Silent Hill f (PS5)

Back in 2022, Konami announced a full revival of the Silent Hill IP that included a number of video game projects, including a teaser for Silent Hill f (SHf), developed by NeoBards Entertainment. Even back then, SHf stood out for its distinct Japanese flair, which came from a desire to bring the series back to its roots after worry that the series had grown too “Western” following the Team Silent era (games that they clarified were influenced by Western media, but filtered through a Japanese lens, creating a unique blend of both sensibilities). To this end, they brought on famed horror game writer Ryukishi07, known for the When They Cry series of visual novels, and set the game in 1960s Japan. When this entry finally released in 2025, it not only received critical praise, but became the fastest-selling game in the series, with one million copies sold in only three days.

From the outset, the concept of SHf intrigued me as someone open to exploring other aspects of Silent Hill that developers hadn’t yet tapped into and as someone used to legacy media experimenting with their format once in a while. As such, it was a day one buy for me and I started playing it as soon as I got the chance. Thanks to a combination of personal health factors, however, as well as my prior reviews locking myself into viewing every single ending, it did take me a bit longer than I had initially thought to truly complete the game. Although I found the final product flawed like any other Silent Hill game, I can confidently say that trying out a new direction paid off spectacularly.

Fobia Vol. 1

Note: Product received for free in exchange for a copy of Powers Squared Vol. 1 and an honest review.

When you’ve dedicated yourself to creative works, it’s natural to want to branch out and try new things when inspiration strikes. One such medium creatives have branched out to is comic books, whether they’re actors, like Keanu Revees (BRZRKER) or David Dastmalchian (Count Crowley), or content creators, like penguinz0 (Godslap) or Jacksepticeye (Altrverse). Now, Derrick Acosta of Mega64 fame has thrown his own hat into the ring with Fobia, a horror anthology inspired by other anthologies like Tales from the Crypt and Slow Death, among others. In an impressive feat for a first-time independent comics creator, he managed to raise $34,671 on Kickstarter to bring Vol. 1 of his dream to fruition, with physical books on the way and a Vol. 2 already in the works. As an independent comics creator myself, it’s nice to see someone else with a burning passion for the medium and, as a Mega64 fan, I was curious about his latest venture.

Little Nightmares III (PS5)

Following the success of Little Nightmares II in 2021, it was inevitable that publisher Bandai Namco would want to continue capitalizing on the series, with Little Nightmares III in development under Supermassive Games after original developer Tarsier was purchased by Embracer. Despite the change in hands, I wanted to continue supporting the Little Nightmares IP due to its more unique approach to horror. After waiting patiently for the long-awaited third entry, I found myself enjoying it at first, only to end up getting gated enough by the game’s own mechanics to put it down before getting the chance to finish it.

Stubs - Frankenstein (2025)

Frankenstein (2025) starring Oscar Isaac, Jacob Elordi, Mia Goth, Felix Kammerer, Lars Mikkelsen, David Bradley, Lauren Collins, Charles Dance, and Christoph Waltz. Directed by Guillermo del Toro. Screenplay by Guillermo del Toro. Based on Frankenstein; or, The Modern Prometheus by Mary Shelley. Produced by Guillermo del Toro, J. Miles Dale, Scott Stuber Run time: 150 minutes. Color. USA. Gothic Science Fiction

If you’re like me, when you think of Frankenstein’s Monster, you immediately think of Boris Karloff, the star of James Whale’s 1931 film; part of the Universal Monsterverse, which for some are the classic horror films. While many of these films are based on classic books, sometimes the adaptation is very loose, which is the case with Frankenstein (1931).

A couple of years ago, I found out for myself by reading Shelley’s book. Not that it ruined my enjoyment of the classic film, but when I heard that Guillermo del Toro was going to make a film based on the book, I was hopeful that it would be closer to the source material. I’m happy to report that, though there is some poetic license taken, including the ending, the new Frankenstein is closer to the Shelley novel.

