Stubs - The Odyssey (2026)

The Odyssey (2026) starring Matt Damon, Tom Holland, Anne Hathaway, Robert Pattinson, Lupita Nyong'o, Samantha Morton, Zendaya, Charlize Theron Directed by Christopher Nolan. Screenplay by Christoper Nolan. Based on Homer's Odyssey. Produced by Christopher Nolan, Emma Thomas. Run time: 173 minutes. Color. USA/UK Epic, Action, Fantasy, IMAX

As a follow up to his Academy Award winning Oppenheimer, director Christopher Nolan chose a text that dates back to the 8^th century B.C. attributed to Homer, a Greek poet. It is a sort of sequel to The Iliad, which centers on a quarrel between King Agamemnon and the warrior Achilles during the last year of the Trojan War. It’s follow-up, The Odyssey, chronicles the ten-year journey of Odysseus, king of Ithaca, back to his home after the fall of Troy.

It seems a little surprising that such a film based on a 2,800-year-old poem would arrive with such anticipation. Most tickets for its opening weekend sold out months in advance. But that is the pull of Christopher Nolan, the director behind Oppenheimer but also such films as Memento (2000), Insomnia (2002), Batman Begins (2005), The Dark Knight (2008), The Dark Knight Rises (2012), Inception (2010), Interstellar (2014), Dunkirk (2017), and Tenet (2020). He has a following few modern directors have, save, perhaps, Steven Spielberg.

The Super Mario Galaxy Movie

Note: This review contains spoilers for The Super Mario Bros. Movie.

The success of 2023’s The Super Mario Bros. Movie, grossing over $1 billion on a $100 million budget, would naturally justify a sequel, announced one year later and released in 2026. Despite animation studio Illumination’s track record for the inconsistent quality of their output, I still enjoyed The Super Mario Bros. Movie (in spite of its flaws) and felt growing hype as the sequel, The Super Mario Galaxy Movie, drew closer, enough that I finally played the original game that it was based on, Super Mario Galaxy. Although some skepticism and negative critic reviews popped up during the lead-in to the film’s release, I felt that I should see first-hand how it shaped up compared to the original. Unfortunately, for every enjoyable element, there is something that holds it back from greatness.

Five Nights at Freddy's 2 (Film)

When the first Five Nights at Freddy’s (FNAF) film finally came out in 2023 and proved itself a runaway success, making back over ten times its $20 million budget, a sequel, Five Nights at Freddy’s 2 (FNAF2), based on the game of the same name, was inevitable. As a fan, I was hyped enough for the film that I attended the Hall H panel at San Diego Comic-Con, where the cast and crew discussed the experience working on the film and they had announced a Scream reunion with Matthew Lillard and Skeet Ulrich appearing in the same film once again (they also gave away pizza boxes lifted straight out of FNAF). As a reviewer, I recognized the flaws in FNAF, even more so on repeated viewings, though there were assurances that the production crew had listened to feedback and incorporated the criticisms into the sequel, which had a much smoother production. While FNAF2 did leave me curious about the future of the series, I can’t deny that it was overall a step down from the original.

The Bad Guys 2

 

Following the release of the first The Bad Guys film, I was hyped enough by it and the prospect of a sequel that I caught up, and kept up with, the book series until it finished (I was not a fan of how it ended). On seeing trailers for The Bad Guys 2, I was hyped once again based on how much I liked the first, but practiced cautious optimism for how it would handle the introduction of new characters from the source material. These fears were put to rest on seeing the actual movie, which only reinforced my opinion that the films were superior to the books.

Jaws

Fifty years ago, Jaws made a huge splash in the cinematic landscape and its ripple effects are still felt to this day. Shortly after its original release in 1975, it thrashed box office records and became the highest-grossing film of all time until the release of the original Star Wars just two years later and even surfaced to a Best Picture nomination at the Academy Awards. Such a feat put Steven Spielberg, who had based the film off of the bestselling Peter Benchley novel of the same name, on the map and led to a lucrative career that made him a household name. Even now, Jaws is often regarded as one of the greatest films of all time, as well as perhaps the only good Shark movie ever made. It also can’t be understated how much of an impact it had on Hollywood filmmaking and society at large, for better or worse.

In honor of the fiftieth anniversary of such a monumental film, we did our due diligence and gave Jaws another watch (with a twenty-five-year-old DVD to boot). After all, films this old may not have held up as well as its reputation would suggest. However, not only has Jaws held up surprisingly well after a few decades, its reputation feels more than earned and it’s easy to see how it still serves as a continuous source of inspiration.

The Night Before Christmas in Wonderland

 

Although I am enough of a fan of Alice in Wonderland to be curious about other takes on the story and characters, it’s more often the more unique takes that grab my interest the most. The Night Before Christmas in Wonderland is one such take, being an adaptation of a book by Carys Bexington and Kate Hindley that combines Lewis Carroll’s story with the poem A Visit from St. Nicholas in an interesting way with its own unique premise. Although I have not read the book, the title and visual style were enticing enough to me when I stumbled upon the movie’s existence through an issue of Animation Magazine and seeing that it had already been out for a month as of this writing. After making the time to watch it for free through Amazon Prime Video, I liked it a lot more than I expected, enough to make me want to read the book.

The Wild Robot

Amongst a number of major shifts within the animation industry at large, one was that DreamWorks Animation would no longer animate their films in-house beyond 2024, the last of which would be The Wild Robot, and afterwards pivot to outsourcing to other studios. The first trailer for The Wild Robot left a good enough impression on me that I read the original book by Peter Brown out of curiosity, with further trailers and learning of Chris Sanders’ (Lilo & Stitch, How to Train Your Dragon) involvement only making me feel more confident in its quality. This would lead to me seeing the film in 3D on opening day, after which I was grateful this was the studios’ last in-house feature production and not Kung Fu Panda 4.

