Yu-Gi-Oh! The Movie (Remastered)

Back in 2004, Yu-Gi-Oh! The Movie (aka Yu-Gi-Oh! The Movie: Pyramid of Light), first released in the US as a critical and commercial failure, mainly because it was impenetrable for non-fans. However, when I first saw the movie as a kid, I didn’t really care and was able to enjoy it (although it did spoil the outcome of the Battle City Arc of the anime, which hadn’t finished airing yet in the US). Over the years I have found that, mainly out of nostalgia, I can’t find it within me to not like the original Yu-Gi-Oh!, but my opinion of this movie would wane over time. In a surprising move, 4K Media, the remnants of 4Kids Entertainment after Konami absorbed them, decided to remaster the movie and distribute it for a limited run through Fathom Events. When the opportunity struck, I bought a ticket to see the extent of the remaster and for a brief nostalgia trip. Now that I’ve seen it again, the remastered picture did little to distract from the inherent flaws of the movie.

5000 years ago, the Pharaoh had defeated and sealed away Anubis (Scottie Ray), the Egyptian lord of the dead. Five millennia later, Yugi Muto had completed the Millennium Puzzle at the same time that Anubis’ tomb was discovered in an archeological dig, releasing Anubis’ spirit, which seeks revenge on the Pharaoh. In the present, Yugi has just won the Battle City tournament and gained possession of the most powerful cards in all of Duel Monsters, the three Egyptian God Cards: Obelisk the Tormentor, Slifer the Sky Dragon and The Winged Dragon of Ra. At the same time that Yugi evades a horde of duelists attempting to claim the God Cards for themselves, Seto Kaiba (Eric Stuart) tries repeatedly to come up with a strategy to defeat Yugi, but to no avail. He decides to confront the game’s creator, Maximillion Pegasus (Darren Dunstan), about a possible card made to counteract the God Cards. However, Kaiba doesn’t know that his actions are only helping Anubis with gaining his revenge.

Anubis (Scottie Ray) wants his revenge on the Pharaoh.

The story and plot for the movie have a pretty rough execution. The idea of the Pyramid of Light as an eighth Millennium Item as well as the presence of another ancient evil can come off as fanfiction, which is never a compliment, and Anubis himself has almost no personality and is motivated entirely by an ancient grudge. The main bulk of the movie is a duel between Yami (Dan Green) and Kaiba, which goes on for quite a while. Once Kaiba activates Pyramid of Light, which unwittingly sets Anubis’ plan into motion, the spirits of Yugi, Joey Wheeler (Wayne Grayson) and Tristan Taylor (Greg Abbey) are sucked into the Millennium Puzzle, where they encounter the spirit of Anubis and his army of the undead. These scenes, interspersed within the Yugi vs Kaiba duel, can prove more interesting, if only because they provide the occasional break from the rest of the action.

That said, the dialogue is pretty decent and there are some occasional moments of laugh-out-loud humor. This includes some subtle moments, including Pegasus being served a red wine spritzer after swearing off white wine spritzers, and some of the jabs that characters take at each other. Other moments, like Joey making a couple movie references, are funny if only because of how cheesy/dumb they are.

One notable element of the dialogue is that when 4Kids had originally dubbed this movie, they had made the bold decision to keep any and all allusions and references to death and dying rather than change any instance to mentioning the Shadow Realm (as they had done in their dub of the anime). While this doesn’t mean much now, it was rather surprising back in 2004.

The quality of the animation is sort of hit and miss. It’s generally a higher quality than Studio Gallop used when animating the show, but after 14 years it also feels like a relic of the 2000s. Though the character models are good for the time, there are some moments where it went noticeably a little off-model. Nothing too jarring, but noticeable enough that it didn’t help the movie age that well over 14 years.

Something about this movie that’s particularly notable is that until 2017’s Yu-Gi-Oh! The Dark Side of Dimensions, this was the only instance where cards depicted in the English version used translated English text instead of the altered format used in the anime. While this was rather surprising and impressive at the time, especially since they also tried to recreate card rarities, there are some noticeable errors with card layouts (such as flipped or mirrored cards). One that’s particularly noticeable is that when Yami activates the card Double Spell, the card shown instead is Diffusion Wave-Motion (fixed in the Japanese version; see below).