Second Look - Touch My Katamari

As the popularity of the Katamari series continued, the series later ventured back into the handheld space, this time with a launch title for the PS Vita in 2012 (2011 in Japan) called Touch My Katamari. Unfortunately, the game was a failure, resulting in the series going all but dormant for 14 years until the announcement of Once Upon a Katamari, at least partially attributed to the PS Vita itself failing as a system. The formal return of the franchise led me to dig out my copy of Touch My Katamari, which I last played in 2013 according to my save data, to reevaluate my opinions. Looking back on it, although I noticed more flaws in the game this time, I still found it an ultimately entertaining experience, even if not the best.

Katamari Forever

While Beautiful Katamari was the first Katamari game to be absent from a PlayStation console, it would return to the PS3 with Katamari Forever, a tribute to five years of the franchise. I actually remember playing this game when it first came out and liked it enough to consider it my personal favorite of the series, but over time I had forgotten the nuances of the game itself. On booting the game back up again in anticipation of Once Upon A Katamari, this turned out to be because I hadn’t played it since 2011. While I was noticing more flaws this time, I was ultimately reminded why I considered it my favorite, and still is.

Second Look - Beautiful Katamari (+ DLC)

As the Katamari series continued to show success, a new console game was made following the handheld Me & My Katamari. In a departure from previous titles which were on the PlayStation family of systems, this new game, Beautiful Katamari, was released exclusively for the Xbox 360; the intent was to go multiplatform, however only the Xbox 360 version ever got made. After mainly sticking with the PlayStation line for the longest time, since it has most of the games I want to play, Beautiful Katamari was on my radar when I finally branched out to the Xbox systems, and so I played it once I got the chance. At the time, I did not buy the DLC, which I would later check off my shopping list when the Xbox 360 store was shutting down, but I would not revisit the game again until the announcement of the upcoming Once Upon A Katamari.

As of this writing, I have yet to resolve some issues I have been having with my Xbox 360, so it was fortunate that I was able to play this game again, DLC included, on the Xbox Series X as part of the backwards compatibility program, though I will admit to playing with a DualSense through a converter to make it more comfortable for me to play. On my most recent playthrough, I liked it more than I remembered, though my feelings remain mixed.

Me & My Katamari

With the success of We Love Katamari on the PS2, it was natural for Namco to want to capitalize further on the Katamari brand with or without Keita Takahashi’s involvement. In a first for the series, Namco proceeded without him for a new entry made for the PSP, Me & My Katamari, in 2005. Regardless of its issues, the PSP was my handheld of choice for many years and helped get me through high school, with this game being part of my library since I was obsessed with the series at the time. With the announcement of Once Upon A Katamari on modern platforms, I decided to take another look at this game on another save file, though I was surprised to see that I hadn’t played it since 2010. While I would still consider the game to be pretty fun, enough time has passed that its flaws stand out more to me through fresh eyes.

Tron: Ares

Note: This review contains spoilers for Tron: Legacy.

About fifteen years after the release of Tron: Legacy, and coincidentally about fifteen years after the start of this blog, Tron fans finally witnessed the release of a third film, Tron: Ares. Although Legacy director Joseph Kosinski had plans for a sequel, which would have been known as Tron: Ascension, it entered development hell due to a combination of Tomorrowland bombing at the box office and Disney’s buyouts of Lucasfilm and Marvel, though the company never outright cancelled it. Around 2017, plans shifted to the Jared Leto-led sequel that we have now, with a different writer (Jesse Wigutow), director (Joachim Rønning) and composer (Nine Inch Nails) to boot. As a fan of the franchise, I felt hyped going in despite the chosen lead, as I simply felt glad that Disney gave us more Tron at all. However, now that I’ve actually seen Ares, in IMAX 3D no less, I can happily say that although it’s not the best written installment, it was well worth the fifteen-year wait.

