Trophy Unlocked: John Huston

Showing posts with label John Huston. Show all posts

Saturday, January 18, 2025

Stubs - The Red Badge of Courage

The Red Badge of Courage (1951) starring Audie Murphy, Andy Devine, Robert Easton Burke, Douglas Dick. Directed by John Huston. Screenplay by John Huston, Albert Band. Based on the novel The Red Badge of Courage by Stephen Crane (New York, 1895). Produced by Gottfried Reinhardt. Run time: 69 minutes. Black and White. USA. Drama, War

Texan born Audie Murphy enlisted in the Army as soon as he could after the attack on Pearl Harbor at the start of World War II. He first saw action in the 1943 Allied invasion of Sicily; then in 1944 he participated in the Battle of Anzio, the liberation of Rome, and the invasion of southern France. Murphy fought at Montélimar and led his men on a successful assault at L'Omet quarry near Cleurie in northeastern France in October. He received every American combat award for valor available at the time of his service, including the Medal of Honor. He also received recognitions from France and Belgium.

As a result, he made the cover of Life magazine on July 16, 1945. That cover brought him to the attention of actor James Cagney, who had recently formed a production company with his brother William. They gave him training in acting, voice and dance, but never cast him in any production. A personal disagreement ended the arrangement in 1947.

Stubs - The African Queen

The African Queen (1951) Starring Humphrey Bogart, Katharine Hepburn, Robert Morley, Peter Bull, Theodore Bikel. Directed by John Huston. Screenplay by Peter Viertel, John Collier. Adapted for the screen by James Agee, John Huston. Based on the novel The African Queen by C. S. Forester (London, 1935). Produced by Sam Spiegel. Run time: 106 minutes. United States/United Kingdom Color. Romance, Drama, War, Adventure

There has been a long history of directors working with particular actors. Arguably, one of the best well-known is the teaming of John Huston and Humphrey Bogart. Their first film together, The Maltese Falcon (1941), can be seen as setting the tone for Film Noir, finally cementing Bogart as a star and showing Hollywood that John was something more than just the son of actor Walter Huston. They would go on to make four films together, including The Treasure of the Sierra Madre (1948), Beat the Devil (1953), and The African Queen, which finally won Bogart the Academy Award for Best Actor.

Their friendship is fairly storied and the two enjoyed working together and playing practical jokes on each other on the set. However, it is reported that it was his co-star Katharine Hepburn who recommended Bogart for the lead role. Producer Sam Spiegel sent her the book and she felt Bogart "was the only man who could have played that part.” The chance to work with Huston again and the chance to work with Hepburn was more than enough to interest Bogart in the project. But prior to him, the film was considered as a vehicle for Elsa Lanchester and Charles Laughton. David Niven and Paul Henreid were also looked at for the lead.

Though the book was written in 1935, Warner Bros. didn’t buy the rights to it until 1946. John Collier wrote the first screenplay adaptation in 1949, which supposedly adhered closely to the book. With plans to produce it himself, Collier than bought the rights to the book and the screenplay from Warner Bros. But instead of making the film, he sold the rights to Horizon Enterprises, which was co-owned by Huston and Spiegel.

The production itself would be legendary. Hepburn would write her own account in The Making of “The African Queen,” or How I Went to Africa with Bogie, Bacall and Huston and Almost Lost My Mind. In 1953, writer Paul Viertel published the book White Hunter, Black Heart, a thinly fictionalized account of his experience writing the script for The African Queen with Huston. The book follows the exploits of a tyrannical director who stalls the production of his African-set film by obsessively hunting an elephant. The book would be made into a film in 1990 by Clint Eastwood and starred Eastwood and Jeff Fahey.

The film was made partly on location in Africa, which was quite a feat at the time, especially considering they were using rather bulky Technicolor cameras. Production got underway in late May and continued until mid-August 1951 at the Isleworth Studios, London. The film would open in Los Angeles on December 26, 1951, so it could qualify for the Academy Awards, and open nationwide on March 21, 1952.

Katharine Hepburn plays Rose Sayer, the sister of a British Methodist missionary (Robert Morley) in German Africa.

The film is set in September 1914 in German East Africa at the beginning of World War I. The action opens in the village of Kungdu, where British Reverend Samuel Sayer (Robert Morley) and his spinster sister Rose (Katharine Hepburn) lead prayers at the makeshift First Methodist Church. While the natives struggle to follow the English-language psalm, they race outside when they hear Canadian Charlie Allnut's (Humphrey Bogart) ancient launch the African Queen chug into the village laden with mail and goods.

