Showing posts with label 1993. Show all posts
Showing posts with label 1993. Show all posts

Saturday, March 21, 2026

Teenage Mutant Ninja Turtles III

Note: This review contains spoilers for Teenage Mutant Ninja Turtles III.

While the Teenage Mutant Ninja Turtles’ first foray into live action proved rather profitable, making $202 million worldwide (lifetime) on a budget of a mere $13.5 million, the wider franchise couldn’t replicate its success. As the 1990s continued, the initial wave of Turtlemania waned thanks to declining toy sales and 1987 cartoon viewership, on top of Teenage Mutant Ninja Turtles II: The Secret of the Ooze (TMNT II) pulling in a lower box office performance ($78.7 million against a $25 million budget) than the original Teenage Mutant Ninja Turtles film (TMNT I). In an effort to squeeze more money out of the franchise while they still could, Golden Harvest would produce a third film, simply titled Teenage Mutant Ninja Turtles III (TMNT III), released in 1993, that not only continued the trend of diminishing returns (earning $54.4 million against a $21 million budget), but earned a reputation for driving the franchise into relative dormancy until the 2003 cartoon aired. As someone who had just missed Turtlemania by virtue of being born too late for it, I had no real attachment to the turtles until later incarnations, which eventually led me to slowly exploring other parts of the franchise, including the live-action films. During my recent journey of watching the films in order, I ended up at TMNT III and finished with a complete understanding of why it couldn’t turn a profit.

Wednesday, March 4, 2026

Star Fox


After playing through Star Fox Adventures, I became interested in seeing what other Star Fox games were like, which quickly turned into a deep-dive that involved going back to the franchise’s 1993 roots with the original Star Fox (aka Starwing in Europe) on the SNES to see how it all began. Although I own a SNES and the game itself isn’t too difficult to find, I would end up playing the game through the SNES Classic, as it happened to be one of the included games and has a save state function that would make an otherwise difficult game easier for me to get through and play in chunks. While the game does still impress with the hardware limitations at the time, there are still areas where it didn’t age quite so well due to later entries improving upon what it set out to be.

Saturday, September 2, 2023

Batman: Mask of the Phantasm


Note: This review contains spoilers for Batman: Mask of the Phantasm.

While Batman: The Animated Series (Batman TAS) is one of the more highly-acclaimed Batman series, it was not my first introduction to the Dark Knight (that honor goes to The Batman (2004)), since I was literally too young to watch it when it was on. I have, however, since gone back and watched a select handful of episodes and found it to have earned its reputation. While I was also too young to see it in the theater when it came out, I had also seen Mask of the Phantasm, the first film based on the series, after hearing how good it was, though the untimely passing of Batman voice actor Kevin Conroy led me to give it another look in his honor. After a second viewing, I can see how one could argue that it’s one of the best Batman films, especially of the animated variety.

Sunday, May 28, 2023

Second Look - Super Mario Bros. (Film)


For the longest time, most live-action video game movies haven’t been of the best quality, though the first of them, the infamous 1993 Super Mario Bros. film, didn’t really set a good precedent, mainly due to how little it resembles the source material. While more recent efforts have been getting better, it can be interesting to look back on this film to see what went wrong, and with the release of the more faithful animated film, now is as good a time as any. While I had been wanting to re-review this film anyway since I was not completely satisfied with my first attempt, it has become much harder to do so, at least if you live in the US, since it cannot be streamed anywhere and the more recent Blu-ray release has become more difficult to come by. Fortunately, it is still possible to get a cheap DVD copy, which allowed me to watch the movie again with fresher eyes after having not seen it in over a decade. Unfortunately, it’s still not that great of a movie even on its own merits, although it’s easier to see why it has attracted a cult following in the 30 years since its release.

Monday, October 31, 2022

The Nightmare Before Christmas


Note: This review contains spoilers for The Nightmare Before Christmas.

If you’ve been to Disneyland, looked at Disney’s Halloween offerings or even stepped foot in a Hot Topic in the last several years, chances are you’ve at least heard of The Nightmare Before Christmas. Originally released in 1993 under Disney’s Touchstone label, the film remains one of Tim Burton’s best-known works, though Henry Selick (Coraline) was the actual director due to Burton being too busy with Batman Returns at the time. Though it initially underperformed on release, in the nearly 30 years since, the film has become a Halloween cult classic, to the point where Disney has since moved it under their own label and increased its presence at Disney parks, including an annual crossover event with the Haunted Mansion ride known as Haunted Mansion Holiday. Having grown up with the film and looking back on it now, it’s not hard to see how it managed to attain such a following.