As for the remaster, it’s essentially the same movie but the picture has a much-needed touch-up for modern screens. The look of the remaster is generally very impressive, giving it crisper visuals which help the movie age a little better, though in some zoomed-in shots the quality dips somewhat. It would’ve been nice if they also took the opportunity to correct the errors in the English card text and art, though I understand that wasn’t really the point of the remaster.

The voice acting is pretty good for when it came out, especially Dan Green as Yugi/Yami and Eric Stuart as Seto Kaiba. Looking back on it now, though, it’s obvious that by the time The Dark Side of Dimensions had come out, the actors had greatly improved in their roles since.

As for the soundtrack, the actual score is fitting and has a similar style to the anime. One original song that plays during a scene of Kaiba flying the Blue-Eyes White Dragon Jet is a little cheesy, but still kinda works. However, a number of snippets of other songs play over the credits, which seemed to be for the sole purpose of promoting the soundtrack with the promise of original songs (including one performed by The Black-Eyed Peas for some reason).

At the time the movie first came out in the US, theaters gave away one of four special cards (in a unique one-card booster pack) with each ticket sold and retail stores sold an eight-card Exclusive Pack as a tie-in. DVD copies of the film also came with two cards from the theater-exclusive Movie Pack with the option to send in for the other two. As an additional bit of small trivia, Blue-Eyes Shining Dragon saw a TCG release through this pack two years before the card required to summon it, Blue-Eyes Ultimate Dragon, would. Another tie-in was the Yu-Gi-Oh! The Movie Ani-Manga (basically a screencap comic) which came bundled with Slifer the Sky Dragon’s original TCG printing; the screencaps in the Ani-Manga only highlight many of the animation errors.

Original theatrical release poster.

For this special re-release of the movie, viewers were also given an exclusive look at the first English dub episode of the new Yu-Gi-Oh! series, Yu-Gi-Oh! VRAINS. I’m not sure how much I can say except that, without having seen the Japanese version, it feels like 4K Media is giving more respect to the source material with great voice acting and good dialogue, including a funny reference to the idea that some people think a hotdog is a sandwich. I’ll note here that my screening of the movie had low attendance anyway, likely since it was a Monday night, but everyone else had left before and during the VRAINS preview, so I enjoyed what had become a private screening.

A Japanese poster for Yu-Gi-Oh! VRAINS. L-R (clockwise):
Yusaku Fujiki, Firewall Dragon, Decode Talker, Yusaku Fujiki (as Playmaker), Ai.

After 14 years, I can conclude that Yu-Gi-Oh! The Movie hasn’t really aged well. The remastered visuals are impressive and I wouldn’t mind getting it on home video if they offered it. However, the story is still pretty rough and Anubis, though designed by Kazuki Takahashi himself, is a rather flat villain without much going for him. The climactic duel also goes for a large amount of the 89-minute runtime, so that’s something to keep in mind. It’s also very difficult to recommend to anyone who isn’t already a Yu-Gi-Oh! fan, since it requires the viewer to already be pretty familiar with the source material. While fun as a nostalgic trip back to the original series, it’s a pretty rough movie overall, though for some that may be part of its charm.

2017 - The Highlights (EHeroFlareNeos)

With 2018 upon us, we here at Trophy Unlocked would like to take a look back at the best and the most disappointing movies and video games of 2017. This year we got a lot of quality entertainment, perhaps more than last year, though that didn't stop a few duds from popping up. In no particular order, here are the highlights of the year, a subjective list of what to check out and what to avoid. As usual, however, we are limited by our own time and money, so if you don't see something you think should be on this list, that is likely a reason why.

Top Movies of 2017

Yu-Gi-Oh!: The Dark Side of Dimensions

Admittedly, this barely qualifies for the list considering it’s mainly a nostalgia movie. However, for a childhood Yu-Gi-Oh! fan, the latest film in the franchise, penned by Kazuki Takahashi himself, is an absolute ride from start to finish. The animation never falters and the increased focus on Seto Kaiba was actually a nice change of pace. The main villain, Aigami, might not have the same presence as other villains like Bakura or Marik, and the internal logic behind Dimension Dueling doesn’t make the most sense, but that did nothing to take away from my enjoyment of the story. Watching this movie is like hanging out with old friends, which can be a good feeling to have from time to time.

Your Name.