Charlie Allnut (Humphrey Bogart) is warmly greeted by the natives in the village of Kungdu.

Though conscious of his lower social standing than the Sayers, Charlie lunches with them. They have to delicately ignore his loud rumbling stomach. Before leaving, he informs them about the encroaching war in Europe, and although the Sayers are frightened by the news, they refuse to desert the village.

Though they are of different social tiers, the Sayers invite Charlie to have lunch with them.

However, hours later, German troops invade Kungdu, imprison the natives and burn down the huts. By the time the smoke clears, Samuel has begun to lose his mind from shock and grief. He soon collapses, unintentionally wounding Rose by raving that their attraction to missionary work grew out of a lack of more attractive social options.

Charlie returns the next day and he finds Samuel dead and helps Rose bury him. She then accepts Charlie's offer to hide from the Germans on his boat. Once they are on the river, Charlie explains to her that the Germans have positioned a heavily armed steamer, the Louisa, at the mouth of Lake Tanganyika to block British troops. He tells her that the Germans even had to dismantle the boat and carry it overland to the Lake.

Rose almost immediately forms a plan to attack the Louisa by crafting torpedoes out of explosives and oxygen tanks, strapping them to the African Queen and ramming into the steamer. Charlie tries desperately to dissuade her, describing the German fort and impassable rapids they will have to face along the way, but Rose's determination eventually shames him into agreeing to the plan.

After they set sail, Charlie teaches Rose how to read the river, and they negotiate how to bathe in private. That night, a pouring rain forces Charlie to seek shelter under Rose's tarpaulin, and after at first banishing him, Rose softens and allows him to sleep near her.

The African Queen nears a set of rapids.

The next day, they reach the first set of rapids and Charlie hopes that the death-defying experience will frighten Rose. But his hopes are dashed when she proclaims it the most stimulating physical experience she has ever had.

Charlie drinks gin while Rose drinks tea.

That night, a frustrated Charlie taps into his gin reserves. Drunk, he rants that he will not sail any farther, calling Rose a "skinny old maid." He awakes the next morning to find Rose pouring his gin bottles into the river. Hours later, he begs her to speak to him and she finally reveals that it is his refusal to sail which has infuriated her.

Rose dumps out all of Charlie's gin while he helplessly looks on.

Charlie quickly backs down, agreeing to accompany her while still doubting their chances for success. Their first obstacle is the German fort he spoke about that overlooks the river. The soldiers open fire on the African Queen, hitting the engine. Charlie, however, manages to repair it and they sail on and get out of the line of fire.

Their joy at surviving the rapids turns romantic.

Almost immediately, however, they reach another set of rapids. Rose struggles to steer while Charlie races to keep the engine stoked, and although they are badly pummeled, they miraculously reach calm waters. Thrilled, Charlie and Rose fall into an embrace which quickly becomes romantic. When they declare their love, they finally learn each other's first name.

They then sail peacefully past exotic flora and fauna until they hit a waterfall, which damages the rudder. Although Charlie despairs, Rose devises a plan to weld a new rudder. For every problem Charlie can think they might have with the repair, Rose thinks of a solution. She even gets into the water to help Charlie get the old rudder off. A few days later, the boat is fixed and on its way.

Together, Rose and Charlie fashion a new rudder for the African Queen.

Just miles down the river, they are attacked by a horde of mosquitoes, which terrifies Rose and forces them to stay in open water. Within days, they become lost in the stagnant shallows as thick reeds bog down the boat. Charlie has to get into the water and pull the African Queen through the reeds.

When he finally gets back on board, he finds leeches covering his body, and even though he is shaking with revulsion, he instructs Rose to use salt on them rather than pull them out. Still reeling, he must return to the water to keep the boat moving. Hours later, they’re stuck on land. Charlie is feverish and tells Rose they may not make it, but that he loves her. They both collapse into sleep.

Feverish, Charlie confesses to Rose that they might not reach their goal.

During the night, a fresh rain upstream raises the water level and sweeps the launch downstream onto Lake Tanganyika. When they awaken, they find the Louisa only miles away, and are forced to retreat into the reeds to hide. By the next day, they have discerned the ship's sailing pattern and they make the African Queen ready. Not only do Charlie and Rose make the torpedoes, but they scrub and polish the boat for its last mission.

