Note: The following review contains spoilers for The Transformers: The Movie (1986).
In 1986, the popularity of the
Transformers brand was at a peak (or so I gather), and so a movie had been in
the works in order to not only capitalize on this popularity, but also to
introduce new characters into the mix. Despite its initial reception, the movie
has since gone on to be not only an icon to this property and its fanbase, but
also to the '80s as a whole. In honor of its 30th Anniversary, we
present another look at what came to be known as The Transformers: The Movie.
In the year 2005, a planet-sized being
known as Unicron (Orson Welles) threatens the universe, swallowing any and
every planet in its path. Meanwhile, on Cybertron, a group of Autobots prepare
a shuttle to head back to Earth to restock on Energon, where Optimus Prime (Peter Cullen) awaits.
Unfortunately, the Decepticon Laserbeak (Frank Welker) has been spying on
them and reports back to Soundwave (Frank Welker). Megatron (Frank Welker),
upon seeing Laserbeak’s recording, prepares a sneak attack on the Autobot
shuttle, with the intent of a surprise attack on Autobot City on Earth.
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| The looming threat of Unicron (Orson Welles). |
Over the years, the story has become a
classic amongst the Transformers fandom, and on its own is enjoyable and has
some funny moments, however there does notably exist a major continuity error
when taking the first 2 Seasons of the 1984 Transformers cartoon into account.
Namely, Unicron as a major threat was never hinted at in the show, and the
Matrix of Leadership did not previously exist as a concept (it has been noted
that the Season 2 episode “A Prime Problem” features an x-ray view of Optimus
Prime, but the chest cavity that houses the Matrix in the movie is empty).
Apparently, the Season 2 episode “Cosmic Rust” was originally going to hint at
the existence of the Matrix, but conflicts within the episode’s own continuity
resulted in the reference being removed. The concepts of Unicron and the Matrix
would be expanded upon in the following Season 3, but if you just roll with
these concepts the first time they appear, you will have an easier viewing
experience.
Aside from the infamous death of Optimus
Prime, there’s also a lot of deaths of characters from the first two Seasons,
some of which literally become new characters, which was done at the time to
introduce new toys to the shelves, which can be at the least disheartening for
those that grew attached to those characters. Fortunately, Optimus Prime would
be literally resurrected in the Season 3 episode “Dark Awakening,” however he
was essentially a zombie; the later two-part arc “The Return of Optimus Prime”
from that same Season brings him back for real, though. The Decepticon
Starscream is also killed off in spectacular fashion, though he would later
return as a literal ghost in the Season 3 episodes “Starscream’s Ghost” and
“Ghost in the Machine.” The promotional line “Conceived in the epic tradition
of Star Wars…” isn’t exactly a lie, since one familiar with the original Star
Wars can spot some similarities between it and The Transformers: The Movie,
though fortunately the latter is not a carbon copy of Star Wars by any means.
As a movie by itself, it can be watched
on its own, but without context from the 1986 cartoon, Optimus Prime’s death,
not to mention the deaths of other characters, doesn’t have as much of an
impact, which I had felt when seeing it for the first time on home video as a
kid, my only true exposure to Transformers at that point being the 2001
Robots in Disguise cartoon. There are still some funny moments in it, as
mentioned above, such as Starscream’s coronation ceremony and a number of
scenes featuring the Dinobots. A particular character named Wheelie shows up to
aid the Dinobots in one scene, but he otherwise doesn’t have much use in the
plot other than to sell his toy and can otherwise come off as annoying to some
because of his voice (though I’m personally more apathetic to the character).
The soundtrack and animation can arguably still be enjoyed by fans of '80s music
and animation, though it may not be enough for those who find fault in the
story, since it features a plethora of characters at the beginning that a
non-fan is expected to suddenly care about.
One thing’s for sure, the animation is
very good, especially for a product of the '80s. Some animation errors are still
present, however, and upon multiple viewings one can discover even more, though these errors are not
enough to bog down the rest of the visuals. This being a movie, it has the
best-looking animation among anything to come out of the original cartoon,
however the quality is only seconded by the Season 3 episodes “Call of the
Primitives” and, arguably, "The Dweller in the Depths." Particular highlights in the animation include the transformation
sequences of Unicron and Autobot City, with the animations of Unicron’s insides
and planet-munching a bonus.
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Unicron's (Orson Welles) attack on Cybertron
is also well-animated. |
Characters from the first 2 Seasons of
the original cartoon that appear in this movie keep their voice actors, though
it is Peter Cullen and Frank Welker that get the most screen time, followed
closely by Chris Latta as Starscream. Peter Cullen playing Optimus Prime is
always nice to hear, and even with only two years of experience with the character
at the time, you can tell he’s giving it his all with whatever screen time the
character has; he also voices Ironhide in the movie, though that character
doesn’t get much time to shine. Frank Welker voices a good portion of the cast
from the cartoon, most of whom manage to survive, but his performance as
Megatron alone is amazing, with praise similar to Peter Cullen’s Optimus Prime.
