Cause
For Alarm! (1951) Starring:
Loretta Young, Barry Sullivan, Bruce Cowling. Directed by Tay Garnett.
Screenplay by Mel Dinelli, Tom Lewis. Based on a short story by Larry Marcus.
Produced by Tom Lewis. Run Time: 75 minutes.
U.S. Black and White. Film Noir, Drama
I have made no
secret of the fact that I like film noirs. Their dark plots of murder and
conspiracy played out in the shadows have always fascinated me. But not all
film noirs take place in the shadows of a cityscape. Case in point, Cause For
Alarm! from MGM in 1951. Instead of unfolding at night in some back alley,
Cause For Alarm! takes place during the day on a suburban Los Angeles street,
showing suspense can happen anywhere and at any time.
But Cause For
Alarm! which Ellen (Loretta Young) narrates, begins long before that fateful
afternoon back when Ellen and her husband George (Barry Sullivan) met. Like
many young couples at the time, they met during World War II. Ellen was
dating George’s friend, Lieutenant Ranney Grahame (Bruce Cowling), at the time,
but Ranney, a young military doctor, had little time for her. When George, a
pilot, met Ellen, the two fell in love and got married.
Before she meets George, Ellen (Loretta Young) is dating Lr. Ranney Grahame (Bruce Cowling), a doctor. |
Hollywood movies
would lead you to believe that they’d live happily ever after, but sadly, that
is not always the case. By the time of our movie, George is ill, bedridden with
heart problems, and Ellen spends most of her time taking care of him. But George
is suspicious of Ellen and thinks she’s having an affair with his doctor, and
her ex-boyfriend, Ranney. George thinks his old buddy is not doing all he can
and is in fact, conspiring with Ellen to kill him.
George (Barry Sullivan) suffers a heart attack and is bedridden. |
The couple is
childless, something that Ellen wishes they could change. She finds a surrogate
child in a neighborhood boy, Billy (Bradley Mora), who dresses like movie cowboy
Hopalong Cassidy and rides the range of his suburban street on his tricycle.
Ellen gives him some cookies and he gives her a toy television and asks her to
give it to George.
But unbeknownst
to Ellen, George is writing a letter to the district attorney outlining how
Ellen and Ranney are trying to kill him.
When George
suffers an attack, he begs Ellen to call another doctor (yes, doctors used to
make house calls), but George has mistreated all of them to the point
that only Ranney will come and so Ellen calls him. Ranney dismisses George’s
concerns and suggests that perhaps he should seek psychiatric help.
When they're alone, Ranney tells Ellen that George should go to a hospital to prevent his
depression from worsening. But Ellen
worries that George will be violent if she doesn’t attend to him personally.
She promises to talk to George.
After speaking
again to Billy outside, Ellen is startled to see George standing at the window.
She rushes upstairs, but he denies that he’s even gotten out of bed and accuses
her of being in love with Ranney and wanting him dead. Ellen is naturally hurt
by her husband’s accusations, but puts it down to his illness making him
distrustful. When she goes downstairs to make him lunch, George continues his
letter to the DA, adding details to further implicate Ellen.
After lunch,
George gives Ellen the letter and asks her to mail it for him. Ellen thinks the
thick letter contains insurance papers he’s worked on for his office. Ellen
gives the letter to their mailman, Mr. Carston (Irving Bacon). He tells Ellen
that he’s just seen George at the window and she hurries upstairs, again, and
asks George to stop risking his health and to stay in bed. But George insists
the mailman is mistaken.
George then
tells Ellen a disturbing story about how as a child he beat a neighbor boy with
a rake after the boy tried to touch one of his toys. When his mother made him
apologize and give the boy his toy, George deliberately broke it rather than
let the boy have it. This story, an obvious allegory for what George will do
about Ellen and Ranney, frightens her.
George tells her
that the letter she sent was actually to the DA and reveals some of the
incriminating information he put in it, such as her re-ordering a prescription
too soon. He leaves out that it was because he’d deliberately spilled it the
day before. He then threatens to kill her, revealing a gun that he has hidden
under the blankets. As she pleads with him, George suffers a heart attack and
dies, with the gun still in his grip.
Weak George pulls a gun on Ellen and threatens to kill her. |
Ellen is stunned
by the sudden turn of events and considers George’s death to be “one of those
awful dreams.” When the pharmacist calls
inquiring about the prescription, Ellen doesn’t tell him that George has died.
She is now in full panic mode.