Tron: Catalyst (PC)

Two years after the release of Tron: Identity (Identity), developer Bithell Games would return to the Tron franchise with a new game, Tron: Catalyst (Catalyst), as part of the greater buildup to Tron: Ares. Since there was a general drought of Tron content at the time of the announcement, I was excited for it in part due to liking Tron: Identity, but bought it after it came out as part of a Steam sale and only recently got around to it. While the gameplay may be different, the storytelling remains one of the developer’s strong points and made me invested in seeing more.

Stubs - The Sound of Music

The Sound of Music (1965) starring Julie Andrews, Christopher Plummer, Eleanor Parker.  Directed by Robert Wise. Screenplay by Ernest Lehman, with the partial use of ideas by Georg Hurdalek. Based on the musical The Sound of Music, music by Richard Rodgers, lyrics by Oscar Hammerstein II, book by Howard Lindsay and Russel Crouse, and originally produced on the stage by Leland Hayward, Richard Halliday, Richard Rodgers, and Oscar Hammerstein II (New York, 16 Nov 1959). Produced by Robert Wise. Run time: 172 minutes. Color. Musical, Drama, Romance

In 1965, 20^th Century Fox put out a movie that would not only help it recover from the $30 million loss on Cleopatra (1963), but would go on to be, for a time, the highest grossing film of all-time. By all standards, except for some early reviews, the film was wildly popular and a runaway hit. I remember it playing at my local theater for a year; unheard of today.

The movie is based on the musical that started its run in 1959. The musical’s narrative was derived from Maria Augusta von Trapp’s 1949 autobiography, The Story of the Trapp Family Singers. At that time, the book had already been made into two popular West German feature films directed by Wolfgang Liebeneiner, Die Trapp-Familie (1956), and its sequel, Die Trapp-Familie in Amerika (1958). The Broadway musical saw $2,325,000 in advance sales and ran from November 16, 1959 to June 15, 1963.

Paramount Pictures had optioned rights to Die Trapp-Familie, and approached Vincent J. Donehue, the musical’s Broadway director, about directing an American version, starring Audrey Hepburn, but Donehue advised the studio not to, “You can’t possibly make it as a movie, you’ve got to let it go; the way to do this is a musical for Mary Martin.” Paramount dropped its option when Hepburn wasn’t available.

Stubs - Downton Abbey: The Grand Finale

Downton Abbey: The Grand Finale (2025) starring Hugh Bonneville, Jim Carter, Michelle Dockery, Paul Giamatti, Elizabeth McGovern, Penelope Wilton. Directed by Simon Curtis. Screenplay by Julian Fellowes. Based on Downton Abbey by Julian Fellowes. Produced by Gareth Neame, Julian Fellowes, Liz Trubridge Run time: 123 minutes. Color. United Kingdom. Historical Drama

Like all good things, the Downton Abbey universe has come to an end in a fitting way with Downton Abbey: The Grand Finale, the third in a trilogy of post-television films. For people, like myself, who have watched the series and the first two films, this final film is a great culmination for a franchise that started on British television in 2010.

Death Stranding 2: On the Beach

Note: This review contains spoilers for Death Stranding.

Although Death Stranding (DS1) originally launched to mixed reception, Hideo Kojima considered creating a sequel to further establish the “Strand” genre. As it turned out, development had started when Kojima had written the story prior to 2020, but the way the COVID-19 pandemic had impacted the world made him decide on a rewrite. Since then, he rewrote parts of the story again in response to positive reception from test audiences, fearing that he had created something too mainstream. The final game launched in June 2025 on the PS5, this time to more positive reception, with the name Death Stranding 2: On the Beach (DS2).

When DS1 came out, I felt like I was in a minority that liked the game in spite of its flaws, but I could still recognize the issues that had turned so many away during its initial release. As such, I liked that more people eventually came around on the game following its PC port, then more excited when I learned about the development of DS2. It should be no surprise, then, that I had been playing the game whenever I could since launch day, pouring as much time as I did before (about 50 hours) until I reached the credits. Where I found the original a flawed, but solid step forward for Kojima Productions, DS2 manages to go above and beyond as an example of a sequel outshining the original in almost every conceivable way.