Saturday, October 1, 2022

Stubs - Hocus Pocus


Hocus Pocus
(1993) Starring Bette Milder, Sarah Jessica Parker, Kathy Najimy, Omri Katz, Thora Birch, Vinessa Shaw. Directed by Kenny Ortega. Screenplay by Mick Garris, Neil Cuthbert. Produced by David Kirschner, Steven Haft. Run time: 96 minutes. USA Color Fantasy, Comedy.

Home Video and TV airings (and now streaming) can sometimes save films that might otherwise be forgotten. Case in point, Hocus Pocus, a 1993 Disney film that when first released came and went without much fanfare, and in fact, cost its studio, Walt Disney, up to $16.5 million. Since then, annual showings on ABC Freeform and its DVD release have made the film a cult classic of sorts. So much of one, that nearly thirty years after its release Disney is strongly considering bringing back the stars for a sequel on Disney+.

Thursday, January 17, 2019

Dragon Ball Z: Broly – The Legendary Super Saiyan


If you’ve been in enough discussions about Dragon Ball, there’s a good chance you’ve heard of the character Broly. Making his debut in 1993 in the non-canon film Dragon Ball Z: Broly – The Legendary Super Saiyan (Dragon Ball Z: Burn Up!! A Close Fight - A Violent Fight - A Super Fierce Fight in Japan), Broly went on to become a rather popular character within the fandom, more so than any of the other movie-exclusive villains in the franchise, to the point where he even got representation as a DLC fighter in the recent game Dragon Ball FighterZ, a game whose roster is otherwise devoted to select canon characters as of the Dragon Ball Super anime. The endurance of Broly’s popularity would ultimately culminate in the debut of a canon version of the character in the recent film Dragon Ball Super: Broly. In preparation for the new film, we have decided to rewatch Funimation’s 2003 dub of the original Broly film (via the Broly Triple Feature Blu-ray collection) as a way to compare the two versions of the character.

While Chi-Chi (Cynthia Cranz) is trying to get him to behave in order to get Gohan into a private school, Goku (Sean Schemmel) receives a distress call from King Kai and is forced to leave via instant transmission. Meanwhile, a picnic involving the other Z fighters is interrupted by the appearance of a Saiyan named Paragus (Dameon Clarke), who tells Vegeta (Christopher Sabat) about the creation of a new Planet Vegeta (the Saiyan homeworld). As Vegeta, under the promise of fighting the Legendary Super Saiyan, goes along with Paragus, Master Roshi (Mike McFarland) ends up getting himself, Krillin (Sonny Strait), Gohan (Stephanie Nadolny) and Oolong (Bradford Jackson) on board, with Future Trunks (Eric Vale) getting on board just as the ship closes. On the new planet, Paragus introduces his son Broly (Vic Mignogna) as Vegeta’s servant. When Goku arrives, his presence causes Broly to act up, one of many signs that something is not right about the new Planet Vegeta.

While the plot is pretty straightforward, there isn’t much to it, as the bulk of the second half of the movie is dedicated to the actual fight with Broly, the aforementioned Legendary Super Saiyan. While Broly himself is indeed an interesting character, his backstory didn’t seem to have enough exploration as it could have, as while we do get to see it, his motivation for fighting Goku is rather lacking. That said, the final battle is very well-done and has some actual tension as the other fighters along with Goku try and figure out how to stop Broly, even if the reason for his downfall is a little questionable. Though the movie is non-canon, it seems to place itself sometime around the Cell Saga in the series, given the presence of Future Trunks and his participation in the events, as well as only the base Super Saiyan form being available to Saiyan characters in this story.

Goku (left, Sean Schemmel) preparing a Kamehameha against Broly (right,
Vic Mignonga) in his Legendary Super Saiyan form.

Even though animation quality in general has improved significantly since this film’s original debut in 1993, the animation holds up surprisingly well. The animation of the Broly fight is especially good, as is his transformation into a Super Saiyan that only serves to highlight his raw power. Though the voice actors have greatly improved in their performances of their respective characters over time, the voice acting still holds up as they display the experience they still had in their roles. Vic Mignogna, best known as Edward Elric in the Fullmetal Alchemist franchise, is an interesting choice for Broly, however he still manages to show great range as he plays Broly more calmly in his base form until the character begins to transform, where his performance is truly menacing. Mignogna would continue to voice Broly in the film’s two sequels, Broly – Second Coming and Bio-Broly, as well as reprise the role years later in Dragon Ball Super: Broly.