Charlie figures out the fuse for the torpedoes.

They set out that night on their attack, but a sudden storm capsizes the launch and Rose and Charlie are separated in the dark.

The next day, Charlie is imprisoned by the Germans and, not wanting to live without Rose, accepts his sentence of hanging. Just then, however, Rose is brought in, and when she hears that Charlie is to be killed, proudly admits their whole scheme to the soldiers.

Before they're to be hanged, Charlie and Rose are married by the German ship's captain (Peter Bull).

Before they are hanged, though, Charlie requests that the captain (Peter Bull) marry them, and just as the service ends, the African Queen surfaces, hits the Louisa and explodes. The German boat goes down and Charlie and Rose manage to escape. Floating together in the water, the newlyweds see the boat's nameplate floating by and realize that their plan has succeeded after all. Happily, and singing, they swim together towards the shore.

After the African Queen sinks the Louisa, Charlie and Rose swim away to safety.

During the filming, Hepburn and Humphrey develop a great rapport and that shows on the screen. Even though Bogart couldn’t manage an English-accent, forcing them to change Charlie’s nationality, he does a really good job as Allnut. This allows him to show a range. No longer the gangster or a true romantic lead, Bogart shows himself to be a fine actor and not just a movie star. The role would earn Bogart his only Academy Award of his long and esteemed career.

The film is essentially a two-person show and Hepburn gives a fine performance herself as Rose. Bogart is only as good as he is because he has an equal acting partner in Hepburn. The trip down the river in the African Queen is as much a journey of discovery for Rose as she goes from the virginal sister of the missionary into a woman discovering both her emotional and, yes, sexual self. She would also receive a nomination for her performance.

Robert Morely makes a brief appearance as Rose's brother and Methodist minister. His part was all shot in the studio and he did not make the trip to Africa. His role is small though important, however, he doesn't really bring anything more than name recognition to the role.

The film would also receive nominations for Best Adapted Screenplay for both James Agee and John Huston as well as one for Huston as Best Director. The film also did well at the box-office, making over $10.75 million on a budget of $1 million. The film has had legs and often lands in the top 100 films of all time in many polls.

This is definitely one of those classic films that everyone should watch. The film is unusual given the star power of the leads and the strong performances they give despite the hardships of filming. Much of this is done on location, which would be difficult at best but both give top-notch performances. The action is good as the couple grow closer and have to fight the dangers of the jungle to achieve their goal. I can’t say enough good things about the film and would highly recommend it.

Saturday, September 16, 2017

Stubs - Key Largo

Key Largo (1948) Starring Humphrey Bogart, Edward G. Robinson, Lauren Bacall, Lionel Barrymore, Claire Trevor. Directed by John Huston. Screenplay by Richard Brooks and John Huston. Based on the play Key Largo by Maxwell Anderson, as produced by The Playwrights Company (New York, 27 Nov 1939). Produced by Jerry Wald. Run Time: 100 minutes. USA. Black and White. Drama, Crime, Film Noir.

Tell me if this sounds familiar, a deserter of the Spanish Civil War redeems himself in death by defending the family of a true war hero against Mexican bandidos on the tiny island of Key Largo, Florida. No? Well, that’s the story of the play Key Largo that was the basis for the film. With World War II still on everyone’s mind, it is no surprise that the story was updated. Mexican Bandidos are replaced with prohibition-era gangsters. There are some other changes made to the point that the original story is all but impossible to see in the finished film. But that’s Hollywood.

At this point in his career, Humphrey Bogart was getting top-billing. After such films as The Maltese Falcon (1941) and Casablanca (1942), Bogart was finally a full-fledged star. But so was Edward G. Robinson.

Born in Bucharest, Romania, Robinson had been a star since Little Caesar (1931). Often cast as gangster, Robinson had worked with James Cagney, Bette Davis and Bogart. But he had also shown his versatility starring in comedic send ups of his tough guy image, A Slight Case of Murder (1938), as well as a political film, Confessions of a Nazi Spy (1939), and biographical films as Paul Ehrlich in Dr. Ehrlich's Magic Bullet (1940) and Paul Julius Reuter in A Dispatch from Reuter's (1940). He also made film noirs including Billy Wilder's Double Indemnity (1944), Fritz Lang's The Woman in the Window (1944) and Scarlet Street (1945); and Orson Welles' The Stranger (1946) and Irving Reis’ All My Sons (1948).