This movie is easily one of the more emotional ones of the year. The setup, though somewhat reminiscent of films like The Lake House and Freaky Friday, gives way to a compelling “Boy Meets Girl” story with equally compelling characters and an engaging plot with a few smart twists at just the right moments. Your Name. also has some of the best traditional animation out there and a soundtrack that kicks in at the most impactful moments. If you only see one anime film from this year, this is the one to see.

Wonder Woman

After a string of notoriously awful movies, the DCEU managed to finally get one good entry in the form of Wonder Woman. The film, directed by Patty Jenkins, features great acting, particularly by Gal Gadot and Chris Pine, good action and a more compelling plot than its predecessors. If you only ever see one DCEU film, make it this one.

Logan

Logan stood out for a number of reasons. It takes Wolverine and places him within a slightly futuristic noir framework, a relatively rare R-rating (meaning children shouldn’t watch) allows the story to use the character without pulling any punches and the movie is able to use a very dark take on a popular character without feeling overly bleak or joyless. The characters are very well-written, backed by very powerful acting, particularly from Hugh Jackman and Dafne Keen, and the plot moves along at a balanced and engaging pace. If you decide to view on it on home video, make sure to also view Logan Noir, a black-and-white version which contributes very well to the noir atmosphere (though it is otherwise unchanged).

Wonderstruck

Wonderstruck is one of the more interesting films to come out this year. Thanks in part to a screenplay by Brian Selznick, the author of the original novel, the movie is a mostly faithful adaptation that makes some respectable changes that would allow the story to work better on film. What makes it really stand out, however, is that it focuses on two protagonists separated by time whose stories eventually intersect. One is shown in the style of a black-and-white silent movie while the other is more or less in the style of a 1970s movie. Although the movie spends a little too long establishing 1970s New York at one point, the story and characters are very compelling and the way the stories intersect is quite a surprise. A good film to check out for those who are looking for something a little different with a unique presentation or fans of Brian Selznick’s work.

Thor: Ragnarok

After two previous attempts, the MCU finally does a Thor movie right. Thor: Ragnarok is in many ways the opposite of the first two, as it contains more humor and makes use of a generally brighter color palette and more variety in the setting than just Asgard and Earth (aka Midgard). Along with Chris Hemsworth’s great performance as Thor, we also get more character development for Bruce Banner/Hulk and an interesting villain, Hela. As one of the better films in Phase 3 of the MCU, Thor: Ragnarok is one entry not to miss.

Top Video Games of 2017

Resident Evil 7: Biohazard

Although I hadn’t really played any of the Resident Evil games, I was aware that the series had been in decline with Resident Evil 5 and 6, which took the action elements of Resident Evil 4 a bit too far. Cue Resident Evil 7: Biohazard, which returns to the series’ survival horror roots in a big way, placing the action in first-person and telling a very personal story in a smaller, more intimate environment. The new story and gameplay direction presented by Resident Evil 7 creates a persistent and somewhat more realistically frightening atmosphere that is able to pull the player in and not let go. While it remains to be seen how the franchise will continue form here, this is a great foundation to build upon and is perfect for both fans and newcomers.

Persona 5

As someone who had absolutely next to no knowledge of Persona, let alone Shin Megami Tensei, I had an absolute blast playing Persona 5. While the story may feel uneven at times, the gameplay is a huge step forward for turn-based RPGs, especially in terms of speed, and the world is highly immersive thanks to surprisingly interesting social simulation elements. Combine that with a unique sense of style, an acid-jazz soundtrack that won’t quit and some memorable characters and you have a game that rightfully earns a spot on this list.

Cuphead

Cuphead stands out from the competition due to its unique visual style. A labor of love by Studio MDHR, all of Cuphead’s assets and every single frame was hand-drawn, hand-painted and animated using the same techniques as a 1930s Fleischer cartoon. Additionally, the game has a 1930s Jazz soundtrack recorded in a similar fashion. The sheer amount of dedication to developing Cuphead paid off, as the stunning visuals are married with a challenging run and gun gameplay style that makes taking down each boss feel incredibly satisfying. Easily a game that lives up to the hype and one that shouldn’t be missed.