The Funimation dub also introduced a number of additional songs to its soundtrack, most notably “10’s” by metal group Pantera. I would comment on this, however I cannot since the Broly Triple Feature Blu-ray version restores the original Japanese soundtrack, for those who are curious. That said, the soundtrack was good for what it was, working with its more minimalist nature to highlight certain moments when deserved.

Dragon Ball Z: Broly – The Legendary Super Saiyan is worth giving a watch, if only to see the origins of a rather popular Dragon Ball character. That aside, while the movie is a little light on plot, what little there is is actually pretty well-written, though the main draw is a fantastically-animated battle backed by some really good voice acting. This movie is made more for existing Dragon Ball fans than non-fans, though its execution makes it probably one of the easier non-canon films for a non-fan to watch.

Saturday, December 1, 2018

The Tailor of Gloucester (1993)


In late 2017, Sony Pictures released a trailer for a live-action Peter Rabbit movie. Though I had already then been rediscovering Beatrix Potter’s artwork, my negative reaction to the Peter Rabbit trailer caused that to kick into high gear, leading me to fully rediscover her beloved stories through a hardcover collection and fall in love with her stories again for the first time since childhood. Part of this was re-watching The World of Peter Rabbit and Friends animated series adapting a handful of the Peter Rabbit stories, my primary exposure to the world of Beatrix Potter as a child, on a DVD set (one such story, The Tale of Mr. Tod, also happens to be my personal favorite of the books). One of the stories to get adapted was The Tailor of Gloucester, notable for being Beatrix Potter’s personal favorite of the Peter Rabbit stories.

First published in 1903, The Tailor of Gloucester was the third of Potter’s children's books to be released. The story was inspired by a real-life event where a waistcoat a tailor had to prepare for the Mayor of Gloucester was finished overnight, save for one of the buttonholes, as though it were the work of mice (though it turned out to have actually been the tailor’s two assistants). Potter’s take on the story had previously been adapted for a TV special in 1989, however the version we’re discussing here first aired in 1993 as part of the previously-mentioned animated series.

Around Christmas time, as part of the show’s live-action framing device, Beatrix Potter (Niamh Cusack) is visited by a group of carolers, to whom her maid Daisy (Jemima Feyne) provides treats. This reminds Potter that she has to send a letter to someone, transitioning to the main story in animation. On the week of Christmas, the Tailor of Gloucester (Ian Holm) leaves his shop after preparing to make a special coat for the Mayor’s wedding on Christmas, with mice in the walls quietly observing his work. After he gets back home, a rented kitchen due to not being well off financially, the Tailor falls ill for a few days, leaving him unable to complete his work, while his cat Simpkin (Derek Griffiths) hides a cherry-colored cloth that he desperately needs for the coat. Unbeknownst to him, the mice have taken up this task in the meantime, following the techniques they’ve watched him perform.

The mice watch as the Tailor (Ian Holm) thinks over his current predicament.

The animated portion is very lovingly animated, following a style that resembles Beatrix Potter’s as much as animation would allow. The letter briefly shown in the framing device features an amazing recreation of the original book’s cover art, which provides a nice transition into an animated version of said illustration that leads into the beginning of the story (below is a comparison of Potter's original art and the animated version). The general art direction, especially the backgrounds, makes it truly appear as though Potter’s illustrations have come to life, much like the rest of the series it was produced for.


The story essentially covers that of the book, with some very minor filler added to one sequence to fill out 27 minutes, however the extra scenes (like the rest of the series) contribute to the story and help flesh out certain things described in the book. The story itself is fairly unique for a Christmas story, taking the inspiration for it in a direction befitting the more whimsical nature of Potter's works. The antagonistic cat Simpkin, whose fictionalized real-life counterpart appears in the live-action framing device as one of Potter's pets, also goes through a character arc of sorts as he explores the city of Gloucester on the night of Christmas Eve, culminating in a sort of character redemption one expects from a Christmas story, only in a more subtle fashion. The mice more or less steal the show as they help out the Tailor, though the story is paced and executed well enough that this is barely noticeable.

