I have already made evident on this blog
that I am a big fan of the Transformers franchise, as well as mentioned
multiple times that the Transformers: Prime cartoon on The Hub network is good.
However, after 3 seasons and a total of 65 episodes, the inevitable time has
come for the show to end. Not only did the show have some very solid writing,
it had a very interesting take on the Transformers mythos and became an
excellent centerpiece to the Aligned continuity. While the finale episode,
“Deadlock”, did provide a good conclusion to the series, it didn’t have enough
closure as certain plot points had not yet been resolved, including ones from
the concurrently-running Beast Hunters comic from IDW (at issue #5 at the time
of this writing). Thus, the creative team behind Prime came up with the idea of
a TV movie, Predacons Rising, that would not only wrap things up, but also
provide a good conclusion to the cartoon as a whole (if the San Diego Comic-Con
2013 panel I went to is to be believed, the team came up with it out of a need
for an extra 66th episode that ties up all the loose ends). With this feature’s
recent premier on The Hub, I decided it would be a good idea to watch the
episode “Deadlock” again, which re-aired before Predacons Rising, to remind
myself of what happened due to the amount of time between the finale episode
and movie. Having recently seen the TV movie, it seemed to be a worthy sendoff
of the Prime cartoon.
Spoiler Note: This movie
takes place after the Transformers: Prime Season 3 (subtitled Beast Hunters)
finale “Deadlock”, so there will be unmarked spoilers regarding the movie’s
placement in the continuity. If you do not wish to be spoiled of any events in
Prime, turn back now. You have been warned.
After Cybertron’s reformatting at the
end of Beast Hunters, as Optimus Prime (Peter Cullen) congratulates his fellow
Autobots on a job well done, Megatron (Frank Welker), having been offline and
at the bottom of one of Earth’s oceans, is given a new lease on life thanks to
Unicron (John Noble), who uses Megatron’s body as a vessel to get back to
Cybertron and fulfill a desire he had not yet been able to carry out. Back on
Cybertron, after Optimus promotes Bumblebee (Will Friedle) from an Autobot
scout to an Autobot warrior, Prime gives the team orders on what to do
regarding the rebuilding of Cybertron before leaving with Wheeljack (James
Horan) to retrieve the AllSpark, which he had shot into space to keep it away
from Decepticon hands (sound familiar?), which would help to ensure Cybertron’s
future. As the Autobots make efforts to rebuild, Smokescreen (Nolan North) and Ultra
Magnus (Michael Ironside) explore the now-inaccurately-named Sea of Rust, where
they encounter two bots that are not what they expected: Predacons.
The story of Predacons Rising is
actually very compelling, with a multitude of plots going on that come together
one way or another. These plots wrap up rather nicely at the end, with a hint
of more to come by the end of it all. The characterization is very consistent
with that of the Prime cartoon, with some additional bits of character development
seen amongst the characters as the events unfold. Though there are a couple of new
characters introduced (mainly to sell toys), they are introduced in such a way
that they don’t seem out of place in the grand scheme of things and actually
manage to contribute to the overall plot without feeling out of place. Overall,
the story has great execution and is enough to keep you watching until the
emotional climax.
However, it doesn’t wrap up everything
in the overall Prime continuity, though it mainly comes down to a couple of
tidbits. In the events of Season 3 of Prime, the Decepticon Airachnid ends up
becoming, for lack of a better term, a robotic vampire in space, residing on
the moon with an army of loyal subjects last time she was seen. This does not
get any resolution in the movie, though admittedly the plot was already fairly
packed to begin with, so whether this is a good thing might depend on the viewer.
As for the other thing, I had some expectations that the Dinobots, last seen on
Cybertron in the Beast Hunters comic, would somehow show up in the movie, though
I had my doubts that they would even show up in the first place. Hopefully, the
Beast Hunters comic will resolve their side of the story and provide some sort
of closure for them. These details might be nitpicking, but they were things I
had in mind before going in.
The ongoing Beast Hunters comic is at issue 5 at the time of this review. |
The animation is very spectacular, showing the pinnacle of quality in the Prime cartoon. I’ve commented on how good the animation was in the Darkness Rising feature, but the motions of the characters are much more fluid here, displaying three seasons worth of experience on behalf of the animation team to great effect. As with the show itself, I sometimes almost got lost in the detail of some the character designs, including minor things such as reflections and tiny scratches on metal, most especially during close-up shots where these were much more visible. There were also times where, due to the complexity of some of the character designs, I began to wonder how difficult things must have been to animate.
The voice acting is as great as always,
with special note going to John Noble returning as Unicron from Season 2 of the
Prime cartoon. Everyone delivers a solid performance, including (relative)
newcomer Will Friedle as Bumblebee (with him and Nolan North making two
Deadpool voice actors appearing at the same time), which help sell the
characters they voice well as it shows the actors really gave it their all for
one last hurrah. And as usual, Brian Tyler’s music is very good for the movie,
though like with his other works, the music totally works when it’s happening,
but it isn’t very memorable afterwards, the main exception being the main theme
for the series that plays at least once or twice for 65 episodes and the movie
(a good handful of times with a special remix), which really sticks with you
for a good while.
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