South Park: The Fractured but Whole

South Park Digital Studios’ follow-up to The Stick of Truth is a remarkable improvement over its predecessor. On the story side, in spite of feeling a bit muddy as it goes on, the jokes just keep coming one after another and pretty much all manage to hit their mark. The South Park style of humor and political commentary is ever-present and feels right at home with its setting. The idea of using the kids’ superhero personas is taken full advantage of in the gameplay, which features an evolution of the combat system where instead of a traditional turn-based system, it now involves one where field position and the range of each ability actually matters. It may be kind of easy overall and the idea of a “perfect team” is a very real thing, but the game is still consistently fun all the way through.

Assassin’s Creed: Origins

Ubisoft’s latest entry in the Assassin’s Creed franchise has proven that taking a year off between installments was worth it. The more open ancient Egypt setting feels fresh and the gameplay, though in some ways familiar, feels different and unlike any other game in the franchise. The story feels uneven at times, but goes very well with the setting and is able to immerse the player in a rather fascinating time in history, complete with opportunities to learn more about ancient Egyptian culture. If taking time off allows the series to gain a breath of fresh air, then I wouldn’t mind if two-year gaps between installments become the norm.

Super Mario Odyssey

When I bought a Nintendo Switch for some future releases, I also got a copy of Super Mario Odyssey to have something to play on it in the meantime. I wasn’t sure what to expect, but it turned out to be really fun. The plot is very simple, Mario has to stop Bowser from marrying Peach, but the gameplay strikes the right balance of simple and difficult. There’s always something new for the player right to the end and the boss battles take full advantage of the different mechanics at play. From my own limited experience, Super Mario Odyssey felt like a modern and natural extension of Super Mario 64, which seems like a pretty good foundation. If you need something to go with your Switch, this is a good game to start with.

Top Disappointments of 2017

Sharknado 5: Global Swarming

The latest installment in the Sharknado franchise is an absolutely unenjoyable mess. It manages to be almost soullessly bad as the nonsensical plotline, lower-tier celebrity cameos and overabundance of increasingly terrible special effects make it perfectly clear that Sharknado has outstayed its welcome. When a Sharknado movie of all things is capable of jumping the shark, you know something’s truly wrong.

Ghost in the Shell (2017)

While Ghost in the Shell (1995) is fondly remembered as an artistic masterpiece which helped spawn a well-loved and influential franchise, the same will likely never be said of the recent live-action remake. Pre-release nontroversy aside, Ghost in the Shell (2017) falls very short of its main influence by managing to near-faithfully execute the visual identity of the franchise, but without the same heart that would allow it to feel like Ghost in the Shell. On top of this, it decides to try and recreate memorable scenes from the original animated film, but without any of the original motivation that made those scenes so iconic. If you have interest in Ghost in the Shell (2017), you’re better off watching the 1995 original and the subsequent Stand Alone Complex anime.

Despicable Me 3

Illumination’s latest entry in the Despicable Me franchise was definitely a disappointment. While it may be an improvement over Minions, itself a very low bar, the story features an overstuffed plot backed by a premise normally reserved for the creatively bankrupt. Not even Trey Parker’s legitimately enjoyable performance as Balthazar Bratt is enough to redeem the overall quality of the movie. Perhaps it’s time for Illumination to reconsider the direction of the franchise, considering they still haven’t been able to recapture the spark that made the original Despicable Me work so well.

Justice League

While Wonder Woman gave the DCEU its first real winner, the follow-up in Justice League nearly erased a lot of the goodwill the franchise had. There were plenty of issues, from a cast assembled too early to an uninteresting villain and slow-moving plotline that had me looking at my watch a few times too many. It’s obvious Warner Bros. needed the team-up to happen before the upcoming Avengers: Infinity War, but this might have turned out better if audiences actually had time to get used to each member of the team before putting them together. Justice League may be one of the better DCEU movies, but when compared to Batman v Superman and Suicide Squad, is that really saying much?

2017 - The Highlights (Tetris_King)

With another year drawing to a close, it is once again time to reflect on what we did and did not like about it. As with last year, a large number of new movies were watched and a good amount of new games were played, resulting in a rather lengthy list I found difficult to trim down. Much like last year, due to the high volume of movies from this year that I actually enjoyed, I have split my top movies of the year between live-action and animation. As per usual, the lists below are presented in no particular order, with links to reviews on the blog where applicable.