The actress for Beatrix Potter, Niamh Cusack, really brings out the personality of the author as presented in the books and holds the atmosphere of the episode together. Interestingly, Ian Holm, the voice of the Tailor, had previously played the character in aforementioned 1989 TV special; while I cannot vouch for his performance there, it’s clear that his performance must have been good enough for him to be recast for the 1993 version, in which he does an amazing job bringing the character to life.

One thing of note is that the episode is dedicated to the memory of Dianne Jackson, who had been heavily involved with The World of Peter Rabbit and Friends, writing and directing the first six episodes prior to her death in early 1992 as a result of cancer. Her contributions to the series helped to make it what it is and bring Potter's works to a new generation.

If you’re looking for something more heart-felt to watch during the holiday season, and/or you are looking for something different in a sea of A Christmas Carol adaptations, I would strongly recommend The Tailor of Gloucester. While being a loving recreation of the book, the episode has a generally more innocent tone coupled with some really amazing acting and animation. This episode makes for perfect Christmas-time viewing and is a definite must-watch for fans of Beatrix Potter, as is the rest of The World of Peter Rabbit and Friends, for its faithfulness to the source material in both content and art direction.

To read reviews of other Christmas films, please see our Christmas Review Hub.

Saturday, August 13, 2016

Stubs – Jurassic Park


Stubs – Jurassic Park (1993) Starring Sam Neil, Laura Dern, Jeff Goldblum, Richard Attenborough. Directed by Steven Spielberg. Written by Michael Crichton, David Koepp. Based on the novel “Jurassic Park” by Michael Crichton. Produced by Kathleen Kennedy and Gerald R. Molen. U.S. Color, Science Fiction.

The summer blockbuster owes its roots to two men: George Lucas and Steven Spielberg. Their films: Star Wars, Jaws, E.T., Indiana Jones and the Temple of Doom, etc. set the bar very high for Hollywood. $100 million of box-office became the standard of success and budgets grew exponentially as a result. Every summer, films had to be bigger and do better at the box-office. People expected spectacle and these two delivered. Both men got rich and powerful with their success and forever changed Hollywood; which is why their recent bemoaning of its state rings sort of hollow.

Michael Crichton was a writer who had seen his own success, starting with his novel The Andromeda Strain published in 1969, which had been made into a movie in 1971. He had apparently had the idea to do a story about dinosaurs since grad school. He was at the time working with Spielberg developing an idea that would be the hit TV show E.R. In 1990, prior to publishing the novel, Jurassic Park, Crichton demanded and received a non-negotiable fee of  $1.5 million for the films rights, which Universal bought for Spielberg and Crichton received another half million to write the screenplay.

Of course, this being Hollywood, once Crichton was done another writer was brought on board, David Koepp. Crichton’s screenplay, which only used about 20% of the book, would go through more excision at the hands of Koepp and Spielberg. The book is much more violent and bloody than the movie and there are characters who survive the movie, who do not survive the novel. Crichton wasn’t yet thinking sequel, though that would change after this film was released.

The film had a long pre-production, over two years, but finally got underway on August 24, 1992, with Hawaii standing in for Costa Rica. Filming also took place in this little town some people occasionally use for filming, Hollywood, using stages at both Universal and nearby Warner Bros.

Filming completed on November 30th, but that’s when the post-production phase began. That would last until April, 1993. The final film would not be completed until May 28 and was released on June 10, 1993.

John Hammond (Richard Attenborough) is in the need of advice for his new business venture. At great expense, he’s developed a theme park featuring genetically altered dinosaurs. Problem is prior to the opening, one of his workers is killed by a Velociraptor. Hammond's nervous investors' interests are represented by attorney David Gennaro (Martin Ferrero), who accompanies them to the island. Gennaro has also brought with him Ian Malcolm (Jeff Goldblum), a mathematican and chaos-theory expert, to look at the set up.

John Hammond (Richard Attenborough), center, is flanked by attorrney David Gennaro (Martin Ferrero),
Ian Malcolm (Jeff Goldblum), Dr. Ellie Sattler (Laura Dern) and Dr. Alan Grant (Sam Neil)
on a helicopter flight to the island.

Hammond invites palaeontologist Dr. Alan Grant (Sam Neil) and paleobotanist Dr. Ellie Sattler (Laura Dern) to his island to give him and it their seal of approval. Almost as soon as they arrive, Drs. Grant and Sattler are surprisd to see a herd of Parasaurolophus and a trio of Brachiosaurus.

Gennaro, Hammond, Macolm, Dr. Grant (Sam Neil) and Dr. Sattler look on in amazement at a herd of dinosaurs.