Of the new cast, it has probably been
said before that it’s simply amazing who they managed to get to voice some of
the characters, most of whom would be recast later for Season 3 of the original
cartoon. Such names include Leonard Nimoy as Galvatron, Eric Idle as Wreck-Gar,
Judd Nelson as Hot Rod/Rodimus Prime, Robert Stack as Ultra Magnus and, of
course, Orson Welles as Unicron. These actors put their skills to good use in
this movie, though it’s interesting how Eric Idle was cast for a character
whose dialogue consists largely of TV commercial quotes. John Moschitta, known
for commercials for Micro Machines toys among other things, puts his talents as
the world’s fastest-talking man to great use as the character Blurr, whom he
would continue to voice in the original cartoon; he, along with Judd Nelson, would eventually return to the Transformers franchise to reprise their respective characters in the 2008 Transformers Animated cartoon.
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Rodimus Prime (Judd Nelson) isn't in Transformers Animated for very long,
but it's interesting to hear nonetheless. |
This movie being Orson Welles’ last has been very well-documented, however, Leonard Nimoy has since passed away recently. He would return to Transformers once again as the voice of Sentinel Prime in the 2011 movie, Transformers: Dark of the Moon, though his better-known legacy as Mr. Spock on Star Trek was given a proper tribute in the recently-released Star Trek Beyond.
The soundtrack is very definitely '80s,
especially “The Transformers (Theme)” by Lion, which is not a knock against it
since the music fits with the action on-screen. Stan Bush’s “The Touch” is most
likely what he’s best known for, especially amongst Transformers fans, but its
usage in the movie works for it (apparently it was originally meant for the
Sylvester Stallone movie Cobra, also from 1986, which would have been very
different indeed). This song has also seen use in other Transformers products in
the form of remixes, and even made an appearance in the game Saints Row IV,
which should serve as a testament to its popularity. The score by Vince DiCola
is great to listen to, even on its own, which is likely one reason he was
brought back to do the music for the Angry Birds Transformers app game; his
track for Optimus Prime’s death scene alone is enough to get to me, after
having seen the original cartoon, which should say something about his music’s
listenability out of context. In relation to the other songs by N.R.G. and
Spectre General (aka Kick Axe), “Weird Al” Yankovic’s Devo parody “Dare To Be
Stupid” can seem a little out-of-place, however its usage works for the scenes
in which it was used.
One thing that cannot be denied is that
this movie has had an enduring legacy within the Transformers fandom and the
franchise as a whole. Within a number of subsequent media, the movie has been
quoted to hell and back, and a handful of adaptations exist, not to forget the
number of scenes that have also been directly lifted from it to varying
degrees. Interestingly, in one issue of the Transformers Collectors’ Club
Magazine from Fun Publications, as part of a lead-in to a comic story, a
deleted scene was adapted for a flashback sequence (by essentially finishing
storyboard frames for that scene); in addition, a special one-shot comic from
IDW Publishing was released recently that explores a possible alternate
timeline in which the iconic death of Optimus Prime in the movie never
happened.
A notable homage to the movie is an
episode of the Transformers Animated cartoon from 2008 (Season 2’s “Garbage In,
Garbage Out”), which introduced the character Wreck-Gar to that continuity;
though he wasn’t voiced by Eric Idle, he was instead voiced by “Weird Al”
Yankovic, in homage to his song “Dare To Be Stupid” being used during scenes on
the Planet of Junk, and at one point in the episode, Wreck-Gar says “I dare to
be stupid”.
On an official level, as of this
writing, efforts have been made to celebrate the movie’s legacy this year. In
the Transformers: Generations toyline, which leans more towards the use of '80s
characters, the line has recently begun the Titans Return branding, which
properly re-introduces the Headmaster gimmick as the Titan Master gimmick
(though a new name, the gimmick is functionally the same as its '80s
counterpart). Since the timing of Titans Return coincides with the 30th
anniversary of this movie, the toyline is set to feature a number of characters
introduced in the film. Shout! Factory also has plans to release the movie
later this year on Blu-ray for the first time, with new cover art by
Transformers artist Livio Ramondelli, an experience I look forward to
witnessing.
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| The cover art to the upcoming Blu-ray. |
The Transformers: The Movie, while not
exactly a masterpiece of cinema, is definitely a must-see for Transformers
fans. Despite flaws in the storytelling and some animation errors (some of
which are more noticeable than others), there’s something about the movie that
has allowed it to stand the test of time within the fandom, which might have to
do with the number of concepts introduced in it that continue to be pivotal to
the franchise to this day. A non-fan is less likely to find full enjoyment in
the movie, though it does serve as a good time capsule of the '80s in its
animation and music and is good for fans of the '80s and '80s memorabilia.
Someone getting into Transformers for the first time should look into seeing
this movie, as it is the origin of many aspects of the franchise and subject to
countless references in Transformers fiction, though other points to consider
would be the Transformers Animated cartoon and the combined Transformers: Prime
and Robots in Disguise (2015) cartoons. In any case, though it underperformed
at the box office when it first released 30 years ago, there’s a reason this
movie continues to be celebrated, and I hope it continues in the years to come.
'Til all are one.
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