Worried that
everything she has done will seem incriminating to the DA, she leaves her
husband’s dead body on the bed and hurries off to catch the mailman. She
manages to catch up to the gregarious Carston, still making his deliveries. She
tells him that she had mistakenly given him a letter to mail that was not yet
finished and begs for him to give it back. Initially, Carston is willing to do
so until she lets it slip that her husband had written the letter. In that
case, Carston is compelled to give the letter back to George personally. When
she pointedly refuses that offer, he tells her that only the supervisor in the
downtown office can give it to her.
Ellen cannot convince postman Carston (Irving Bacon) to give her back the letter. |
When Ellen
returns to the house, George's indulgent aunt, Clara Edwards (Margalo Gillmore),
is already inside, having unlocked the door with a key that she found with a
neighbor's, Mrs. Warren (Georgia Backus), help. Ellen is extremely agitated and
Clara only agrees to leave without seeing George after Ellen tells her that her
visits upset him.
Ellen then
changes clothes so she can be presentable at the post office and decides to get
the gun out of George's hand. It is stiff and she has to pull it out,
discharging a bullet, which gets Billy’s attention. As she is about to leave,
Mr. Russell (Don Haggerty), a public notary, arrives and tries to force his way
in to see George. He tells Ellen that George had demanded he come see him that
day, no matter what his wife said. But Russell does finally leave and Ellen now
fears that he will be another witness against her.
In her hurry to
get to the main post office, Ellen nearly runs over Billy, who rides his
tricycle daredevil like behind her car, which Mrs. Warren observes. (The woman
is always outside in her garden.)
At the main post
office, the superintendent (Art Baker) says he can give her the letter back,
but policies about forms and other types of scrutiny which would require
George's signature upset Ellen so much that she is forced to leave
empty-handed. When she arrives home, Ellen remembers that Ranney was supposed
to stop by again and calls his office to stop him. But because he is out making
house calls, his office can’t get a hold of him and he arrives almost
immediately.
Ellen tries to
make him to leave by saying that another doctor has already been there, but he
guesses that George is dead. After Ellen breaks down and tells him everything,
Ranney finds the gun and the bullet hole in the floor. He then tries to calm
Ellen down and tell her that George's mind was going. When the front door bell
rings, Ellen fears that it is the police, but it is only Carston. He has come
to return the letter, admonishing her that there was postage due on the thick
letter and it could not be delivered.
Ellen cries
hysterically after Carston leaves and is comforted by Ranney, who burns the
letter. Calm now, Ellen hopes that someday she can forget what has happened.
Even though the film
has some great film noir credentials; it is helmed by Tay Garnett, the director
of The Post Man Always Rights Twice (1946), and co-stars Barry Sullivan, one of
the leads from the excellent Tension (1949), there are real problems with the
movie.
Unfortunately,
they seem to lie with the main character around which the movie revolves. To
begin with, she is not a very sympathetic character. True she is haggard and
bullied by George while he is alive, but she is more concerned about a letter
than the fact George has just died. She doesn’t behave like a rational person
would. No doubt an autopsy would clear her of murder and the prescription issue
could be explained away. The fact that she leaves her husband’s dead body
hunched over and tries to lie her way into getting back a letter seems like odd
behavior to me and seems more suspicious than simply calling the authorities.
As far as
getting the letter back, she seems to be her own worst enemy as she messes two
chances to get it back. Carston catches her in a lie and her behavior ruins any
chance the superintendent will cooperate with her.
When Cause for
Alarm! opened, Loretta Young was nearing the end of her film career. She’d been
in movies since the age of four, when she appeared, uncredited, in the now
lost, The Primerose Ring (1917). She
would also appear four years later, again uncredited, in The Sheik (1921). She
is perhaps best known for her Academy Award winning role as Katrin ‘Katy’
Holstrum in The Farmer’s Daughter (1947) and as Julia Brougham in The Bishop’s Wife (1947). After retiring from films in 1953, she went on to star in her own
TV Series, The Loretta Young Show, which ran for eight seasons on NBC.
Cause for Alarm!
lost money during its initial theatrical run which indicates that the story
didn’t connect with audiences back then either. Even though the film received
decent reviews, the film, which was made in 14 days at the cost of $635,000,
recorded a loss of $174,000. MGM must have thought so little of the film that
they let the copyright expire and the film fell into public domain.
While I will
give the creative team credit of Cause for Alarm! for trying to make a
different type of film noir, ultimately, they failed to tell a good story,
which is a movie’s job one.
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