At the park’s visitor center, the group learns that the dinosaurs’ cloning was accomplished by carefully extracting the DNA of dinosaurs from mosquitoes preserved in amber. To prevent breeding, all the dinosaurs are cloned as females. Where the DNA strands were incomplete, scientists have used DNA from frogs to fill the gaps.

The gates to Jurassic Park.

Before they got out to tour the grounds, Hammond’s grandchildren, Alexis (Ariana Richards) and Tim Murphy (Joseph Mazzello), arrive and join them. But things do not go as planned. Not only don’t the dinosaurs appear, but one of them, a Triceratops, gets ill. With a tropical storm approaching, the tour is cut short. At night, most of the employees depart Isla Nublar for mainland Costa Rica, all except the group, the park’s game warden, Robert Muldoon (Bob Peck), chief engineer Ray Arnold (Samuel L. Jackson) and Dennis Nedry (Wayne Knight), the architect of the park’s computer systems.

Samuel L. Jackson plays Ray Arnold, the chief engineer at the Park.

The group, minus Dr. Sattler, return to the tour, while she stays back with the park’s veterinarian Gerry Harding (Gerald R. Molen) to study the Triceratops before Harding departs the island.

During the storm that follows, Nedry, who is in cahoots with a rival corporation, plans to steal dinosaur embryos. To make his escape, he deactivates the park’s security system. When the power goes out, the automated Ford Explorers, used for the tour, stall and most of the park’s electric fences, designed to keep the dinosaurs away from the tourists, stop working. Without the fence to stop it, a Tyrannosaurus Rex escapes and attacks the tour.

Freed from her enclosure, a T-Rex attacks the tour of the park.

Grant and Alexis escape injury, but they are the only ones. Malcolm is injured, but Gennaro, who is hiding, is devoured and Tim, who is trapped in his vehicle, gets pushed over the embankment by the raging T-Rex.

Also trapped in the storm, Nedry gets lost and goes off the road, crashing his jeep. When he gets out to try and wrench his car free, he attracts the attention of a Dilophosaurus. For a guy who works at a dinosaur-themed amusement park, Nedry knows surprisingly little about them, treating the dino like a dog. Nedry appropriately dies like a dog, though the movie doesn’t really show us the attack. The embryos, stowed away in a fake-bottom shaving cream can, end up buried in a mudslide.

Dennis Nedry (Wayne Knight) about to get his just rewards.

Hammond sends Muldoon to retrieve the tour group and Sattler goes with him. When they get to the Jeeps, they find Malcolm and what's left of Gennaro. Grant and the children appear to still be alive, but there is no time to search for them, since the Tyrannosaurus Rex returns. The three escape in their Jeep just ahead of the dino.

Grant and the children are on a survivalist/nature walk and come across broken shells of dinosaur eggs. Apparently, the dinosaurs have mutated from just being female. Apparently, the frog DNA they used to fill in the gaps, the West African bullfrogs, can change sexes in a single sex environment, a capability the dinos have inherited.

Dr. Grant with Hammond's grandchildren Alexis (Ariana Richards) and Tim Murphy
(Joseph Mazzello) go on a nature walk after surviving the T-Rex's attack.

Back in the control room, Arnold is unable to undo what Nedry had done, so he and Hammond decide to reboot the entire park’s system, not sure what will happen. The reboot works, but there is still the power which has to be turned back on manually, at a shed on the other side of the compound. While the others retreat to an emergency bunker, Arnold sets out for the maintenance shed.

When he doesn’t return, Muldoon and Sattler go out to look for him. On the way, Muldoon becomes aware that they are being stalked by Velociraptors, freed when the electricity went down. Muldoon stays to hold them off and Sattler runs to the shed. Once inside, she manages to turn the power back on.

Robert Muldoon (Bob Peck) goes out with Dr. Sattler to look for Arnold, but he won't return.

Meanwhile, Grant and the children have come to one of the 10,000 volt electric fences and have to climb over it, which is easy with the power off. Unbeknownst to them, however, is that the electricity is coming back on. Tim is afraid of heights and stalls his descent off the fence and Grant is too late to prevent the boy from being shocked and thrown from the fence. Grant manages to revive the boy without any lingering side-effects.

Back in the maintenance shed, Sattler is attacked by a raptor who has managed to get inside. Looking for a place to hide, she has a run in with what’s left of Arnold, his arm. She manages to escape, but Muldoon is not so lucky and meets the same fate as Arnold.