In their four previous films, Bullets or Ballots (1936), Kid Galahad (1937), The Amazing Dr. Clitterhouse (1938) and Brother Orchid (1940), Robinson had received top-billing. Now, while Bogart would receive top-billing, Robinson’s name would appear in second place, but slightly higher than Bogart’s on the poster to show that he was an equal.

Edward G. Robinson gets second, but equal billing to Bogart.

The film is also notable for Bogart’s teaming with wife Lauren Bacall. After success in To Have and to Have Not (1944), The Big Sleep (1946) and Dark Passage (1947), Key Largo would represent their fourth and final pairing.

Key Largo would be in production between December 1947 and mid-March 1948. The hurricane footage was stock, having been shot for a Ronald Reagan melodrama, Night Unto Night (1948).

Following the end of World War II, disillusioned ex-Major Frank McCloud (Humphrey Bogart) arrives on the island of Key Largo, Florida to visit the family of George Temple, a friend from the Army who had served under him and was killed in the Italian campaign.

In the hotel's bar, Frank McCloud (Humphrey Bogart) meets (from left to right) Janes Temple (John Barrymore), Ralph Feeney (William Haade), "Toots" Bass (Harry Lewis), Curly Hoff (Thomas Gomez), Angel Garcia (Dan Seymour) and George's widow, Nora (Lauren Bacall).

Entering the rundown Hotel Largo, where Frank is to meet George’s father, the wheel-chair bound James (Lionel Barrymore) and George’s widow, Nora (Lauren Bacall), he encounters guests in the hotel’s bar: Curly Hoff (Thomas Gomez), "Toots" Bass (Harry Lewis), Angel Garcia (Dan Seymour), Ralph Feeney (William Haade) and Gaye Dawn (Claire Trevor). Frank is informed by Curly that the hotel is closed for the season, but he still seeks out the Temples, who invite him to spend the night.

Frank tells James and Nora about George's bravery under fire.

Frank tells James and Nora about where George is buried and recounts his heroism under fire. Nora seems taken with Frank, stating that George frequently mentioned him in his letters home. Frank tells them that George had told him personal and confidential details about the Temples and that he had committed to memory the small and cherished details George had spoken of, to relieve the boredom, stress, and terror that was the stark reality of combat.

Nora offers that the guests have offered Mr. Temple an amount of money that he couldn’t refuse to open the hotel even though it was closed for the winter and there is a Hurricane expected. He also learns that there is a sixth guest who remains secluded in his room. The guests insist that they are in the Florida Keys on a fishing trip and have a charter boat waiting down by the docks.

With a hurricane coming, the three go about preparing the hotel. They are interrupted when Sheriff Ben Wade (Monte Blue) and his deputy Sawyer (John Rodney) arrive looking for the Osceola brothers, John (Jay Silverheels) and Tom (Rodd Redwing), a pair of Seminole Indians who escaped custody after being arrested on minor charges. Mr. Temple promises Sheriff Wade that he has some influence with the local Indians and will get the Osceolas to surrender. But soon after the Sheriff leaves, local Indians come to the hotel seeking refuge from the approaching hurricane, including the Osceolas.

Back inside the hotel, Curly, Ralph, Angel and Toots pull guns and take the Temples and Frank as their hostage. The sixth member and leader of the group finally makes an appearance. Frank recognizes him as notorious gangster Johnny Rocco (Edward G. Robinson), who was exiled to Cuba some years before for being an undesirable alien. Rocco has entered the country illegally in order to make a delivery of counterfeit money, but his contacts have been delayed by the approaching storm.

Johnny Rocco (Edward G. Robinson) is an old-style gangster who has already been deported from the U.S.

It is revealed to the Temples and Frank that the gang had discovered Sawyer looking about, so they beat him up and knocked him unconscious. As they are held at gunpoint, Temple lets go a stream of insults toward Rocco, who responds by taunting Temple, explaining how he will one day return back to prominence.

Rocco makes an inappropriate pass at Nora.

Rocco is impressed by Nora's feistiness and makes a pass at her. In response to his overtures, she spits in his face.

She spits in his face.

