deadpool is a slightly abridged version of Deadpool 2, the footage that was cut is replaced with new footage featuring brand new jokes, including a reference to Pixar’s Up (2009), and the larger Fred Savage framing device. Though most of the remaining footage is from the original cut, some of the footage is notably taken from the Super Duper Cut, likely to help pad out the running time to still remain just below two hours.

The biggest and most obvious change, of course, is the aforementioned Fred Savage framing device. This framing device not only makes the PG-13 rating possible, it also allows the opportunity for more jokes and meta-humor, which largely includes mocking the PG-13 rating and Fred Savage poking holes in the story. The additional back-and-forth between Deadpool and Fred Savage showcases the latter’s acting ability and provides the biggest incentive for those who had previously seen a cut of Deadpool 2 to return for another round.

If you stay for the credits, there’s not only a new post-credits sequence, concluding the story of the framing device, but also a heartwarming tribute to Stan Lee directly after.

Once Upon a Deadpool is largely a retread of Deadpool 2, this time through a sanitized PG-13 lens, but the new footage and commentary are enough to keep the same story fresh. As an added bonus, Fox donated a dollar from every ticket to the organization Fudge Cancer. I’d recommend Once Upon a Deadpool to fans of Deadpool 2 who don’t mind seeing another cut, as well as families with kids who were previously unable to see the original R-rated release, though with the caveat that Once Upon a Deadpool is a harder PG-13 than other superhero films.

To read reviews of other Christmas films, please see our Christmas Review Hub.

Wednesday, September 12, 2018

Deadpool 2 Super Duper Cut


Note: This review contains spoilers for Deadpool 2 (2018).

After the original Deadpool (2016) broke numerous box office records, Deadpool 2 (2018) was produced and released. Though its box office fell just shy of its predecessor, $734 million vs the original’s $783.1 million, its success was enough to spawn a special home video release, dubbed the Deadpool 2 Super Duper Cut (written on the box as the Deadpool 2 Super Duper $@%!#& Cut). This cut boasts 15 minutes of additional footage, including all-new jokes and extended sequences. After we got our hands on a copy, we proceeded to watch it to see how well it stacks up against the original theatrical cut (although we did not watch the original theatrical cut again prior to this review).

At its core, both versions of Deadpool 2 are nearly the same. The story is still about Deadpool (Ryan Reynolds) wrestling internally with the aftermath of Vanessa’s (Morena Baccarin) death while also dealing with a man named Cable (Josh Brolin) who has come back in time to prevent a dystopic future, no matter the cost. The main theme of family is still a running thread that’s explored in different ways throughout the movie.

Beyond this core, however, the Super Duper Cut is features a number of differences from the original within the extra 15 minutes, some more obvious than others. Among the most noticeable are extended sequences which include new dialogue and quips, including the scene where Domino (Zazie Beetz) and Deadpool argue over whether or not luck counts as a superpower, as well as new scenes inserted into others, such as showing additional methods of Deadpool trying to kill himself in the wake of Vanessa’s death. Some of the subtler changes involve using alternate takes of a scene and, in turn, alternate jokes. One such alternate take is when Deadpool, in this version, asks Cable three different questions about the future, while another is when Deadpool has different dialogue with Russel (Julian Dennison) outside of the orphanage. There are also a couple changes made to the soundtrack, most noticeably the song that plays while Deadpool’s group walks toward the orphanage before the climax.

While many of these alterations to the movie are worked in really well and are often still funny in their own right, they’re not all perfect. For example, when Deadpool is trying to “win back” Colossus (Stefan Kapičić) outside of the X-Mansion, there seemed to be some alternate dialogue inserted through an overdub, noticeable through a slight change in audio quality and Ryan Reynolds’ dialogue not quite matching Deadpool’s expressions. There’s also an extended sequence during Cable’s arrival to the past that involves two farmers having a lengthy discussion about a toilet paper-based government conspiracy. This scene is raunchier than in the original cut, as it now has an extended bathroom joke, and falls flat compared to the rest of this cut as a result.

Deadpool 2 Super Duper Cut is worth checking out. While not everything is seamlessly integrated and some of the new jokes may not be as funny as the original cut, it’s still an enjoyable way to watch Deadpool 2, particularly if you’re already a fan of the movie and want to experience it in a new way. If you have yet to see Deadpool 2, however, it’s best to watch the theatrical cut first before deciding whether or not you want the uncut experience.