Grant, Alexis and Tim finally reach the Visitor’s Center, and Grant leaves them in a banquet room with food still laid out as he goes searching for the others. After gorging themselves on the days old food, the children realize they are not alone. A pair of Velociraptors have found their way into the center, which the children are forced to battle.

The kids are forced to battle a pair of Velociraptors at the Visitor's Center.

Reunited, Grant and Sattler head back to the visitor center and the four of them go to the control room. Alexis restores full power and they can finally call for help. Their escape route however is blocked by two raptors, but the group is saved when the Tyrannosaurus suddenly appears and kills both raptors. Hammond pulls up in a Jeep with Malcolm, and the entire group flees. Down at the helipad, Grant tells Hammond that he’s not going to endorse the park, an opinion Hammond seems to agree with.

Hammond takes one last look before fleeing the island.

On the flight back to the mainland, a flock of pelicans fly nearby, a reminder that the fearsome dinosaurs have evolved into birds.

Let’s start our criticism of the story with that last bit: Dinosaurs evolved into birds. Then why weren't the gaps in their DNA filled with bird DNA? You can blame the book for this, but this is a really nice device rather than anything close to scientific fact. And that’s the problem with the science in the movie and the book. Few of us are geneticists so there is a real tendency to BS us with a lot of scientific words that may or may not be truthful.

It’s sort of like listening to a politician of any party. If you have no other knowledge on the subject they’re speaking about a lot of what they say makes sense. But it’s when you do know something or see the results that you realize they don’t know what they’re talking about.

But in the summer of 1993, audiences weren’t interested in learning science, they wanted to be amazed and seeing CGI dinosaurs walk across the screen was more than enough to carry this film about the $900 million worldwide box-office number, making Jurassic Park the biggest film of all time, up to that time. But records are made to be broken and Jurassic Park's mark has since been eclipsed several times, including by its own sequel, Jurassic World (2015), which finished its theatrical run with $1.67 billion worldwide.

The special effects, which are what the movie was really all about, were state-of-the-art for their time and still seem to hold up pretty well today. It is the practical effects, when they interact with non-CGI dinosaurs, where things don’t stand up as well. By comparison with their computer cousins, these look more like a couple of guys in a dinosaur suit. But there is really very little of the practical special effects.

Considering that the human characters are of secondary importance, the acting is pretty good, but not great. All of the actors seem to have that amazed look down pat. For the most part, Neil, Dern, Jackson and Attenborough are well-known and respected actors and Jackson had not become the box-office juggernaut he is today.

"All-right everyone look amazed on three. 1...2...3."

I don’t mean to leave out Jeff Goldblum. He had a real knack for showing up in blockbusters, though rarely as the lead actor. He seems to play the same part over and over again in these films, the smarter-than-everyone else scientist with a little Woody Allen nebbish-ness thrown in for good measure. He plays that part here and once again, an important, but secondary role. In fact, the movie could probably be told without the Malcolm character at all.

For the most part, Jurassic Park is a nice film to put in a time capsule. Not the greatest film ever made, but certainly one that shows Spielberg at his zenith as a cinematic story-teller. While he would certainly direct more important films, he would never direct a bigger movie (though he would have his name on several that were). No one used special effects better than he did, though I’m sure Star Wars and possibly Star Trek fans might not agree. He is also much to blame for movies' over-reliance on the FX, as everyone tries to imitate his success with them.

Saturday, February 1, 2014

Stubs - Groundhog Day


Groundhog Day (1993) Starring: Bill Murray, Andie MacDowell, Chris Elliott. Directed by Harold Ramis. Screenplay by Danny Rubin and Harold Ramis. Story by Danny Rubin. Produced by Trevor Albert, Harold Ramis. Run Time: 101 minutes. U.S.  Color. Romantic Comedy, Comedy

Ever want a do-over; the chance to make a day turn out better?  Who wouldn’t? But would that do-over be a curse or a blessing, especially if that day never changed? That is the question that faces Phil Connors (Bill Murphy), a self-absorbed TV weatherman from Pittsburgh.

On February 1st, Phil is sent to Punxsutawney, Pennsylvania to cover that town’s famous Groundhog Day festivities. With him are Rita (Andie MacDowell), a newbie news producer and Larry (Chris Elliott), a veteran cameraman. Phil is put up in a Bed and Breakfast, while Rita and Larry are booked into less charming accommodations.