Angry, Rocco wants to kill her, but Frank stops him with some fast talking. Mocking Frank's heroics, Rocco gives Frank a pistol and tells him that he can rid the world of Rocco if he is willing to die in the process. To the disappointment of both Nora and Temple, Frank refuses to shoot, stating that he believes in self-preservation over heroics and that "One Rocco more or less isn't worth dying for!" After Frank throws the gun down, Sawyer grabs it and tries to use it to escape, but Rocco shoots him. Turns out the gun Sawyer picked up, the one given to Frank by Rocco, wasn’t loaded.

Claire Trevor plays Rocco's ex, Gaye, who is now an alcoholic.

James wants to believe Frank knew that Rocco gave the gun to him unloaded, but Frank is adamant that he didn’t. Rocco orders his men to take Sawyer's body by boat to deep water and throw it overboard.

Rocco then demands that Gaye, his alcoholic former mistress, sing a song before she can have another drink. She sings "Moanin' Low," (words by Howard Dietz, music by Ralph Rainger) a capella, but doesn’t sing very well. Rocco still refuses to give her a drink and Frank takes pity on her. Frank goes to the bar, pours a drink and gives it to Gaye. While Gaye says "Thanks, fella" to Frank, Rocco slaps him in the face several times for disobeying his orders. Frank ignores the slaps, and says, "You're welcome" to Gaye.

Rocco slaps Frank for disobeying him and giving Gaye a drink.

The full force of the hurricane then hits, which terrifies Rocco and Frank uses the opportunity to “shame” him:

Frank McCloud: You don't like it, do you Rocco, the storm? Show it your gun, why don't you? If it doesn't stop, shoot it.

The storm also gives Nora a chance to challenge Frank about his disillusionment. Nora tells Frank that she knows his story about her husband's heroism was false and that Frank was the real hero. Mr. Temple then invites Frank to come live with them at the hotel, a prospect that seems to intrigue Nora.

After the storm has passed, Sheriff Wade returns looking for Sawyer and finds his body on the road, where it had been washed up during the storm. Rocco blames the murder on the Oceola brothers.

Sheriff Ben Wade (Monte Blue) finds the body of Officer
Sawyer after it is washed up after the Hurricane.

Along with the other Seminoles, they hadn’t been been allowed inside the hotel at Rocco’s orders. Sheriff Wade then goes out to the dock where the Indians are preparing their own boats to leave. When the Oceolas try to escape, Wade shoots them down.

After Wade leaves with Sawyer's body, Rocco's contact, Ziggy (Marc Lawrence), arrives to conclude their business deal. Rocco sells Ziggy a large amount of counterfeit money. Even though the meeting is tense. Rocco and Ziggy are old friends and joke about better days ahead for gangsters like themselves.

Curly looks on as Ziggy (Marc Lawrence) and Rocco do some business.

Once the business is concluded, Rocco is ready to leave. It is then that he finds out the Skipper (Alberto Morin) of the boat, against Rocco’s direct orders, has moved it to deeper water to avoid damage from the hurricane. They need another boat and commandeer Temple’s. Rocco then forces Frank, who has skills as a seaman, to take him and his henchmen back to Cuba on the small boat.

Even though Rocco threatens him, the Skipper (Alberto Morin) moves the boat of out the way of the Hurricane.

Rocco pays James Temple for their stay and has his henchmen gather everyone's bags, except for Gaye's. Even though she wants to come with him, Rocco tells her he won’t be taking her with him. Instead, he gives her some money for expenses.

Both Nora and Gaye try to convince Frank to make a break for safety once he is outside the hotel, but he agrees to take the men to Cuba. Gaye appears to make a last-ditch attempt to convince Rocco to take her with him. She hugs him and, while embracing him, steals Rocco's gun. She then manages to slip the gun to Frank.

Gaye makes a last desperate attempt to get Rocco to take her with him.

Once they’re out at sea, Curly worries that Gaye will tell the authorities about Ziggy, but Rocco tells him that is exactly what he wants to happen.

Up on deck, Toots is sea sick. Frank sees his opportunity. He first tricks Ralph into looking over stern under the guise that there might be something on the propeller. When Ralph looks over the edge, Frank races the engine and knocks him into the water.

Toots fires at Frank after Ralph has been dumped in the ocean.

Toots realizes that Ralph has been lost at sea and when Frank won’t go back, he shoots him. Even though he’s wounded, Frank returns fires back and kills him.