Top Live-Action Movies of 2017

Wonder Woman

After a few missteps while struggling to keep up with the Marvel Cinematic Universe, it looks like the DC Extended Universe may finally be headed in the right direction. Wonder Woman succeeds where it predecessors failed, providing an enjoyable experience with an overall more light-hearted tone and a hero you actually want to root for. With a sequel set for release in a couple years, hopefully the DCEU can live up to what Wonder Woman has to offer.

Transformers: The Last Knight

Beginning from this movie, the Transformers Live-Action Film Series is set to become its own Cinematic Universe. Having been hyped enough to attend a special early screening, I found myself enjoying the film in spite of its flaws (more on that below). While the movie has a lot of plot in it, the well-placed humor and world-building (including borrowing elements from the “Aligned” continuity) kept my interest throughout. If the upcoming Bumblebee: The Movie, to be directed by Laika alumni Travis Knight, is any good, then the new Cinematic Universe might turn out well in the end.

Logan

Another R-rated X-Men movie produced after the success of Deadpool, Logan puts the spotlight on Wolverine once again, this time taking place in a future without mutants as he winds up protecting both an out-of-control Charles Xavier and a small child with mutant powers similar to his own as they make their way to a supposed mutant sanctuary. Logan manages to both tell a well-written mature story and make itself accessible to newcomers, meaning you do not need to have seen any of the previous X-Men movies to follow along. In short, Logan is a mature comic book movie done right, as well as a great movie on its own merits. The black-and-white version, Logan Noir (included with the Blu-ray), is also worth a viewing, since, though telling the same story, it offers a much different experience.

Wonderstruck

Having enjoyed Hugo, I was intrigued to find out another Brian Selznick book was being adapted, to the point where I bought the book at the signing I was at and read it shortly thereafter. The movie, written by Selznick, is not only a streamlined, faithful adaptation of the book, it also tells a rather engaging story that makes it an enjoyable movie in its own right (though it does drag a little bit in one spot). It doesn’t have the same tone or style as Hugo, however I loved Wonderstruck all the same.

Thor: Ragnarok

The Thor movies have never been the strongest movies in the MCU for me, and so this newest entry caught me by surprise. Not only is this movie highly entertaining to watch, I would honestly consider it one of the best movies of Phase 3 so far. It breathes new life into the Thor sub-series by not taking itself entirely seriously, with moments of genuine humor found all throughout the movie as well as some new development on the Hulk. Only time will tell if this new take on the God of Thunder will carry over into the upcoming Avengers: Infinity War.

Star Wars Episode VIII: The Last Jedi

Following up on The Force Awakens, this movie picks up where it left off and provides a lot more insight into Rey and Kylo Ren. As with Transformers: The Last Knight, a lot of events transpire in this movie, some of which could arguably have been shortened a little, however I found the story engaging and found myself overall enjoying it. It’s not exactly the best Star Wars movie one could hope for, however it is worth watching, especially if you want to see the late Carrie Fisher play Princess Leia one last time.

Top Animated Movies of 2017

Yu-Gi-Oh!: The Dark Side of Dimensions

As a Yu-Gi-Oh! fan, I was already looking forward to this movie upon learning details at a Comic-Con panel featuring creator Kazuki Takahashi himself. Taking place after the end of the original manga, the movie introduces a new villain, Aigami, while placing the spotlight on Seto Kaiba and his growing ambitions to defeat the Pharaoh in a Duel. The movie is animated spectacularly and gives some good character development to both Yugi and Kaiba as they head towards their future goals, plus it was actually nice to hear the English voice actors reprise their roles once more. Aigami is also given some good development for a movie-exclusive character, which is more than I can say for Anubis from the Pyramid of Light movie, though even as a Yu-Gi-Oh! fan I couldn’t quite understand how Dimension Dueling, Aigami’s preferred method, worked exactly. Still, the movie is highly entertaining for existing fans of the series and is worth a look.

Your Name.

My interest in this movie came from hearing how successful and highly praised this boy-meets-girl story was in its native Japan, and so I took the chance to view it as part of a limited theatrical run. I could see where the praise was coming from, as I got emotionally invested in both the plot and characters. I don’t want to give anything away, though I would consider Your Name. a must-see anime film.

Loving Vincent

This movie’s premise is rather interesting, telling the story of someone investigating renowned artist Vincent van Gogh’s final days and getting multiple viewpoints on how his death played out. While the story is very engaging, the main draw is the movie’s animation style, being animated entirely using 65,000+ paintings that emulate van Gogh’s particular painting style to amazing effect. This, combined with imagery and characters inspired by the subjects of van Gogh’s paintings, creates a very immersive world that you’ll want to visit again.