The next morning, Phil is awoken at six a.m. by Sonny and Cher hit I’ve Got You Babe on the radio and DJ patter that becomes all too familiar about the cooooold weather:

"I guess that's so we don't have a pot..."

After coffee in the B&B’s dining room and small talk with the proprietor, Phil sets out on foot. On the way, he passes an Old Man who lives on the streets (Les Podewell); Phil pretends he has no money for the beggar. Next, Phil is accosted by an old friend, Ned Ryerson (Stephen Tobolowsky), who tries to sell him insurance. Phil gets away, but steps into a deep puddle of ice-cold water.

On his way to the ceremony, Phil (Bill Murray) is confronted by Ned Ryerson
(Stephen Tobolowsky), an annoying insurance salesman Phil went to high school with.

Later, Phil arrives to watch the townspeople go through their play with the world’s most famous groundhog, Punxsutawney Phil. After doing a taped report, Phil and crew prepare for the drive back to Pittsburgh. But a sudden snowstorm, one which weatherman Phil did not predict, shuts down the highway and forces them back to town.

Producer, Rita (Andie MacDowell), and cameraman, Larry (Chris
Elliott), accompany Phil to the Groundhog Day festivities.

At 6:00 o’clock the next morning, everything starts all over again, complete with I’ve Got You Babe on the radio, followed by the same small talk between the hosts of the local radio station. Coffee at the B & B’s dining room, a run in with Ned Ryerson, the festival to see if Punxsutawney Phil sees his shadow. A snowstorm forces them off the highway and the day repeats. But only Phil knows what is going on as Rita and Larry seem oblivious.

Get used to seeing it, Phil does.

As the phenomenon continues, Phil is convinced he is free of long-term consequences and not only starts to eat recklessly, but also to seduce women, in this case Nancy Taylor (Marita Geraghty), whom Phil spots in the diner. He asks her some personal questions and uses them the next day to act as if he’s a high school alumnus and their meeting is accidental. But as they are having sex, Phil repeatedly calls her Rita.

An attractive woman, Nancy Taylor (Marita Geraghty) catches Phil's eye and
he uses knowledge he learns one Groundhog Day to woo her the next one.

Groundhog Day after Groundhog Day pass and Phil learns routines, which allows him to steal money from an armored truck with a hapless crew. He goes out drinking one night at the bowling alley with a couple of locals, Gus (Rick Ducommun) and Ralph (Rick Overton), who feel their lives, too, are exactly the same day after day.
Having met kindred spirits, he offers to drive them home, hitting mailboxes and driving on the railroad tracks on the way. Finally pulled over, Phil treats the policeman like a drive through window and orders food. Unamused, the police throw the three into jail.

Phil befriends a couple of locals, Ralph (Rick Overton) and Gus (Rick Ducommun),
who feel as trapped in their daily routine as Phil is in his.

But when 6:00 comes, Phil is back in his B & B bed and Sonny and Cher are singing on the radio. Nothing has changed for Phil.

One time too many. One morning, Phil pops Ned before he can go into his insurance spiel.

He tries to get close to Rita, taking days to plan every stop, every piece of dialogue, no doubt reliving every moment of their date trying to get past each stumbling block, only to see his efforts fail to win her. He recites by rote what he thinks she wants to hear at any given moment. Rita, herself, picks up on Phil’s laundry list of things she likes and hates. She senses Phil is playing her, she just has no idea how much.

Phil makes mental notes about what Rita likes and doesn't. White chocolate is out.

You can’t blame Phil for growing despondent as the Groundhog Days wear on. He gives less than professional reports from the scene, what’s the use, and eventually, in an effort to end the cycle, kidnaps Punxsutawney Phil. During a police chase, which Rita and Larry cover, Phil drives off a high cliff into the quarry, killing the two Phils in a fiery explosion.

Phil and Phil on the run from the law. It doesn't end well for either of them.

But 6:00 the next morning, Groundhog Day starts all over again. Phil tries many times to kill himself, we see him trying to electrocute himself, walking in front of a moving truck and jumping off a tall building, but alas that doesn’t work either. Phil is sort of immortal, waking up the next Groundhog Day to an unchanging world.

Phil in one of his more spectacular attempts to end his life and get out of his Groundhog Day hell.

Phil tries to become a better person, trying in vain to save the Old Man’s life. No matter what he does for the vagrant, giving him money, taking him to the hospital, getting him a hot meal, nothing works. Every night, the old man dies. There are limits to what Phil can do even with all the time in the world.