Hearing shots, Curly goes up to the main deck and is mortally wounded by Frank in an exchange of gunfire. Curly staggers down the ladder, but before he can respond to Rocco’s questions, he dies.

Rocco wants Angel to go up and see what has happened, even lying to him that Frank is dead. But Angel refuses and Rocco kills him.

Angel doesn't want to go up, so Rocco kills him.

Rocco then tries to trick into surrendering by offering to share the money with him. He even throws one of the guns out on deck, as if it’s his. But from Frank’s vantage point, he can see that Rocco still has his gun. When Rocco comes up on deck, Frank shoots him, but Rocco isn’t dead yet, and fires one more time at Frank, before Frank shoots again and kills him.

Rocco tries to trick Frank into trusting him.

Frank then radios the Miami Coast Guard station, “NAM”, and radios his position. He then asks them to connect him to the hotel so he can tell Nora and Temple that he is coming back home.

From his vantage point, Frank can see everything and kills Rocco.

The film opened in New York on July 16, 1948 and nationwide on July 31st. In his review for The New York Times, Bosley Crowther gave much of the credit for the film’s success to director John Huston for his tightening and speeding up the action. “He has dropped out a lot of prior build-up, thrown away some complexities and avoided the final fatalism which Mr. Anderson (the playwright) always seems to indulge.”

Crowther also credits Huston with getting “stinging performances out of most of his cast—notably out of Mr. Robinson” and calls Bogart’s performance “penetrating.” He calls Claire Trevor’s performance “picturesque.”

Director and co-writer on the set with Bogart and Bacall.

For the most part, Crowther’s is still right. Despite the staging, which is mostly interiors within the hotel, the action never seems to stop. There is never a dull moment in the film. This is due both to the screenplay by Richard Brooks and Huston as well as Huston’s directing. He always seems to get a good performance out of Bogart, from their first film together, The Maltese Falcon, to their last, The African Queen (1951), for which Bogart would finally win a long overdue Academy Award for Best Actor.

I have seen my fair share of Edward G. Robinson films and I don’t believe I’ve seen him give a really bad performance, even if the film isn’t all that good. Here he is able to channel his earlier gangster film roles into something new. His Rocco knows that he’s a relic of the past, but he’s not going gently into that dark night.

Lauren Bacall always does well when playing opposite her then husband, Bogart. They make a very engaging couple on the screen. She is a strong-spirited woman, but still a product of her time. Rather than going out on her own, she has stayed to take care of her deceased husband’s father, an admirable task. It is obvious that there are underplayed sparks between husband and wife on screen, which adds to the subtle flirtation going on between Frank and Nora.

Lionel Barrymore plays James Temple.

Lionel Barrymore is also one of those actors that leaves it all on the screen. Even wheelchair bound, Barrymore gives a very strong performance. He can play a grumpy doctor as in Three Men in White (1944), a heartless villain as in It's A Wonderful Life (1946) and even helpless victim all while seated.

But of all the actors and actresses in the film, it was Claire Trevor who was singled out by the Academy Awards for her performance as the alcoholic ex-gun moll. Her win as Best Supporting Actress came after her second of three nominations she would receive in her career, the others for Francey in Dead End (1937) and her last would be for May Holst in The High and the Mighty (1954). Trevor may be best remembered though for her portrayal of Dallas in John Ford’s Stagecoach (1939).

Key Largo is an easy film to recommend. A film noir at heart, the film shows what happens when the ideals of post-war America runs smack into its own darker past. Under John Huston’s direction, Key Largo is a really great movie. You should see it if you’re a film noir fan, a fan of Edward G. Robinson or a fan of Humphrey Bogart, with or without Lauren Bacall. There is so much to enjoy that the trip to Key Largo is one worth taking.

Be sure to check out our Film Noir Review Hub for reviews of other films in this genre.

Friday, June 5, 2015

Review Hub - Film Noir

Film Noir is one of our favorite genres here at Trophy Unlocked and in honor of that we present this review hub, It is always the right time to start your own Summer of Darkness:

While some consider this genre to be as American as the Western, there were film noirs made in other countries, but none, I would say that match the best that Hollywood produced during the 1940s and 50s. Visually influenced by German expressionism, some of the greatest noirs were made by European emigres: Fritz Lang, Billy Wilder, and Michael Curtiz.

If you like crime, private detectives, femme fatales and people who feel trapped in the shadows, then you'll probably love film noirs as much as I do.