Top Games of 2017

Little Nightmares

Little Nightmares is a horror game that’s very effective at building up and maintaining an atmosphere throughout. While not the type of horror you can find in Resident Evil 7, this game goes more for the psychological, and the overall design and aesthetic contribute to this expertly well to create a very unnerving experience. With a string of DLC and a comic book currently being rolled out, this is an experience I’d gladly revisit once it’s all been made available.

Puyo Puyo Tetris

In a rather unexpected crossover, the Puyo Puyo and Tetris puzzle game series have come together for the first time, delivering normal Puyo Puyo and Tetris gameplay in addition to a number of other game modes (including a mode that combines the two games together). The music and sound design are also good, as is a surprisingly entertaining story mode featuring Puyo Puyo characters meeting a new set of characters representing Tetris. Though I had more fun with the Tetris segments due to personal skill level, I did find myself getting the hang of Puyo Puyo’s gameplay over time, which helped me get more into the other game modes. This is a great game for puzzle fans, especially for those who enjoy Tetris and/or Puyo Puyo.

Crash Bandicoot N. Sane Trilogy

Having never played any of the Crash Bandicoot games prior to this collection (unless the cameo in Skylanders: Imaginators counts), I found myself really enjoying it. Though difficult, the three games in this collection have a world and characters that keep you wanting more even in the face of failure, especially in regards to the first installment. With intricately remade graphics, great voice acting and a catchy soundtrack that doesn’t stop, Crash Bandicoot N. Sane Trilogy is the perfect starting point for any new Crash Bandicoot fan.

Cuphead

Before this game was released, I was hyped up by the art direction alone, taking inspiration from 1930’s cartoons and being animated entirely by hand. The game itself has a very strong difficulty curve, however beating a boss to get their Soul Contract is very satisfying and makes you want to go back for more. The visuals capture the 1930’s aesthetic very faithfully, which, along with the gameplay, make the game’s lengthy development cycle worth it. Regardless of whether you're in it for the gameplay, the animation is something that would make me recommend it to those who are fans of this particular style or possibly even animation students looking to study said style.

Top Disappointments of 2017

Transformers: The Last Knight

In spite of my praise for this movie above, I recognize the movie has some issues. Aside from any plot holes (one being Bumblebee’s new ability to Iron Giant himself back together to sell more toys), the movie has an overabundance of story, including a whole Suicide Squad-style sequence that ultimately goes nowhere, and so things could have easily been cut to shorten the run time. There’s also admittedly an overabundance of new characters, most of which don’t even have toys to sell, and the short screen time for many of them makes it a little difficult to care. Regardless, the next two films, one of which centers on Bumblebee, have a chance to rectify where this one went wrong.

Despicable Me 3

After the disappointment of Minions, Illumination had the opportunity to steer the Despicable Me franchise back on track. Unfortunately, while somewhat better than Minions, this movie suffers from an overabundance of sub-plots, leaving not much room for development for either characters or story and lowering my expectations for a teased fourth installment. The only real saving grace of the movie is Trey Parker as the entertaining villain Balthazar Bratt, and even then, his performance alone could not salvage it.

Sharknado 5: Global Swarming

The Sharknado series began as a funny joke, however that joke has probably more than run its course. While it may have been able to sustain itself for 3 movies and pushed it a bit with 4, the fifth annual installment, Global Swarming, fails to really capture the same enjoyment, relying more heavily on B-list cameos, plot contrivances, shoe-horned references and ripping off better movies to keep swimming. Though the ending teases the inevitable Sharknado 6, it seems like it may be time for this shark to finally stop swimming.

Ghost in the Shell (2017)

I’ll admit my experience with Ghost in the Shell lies mainly within the 1995 animated feature and the Stand Alone Complex (SAC) anime series, however I actually enjoyed those unlike this movie. Casting controversies aside, the 2017 movie manages to capture the look of Ghost in the Shell, though I can’t say the same about the feel. It does take some scenes from the 1995 movie almost wholesale to try and ground it within that setting (while also borrowing elements from SAC), however it can’t seem to decide whether it wants to be a remake or tell an original story, overall just falling short of its real potential. If you’re looking to have a good time with Ghost in the Shell, you may as well just stick with the 1995 movie instead.