Try as he might, Phil can't save the Old Man's life.

Phil knows everyone’s routine so well, that he ends up as a sort of guardian of the town. When a car of older women has a flat tire, Phil is there with a new tire and a jack. When a boy falls from a tree, Phil is there to catch him. When Groundhog Day MC, Buster Green (Brian Doyle-Murray) chokes on a piece of steak at a restaurant, Phil performs the Heimlich maneuver and saves him. No need seems too big or too small for Phil, even lighting a woman’s cigarette.

Always there at the right moment, Phil saves Buster Green (Brian Doyle-Murray)
from choking. Brian is Bill's real life brother.

Every Groundhog Day, Phil tries to improve himself, learning ice sculpture, French and even the piano. The latter we see him bribing his piano teacher (Peggy Roeder) a $1000 dollars for a lesson, which prompts her to dismiss the student she was working with. Over time, Phil becomes a better and better piano player.

Phil hires a piano teacher (Peggy Roeder) because Rita mentions her ideal
man would, among other things, play an instrument. 

Eventually, Phil becomes comfortable with his situation and his better self. He brings coffee and pastry to Rita and Larry, performs a heartfelt report so eloquent that the other stations covering the event stop their own coverage to broadcast his.

Phil quotes Chekov in his most stirring Groundhog Day standup.

He goes about his routine, running "errands" as he goes.

Every day Phil saves the same boy who falls from a tree and never thanks him.

After the town’s dance, where Phil blows everyone away with his piano playing, even his teacher is impressed, Rita buys Phil as part of “the bachelor auction” and they spend the evening together. On their way out, they run into Ned, who tells Rita that Phil bought just about every type of insurance there is. But when Ned tries to go with them, Rita begs off. Now an improved Phil impresses her with who he is, rather than who he has pretended to be to impress her. Rita spends a platonic night with Phil.

Rita buys Phil at a bachelor auction.

When the clock rolls to 6:00 and I Got You Babe plays again on the radio, Phil’s first thought was it hadn’t worked, but when Rita’s arm reaches past him to turn off the alarm, he knows something’s different. The DJ’s patter has changed. He runs to look out the window and there is snow on the ground and no one in the streets. It is a new day and a new beginning for Phil.

They emerge to play outside in the snow and Phil tells Rita that maybe they should consider living in Punxsutawney.

Punxsutaney's not such a bad place when you have free will again.

There has been some debate on how long Phil has been stuck in Groundhog Day Rewind. While the film doesn’t really come out and say so, based on the director’s comments, it’s thousands of years, which helps explain how Phil could master ice sculpture, piano and French. Talk about having the gift of time.

It seems like now, Hollywood has a movie for every holiday major or not, the latest being Labor Day, which may or may not have anything to do with the Monday holiday. But I doubt any of them are as original in vision as Groundhog Day. Based on an original script by Danny Rubin, it took Harold Ramis to shape it into a movie.

Ramis, who appears briefly in the film as a neurologist Phil confers with when the day first repeats, like Bill Murray, came from National Lampoon and Second City comedy troupes. He originally came to New York with Murray, whom he frequently collaborated with to write of the National Lampoon Show for radio. But unlike Murray, Ramis did not get involved with Saturday Night Live, but rather was head writer on Second City TV.

Harold Ramis plays a neurologist in Groundhog Day, which he also co-wrote, directed and co-produced.

If you look at Bill Murray’s early comedic film successes, Ramis’ name is somewhere in the credits. Ramis co-wrote Meatballs (1979); Caddyshack (1980), which he also directed; Stripes (1981); Ghostbusters (1984); Ghostbusters II (1989); and Groundhog Day, all starring Murray.

The two apparently had a falling out during the making of Groundhog Day, which is probably why a Ghostbusters III has been so long in coming.

Ramis’ name hasn’t always been associated with success, however, Analyze That (2002), a sequel to his own Analyze This (1999); and Year One (2009) didn’t exactly make back their budgets and his remake of Bedazzled (2000) falls flat when compared to the Peter Cook-Dudley Moore classic from 1967.

However, Groundhog Day may be his best complete film as a writer-director. Groundhog Day is both funny and poignant. Smartly written, the film can make you laugh and make you think as well. Are you also trapped in your own version of Groundhog Day and what will make you break the mold?

I would recommend Groundhog Day, but it can be enjoyed any day of the year whether or not Punxsutawney Phil sees his shadow.