Sunday, September 28, 2025

Elio


I hate to say this about a studio that I loved growing up, but the 2020s have not been kind to Pixar. Although they’ve had hits with Soul and Luca, duds like Lightyear and, to a lesser extent, Elemental have stood out far more than they would have in the past. This feeling perhaps contributed to my lack of motivation to see Elio, their latest release, based on both the original 2023 teaser and revised 2024 teaser, the latter of which had occurred due to a test screening in which not a single person said they liked it enough to watch it in a theater. My apathy felt justified when, despite the revised direction and positive critical reception, the film had bombed at the box office, making only $154 million on a budget of about $150-200 million. Of course, we remained undeterred in our streak of viewing every single Pixar film in some form or another and finally gave it a try when it hit Disney+. Sadly, although I did like it a little more than I thought I would, I still thought while the credits rolled that I would have felt ripped off if I had paid for the full theatrical experience.

Saturday, September 27, 2025

Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle


Note: This review contains spoilers for Demon Slayer: Kimetsu no Yaiba.

Although the original Demon Slayer: Kimetsu no Yaiba manga had ended in 2020, the anime adaptation by Ufotable is still going strong, so much so that their interpretation of the Infinity Castle arc was announced as a film trilogy. The first part, Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle (Full title: Demon Slayer: Kimetsu no Yaiba – The Movie: Infinity Castle – Part 1: Akaza Returns) (Infinity Castle) released this year to strong critical reviews and an equally explosive box office, breaking several records and surpassing 2020’s Demon Slayer: Kimetsu no Yaiba – The Movie: Mugen Train (Mugen Train) as the highest-grossing Japanese film worldwide. Rather impressive, to say the least, which is how I watched the English dub alongside those who had only seen Mugen Train and Episode 63 of the anime, contrasting with my own experience as an anime-only viewer who had kept up with the series from the beginning. Although I did feel that Infinity Castle lived up to the hype, I couldn’t help feeling that the film format had, ironically, created a major issue that Mugen Train did so well at avoiding.

Saturday, September 20, 2025

Lilo & Stitch (2025)


2002 saw the release of Lilo & Stitch, which launched one of Disney’s most lucrative franchises that continues to see legacy support in some way, shape or form. As an anecdotal testament to this, I’ve attended the Animation Academy attraction twice on a trip the California Adventure park, where a Disney animator guides guests through drawing a character, and there was some crowd control for drawing Stitch in particular. 2025 eventually saw the franchise enter Disney’s recent push for remaking their animated films into live-action and/or very realistic CG, with the remake simply bearing the Lilo & Stitch moniker. As someone who is largely not a fan of this second wave of remakes, I was turned off enough by the announcement to not see it in a theater, but decided out of morbid curiosity to watch it anyway after it made its way to Disney+ just to see how bad it was. After satisfying my curiosity, I feel that skipping the theater was the right call on this one.

Sunday, September 14, 2025

A Celebration of 1700 Reviews

Below is a list of links to every review from 1201-1300, broken up every 25 links for easy navigation. Each review will also be color-coded as such: MovieVideo Game.



1621. Bombshell
 
 
1638. Awaria
1639. Red One
1648. PIO


1657. Anora
1659. Elektra
1660. Conclave
1661. URLate
1662. Waitress
1670. Blade
1683. to a T
1697. 3 Bad Men
1700. Look Back

 
Movies: 69 (1,094 Total)
Video Games: 31 (530 Total)
Comic Books: 0 (28 Total)
DLC: 0 (26 Total)
Book: 0 (1 Total)
Stage: 0 (1 Total)

Saturday, September 13, 2025

Look Back


While the mangaka Tatsuki Fujimoto is perhaps best known for his series Chainsaw Man and Fire Punch, he has also had a number of one-shots under his belt. One such one-shot is Look Back from 2021, which explores the passion behind the art process and creating manga. After reading the manga, I learned that there was an anime film adaptation in 2024 released through Amazon Prime Video, and so decided to watch it while the story was still fresh in my mind. The film not only does an excellent job of adapting the manga’s story, it even has its own small touches that add to it in an effective way.

Wednesday, September 10, 2025

ENA: Dream BBQ Chapter 1 - Lonely Door


In 2020, Peruvian animator Joel G released the first episode of ENA, an avant-garde comedy that mixes 2D and 3D animation with surrealist inspiration. Although I had been aware of the project since around its initial release, I never actually watched it, as I had no idea of its content and didn’t realize until writing this review that its first season not only had just four episodes, but clocked in at under an hour total. Still, I was aware of its notoriety when I stumbled across the free official video game, ENA: Dream BBQ, on Steam when it launched back in March. Once I finally had the time to play it for myself, marking my first true introduction to the series, I found myself wishing I had played it sooner, as it contained a lot of the creative energy that I’ve found lacking in the wider gaming industry and felt like it was tailor made just for me.

Saturday, September 6, 2025

Stubs - Thunderbolts*


Thunderbolts* (2025) starring Florence Pugh, Sebastian Stan, Wyatt Russell, Olga Kurylenko,   Lewis Pullman, Geraldine Viswanathan, Chris Bauer, Wendell Pierce, David Harbour, Hannah John-Kamen, Julia Louis-Dreyfus Directed by Jake Schreier. Screenplay by Eric Pearson, Joanna Calo. Based on Marvel Comics. Produced by Kevin Feige. Run time: 127 minutes. Color. USA. Superheroes, MCU

This summer saw the end of the MCU’s Phase Five, Thunderbolts*, and the beginning of Phase Six, The Fantastic Four: First Steps. Both under-performed at the box office but both were better films than might have been expected. My loyalty to the MCU sort of expired after the end of Phase Three. I’m sure I’m like a lot of viewers who decided after 11 years, the goal of the continued MCU seemed to have only one purpose, to make money. The expansion into “must see” TV shows didn’t help and my devotion faded.

However, I do like to keep my toe in, but I’m more cautious with my dollars. Thunderbolts* looked interesting but was it worth $100 to see it (tickets and refreshments included)? My answer at the time was no, and I waited for it to appear on Disney+, which it has done recently.

I will have to say that I was very surprised and the movie was very well-made, with good acting, action, and story.