Justice League

After Wonder Woman pushed the DCEU in the right direction, Justice League feels more like a step back. Odd villain choice aside, the movie attempts to emulate the MCU’s The Avengers without understanding exactly what made it work so well, establishing a team before many of the individual members rather than the other way around. There is some humor in places and the movie is overall a major step up from Batman v Superman, however that isn’t saying much and it overall wasn’t as fun as the movie it was trying to copy. The upcoming Aquaman movie has some promise to turn things back around, hopefully borrowing more from Wonder Woman rather than this film.

Honorable Mentions

The Hitman’s Bodyguard

Though a bit of a sleeper movie, The Hitman’s Bodyguard is one that I found rather enjoyable. The main draw though is that it co-stars both Ryan Reynolds and Samuel L. Jackson, each essentially playing a version of their most famous characters (Wade Wilson/Deadpool and Nick Fury, respectively); the two of them have surprisingly good chemistry together, their characters being good foils for each other. It’s not likely the two will share a movie like this again (pending company merger notwithstanding), though in any case it’s still worth a viewing.

Skylar & Plux: Adventure on Clover Island

Another game in the recent 3D platformer revival boom, what attracted me to this particular title was, in addition to the art direction, the ability to manipulate time to solve puzzles. Though it has some shortcomings (including some technical issues), the game is actually pretty enjoyable and I found the approach to puzzle-solving interesting. While not perfect, the game presents enough potential for a follow-up title, though whether the developer will tap into this potential remains to be seen.

Rime

While I was once again captivated by the art direction, what interested me was the idea of exploring an island and solving puzzles (though it presents itself in a more linear, story-focused fashion). The puzzles can get a little difficult, however this did not stop me as I wanted to get through it and discover what the island was all about. These puzzles, coupled with a powerful ending (plus one of the best tutorials I have ever seen), make Rime definitely worth a look.

Yu-Gi-Oh!: The Dark Side of Dimensions

Note: This review contains unmarked spoilers relating to the events of the original Yu-Gi-Oh! anime/manga.

In celebration of the 20^th anniversary of the Yu-Gi-Oh! franchise, a new movie, The Dark Side of Dimensions, was announced at San Diego Comic-Con 2016, set to take place after the original Yu-Gi-Oh! series. I happened to attend the panel at which this was announced, which featured a special appearance by Yu-Gi-Oh! creator/mangaka Kazuki Takahashi, who would have heavy involvement in story and designs for the movie (he even did a special live drawing of Yugi just for that panel). In anticipation of this, Takahashi also created two special Yu-Gi-Oh! chapters called TRANSCEND GAME, bridging the gap between the original series and the new movie; these chapters have since been translated to English by Viz Media, distributed in the English version of Weekly Shonen Jump (the December 19^th, 2016 and January 2^nd, 2017 issues in particular, for those who are curious).

Though the movie was released in Japan in time for the 20^th anniversary, it was not until recently that the movie began a limited theatrical run in the US; due to circumstance, I had to view this movie at the rather luxurious iPic theater, though this did not affect my thoughts on the movie itself. There was also a special card handed out to movie-goers, a (tournament-legal) Gold Rare Obelisk the Tormentor. Overall, I thought the movie was a good expansion on the original story and a worthy celebration of the franchise.

One year after the events of the original anime (six months after the original manga in the Japanese version), Seto Kaiba (Eric Stuart) is working on a new design for the Duel Disk, while at the same time looking for a way to once again duel Atem. Meanwhile, Yugi Muto (Dan Green), Joey Wheeler (Wayne Grayson), Tristan Taylor (Greg Abbey), Téa Gardner (Amy Birnbaum) and Bakura Ryou (Ted Lewis) are contemplating their plans after graduating High School. At school, they meet a boy named Aigami (Daniel J. Edwards), whom they simultaneously do and do not remember meeting before. It isn’t long before Aigami begins using the power of a mysterious artifact to further his desire to reshape the world and prevent the re-awakening of Atem.

L-R: Téa Gardner (Amy Birnbaum), Yugi Muto (Dan Green), Bakura Ryou (Ted Lewis),
Joey Wheeler (Wayne Grayson), Tristan Taylor (Greg Abbey) discuss their graduation.

For what it is, the story is actually pretty easy to follow, though it generally assumes you are already a Yu-Gi-Oh! fan who is familiar with the original story. Seto Kaiba seems to be the one actually taking central focus this time, rather than Yugi Muto, although Yugi’s contributions to the story show that he is certainly not forgotten. Those who are fans may need to explain the story for uninitiated viewers, though the 10-minute extra included with the Bonds Beyond Time Blu-ray does an effective job of explaining some of the major canon events prior to the Millennium World Arc.

The new character and main antagonist Aigami gets more of a fleshed-out backstory than some prior movie-exclusive villains, a result of his increased screen time in the 2-hour feature, which also includes back-stories of a handful of other new characters. Some other new characters only exist in the movie as a form of cannon fodder for Aigami’s abilities, and so we do not really get to know that much about them aside from some very basic information. In spite of any shortcomings, the movie can get really funny in places, both in dialogue and in some visual aspects, and it can also get a little emotional at some points for longtime fans of the series.

Though the movie is stated on the official Yu-Gi-Oh! website to take place after the anime by Studio Gallop, fans of the manga can get a bonus out of being able to spot some minor cameos from characters who never appeared in said anime, which is evidence of the original intention of taking place after the manga. A running element is Joey’s attachment to his Duel Disk, which seems to take more after the design of the Duel Disk in the manga, where it was one solid piece, although this is muddied a little by an appearance from the anime-style Duel Disk, which had the ability to fold into a more compact shape. This, however, is only a minor tidbit in the grand scheme of things.

Seto Kaiba (Eric Stuart) will go to great lengths to get another
chance to Duel Atem.

The Duels in the movie are presented spectacularly, especially since the cards are actually translated into English, similarly to the Yu-Gi-Oh! movie Pyramid of Light, except with card text closer to that of the wording style in the real-world Trading Card Game as of the movie’s release. The only way to get a good look at the card text, though, would be to be able to pause the movie in any future home video release, though this I felt was a nice touch, as was the fact that Duelists start off with 8000 Life Points (LP) like in the real-world game, as opposed to the 2000 or 4000 LP rule used in most iterations of Yu-Gi-Oh! fiction. While the normal style of Dueling is still present, a new style of Dueling is introduced known as Dimension Dueling, which is used exclusively in Duels involving Aigami. While the concept is interesting, the pacing of a Dimension Duel admittedly gets a little muddy at times, especially on Aigami’s part.

The animation is some of the best ever seen in Yu-Gi-Oh!, making the Duels themselves a true spectacle. The CG used for some monsters is also improved over what can be seen in the anime or Bonds Beyond Time, blending in better with the traditionally-animated elements. A highlight is also Kaiba’s new Duel Disks, at times seeming influenced by and improving upon the designs seen in the Yu-Gi-Oh! Zexal spin-off series. Kaiba’s new Duel Disk in particular, featuring virtual cards, is animated amazingly well, standing out against all other Duel Disks seen in the series thus far (as of the Yu-Gi-Oh! Arc-V spin-off).

The sound design is really good, particularly with the sounds made during Duels. Returning characters share the same voice actors they had in the 4Kids dub of the original anime, which works well for consistency, and they put out great performances that display a refined experience with their characters, especially Dan Green and Eric Stuart as Yugi and Kaiba respectively. Daniel J. Edwards does a good job voicing antagonist Aigami, displaying a good range with the character and capturing his emotions throughout the course of the feature. The background music is also good, although a highlight would be the new mix of the English Yu-Gi-Oh! Theme that plays during the credits.

Yu-Gi-Oh!: The Dark Side of Dimensions is a well-executed continuation of the original story, though it was definitely made with Yu-Gi-Oh! fans in mind. The film has one of the best examples of Yu-Gi-Oh! animation to date, and the plot and action are relatively straight-forward, with the exception of the Dimension Duel concept. The callbacks to the original manga provide an interesting touch, plus the returning voice actors do a good job in reflecting how much their characters have changed in the intervening period of time in-universe. Those who are uninitiated may get lost, especially during the actual Duels, and so may need a short explanation of preceding (original series) Yu-Gi-Oh! lore before going in. Those who are longtime fans of the series should definitely check out the two TRANSCEND GAME chapters as well, as they provide some insight into the exploits of Seto Kaiba preceding the events of the movie proper.