Nanny McPhee

 

When I first saw trailers for Nanny McPhee, based on the Nurse Matilda book series by Christianna Brand, ahead of its 2006 US release, I wasn’t sure about watching it since I was just entering my teenage years at the time, but the curiosity nonetheless persisted in the back of my mind for some time. On a recent flight, however, I saw this film pop up as one of the in-flight entertainment options, and so I finally found my chance to give it a fair shot. Unfortunately, my experience was marred with a number of sub-optimal conditions, including having to use cheap headphones bought from the terminal after a pair of mine broke shortly before another preceding flight, plane noise necessitating the use of subtitles to understand the dialogue even after turning the volume on my phone higher than I normally would, and very spotty Wi-Fi that lead to connection issues (I could not get my phone to connect properly no matter what I did and ended up having to use another family member’s phone that could) and a near-constant onslaught of buffering, in addition to the film being presented in modified full-screen as opposed to the original widescreen. Despite this, I actually enjoyed Nanny McPhee enough to want to watch it again under more optimal conditions.

Migration (2023)

Following the original Despicable Me, Illumination has had a very spotty track record in terms of story quality, with incredible highs with The Super Mario Bros. Movie and varying lows with films like The Secret Life of Pets and Minions. What they have consistently improved on, however is their animation quality, to the point where I had some interest in viewing their latest film, Migration, for that sole reason, preferably without spending too much money in the endeavor. Fortunately, I got the chance to watch it as an offering of free in-flight (heh) entertainment, even if the airline made me watch it on my phone (RIP phone battery). Unfortunately, while Migration is a visual step up from Illumination's usual output, the story holds it back from really spreading its wings.

Kung Fu Panda 4

While DreamWorks Animation hasn’t had a consistent track record of quality, I’ve always found an exception in the Kung Fu Panda films. The first film remains one of my favorites from the studio, as well as one of my favorite animated films in general, with an equally good second film and a solid third film that ends the Kung Fu Panda trilogy on a high note. Imagine my surprise, then, when the same studio responsible for recent boundary-pushing efforts in The Bad Guys and Puss in Boots: The Last Wish announced a Kung Fu Panda 4, an admittedly unnecessary sequel that still had a wealth of potential for expanding its fascinating world and characters and bringing the series to new heights. Now imagine my disappointment in how the first new main entry in eight years not only failed in living up to the quality of the original trilogy, especially Kung Fu Panda and Kung Fu Panda 2, but also didn’t understand what made the rest of the franchise so appealing and successful in the first place.

Five Nights at Freddy's (Film)

Back in 2014, the original Five Nights at Freddy’s (FNAF) caught the internet by storm and, within a year, became a series that exploded in popularity as fans obsessively dissected the ever-expanding lore. In April 2015, this popularity led to the announcement of a film adaptation from Warner Bros. While the franchise continued its reign as a cultural juggernaut, however, the film itself had unfortunately entered a development hell that saw a change in studios, from Warner Bros. to Blumhouse Productions, multiple director changes, from Gil Kenan to Chris Columbus to Emma Tammi, and several scrapped scripts (some fans have suspected that Warner Bros. retooled one of these scripts into The Banana Splits Movie, which, if true, wouldn’t surprise us). Only in 2023 did the film finally enter production, as series creator Scott Cawthon, who had a very hands-on role from the beginning, had finally approved a script he loved.

As a fan of the series (even if I had only watched Markiplier play the games until I played Security Breach and its DLC for myself), I had experienced the emotional highs and lows from following the production for years, ending with excitement as news from the final production slowly trickled in. With final details of the story mostly shrouded in mystery until the official trailers rolled in, I had no idea what to expect, but still remained optimistic and got tickets for a screening on opening day, where I watched with someone who didn’t know anything about the games or expanded universe. As a fan, I can happily say that while the final film likely won’t go down as a classic of the genre, it’s a very enjoyable love letter to the series and its fandom that even newcomers (who the marketing doesn’t do much to entice) can still get into.

The Super Mario Bros. Movie

Mario is a character who needs no introduction. Even if you’ve never played a video game before, chances are you recognize the Italian plumber, or at the very least heard of him or any of the literally hundreds of games he’s been in. He’s also no stranger to adaptations, with three dedicated TV series (The Super Mario Bros. Super Show!, The Adventures of Super Mario Bros. 3 and Super Mario World) and two films (the animated Super Mario Bros.: The Great Mission to Rescue Princess Peach! and the live-action Super Mario Bros.) under his belt. After a nearly 30-year absence from the silver screen, a second theatrical film, The Super Mario Bros. Movie, was announced with animation studio Illumination at the helm. Considering Illumination’s rather contentious output following Despicable Me, their first feature, their involvement invited some understandable skepticism that continued even during the first round of marketing. Mario fans can rest assured, however, knowing that in spite of the studio behind it, The Super Mario Bros. Movie, while not flawless, is indeed the film they’ve been waiting for.

Puss in Boots: The Last Wish - All That Glitters is Gold

As the Shrek franchise dwindled in popularity back in the 2000s, a process that began with the poor reception to Shrek the Third, DreamWorks officially spun of the franchise to center more around Puss in Boots, an anthropomorphic cat parody of Zorro introduced in Shrek 2. Puss, notably voiced by Antonio Banderas, first received a theatrically-released spin-off, Puss in Boots, back in 2011, then a perhaps lesser-known Netflix series, The Adventures of Puss in Boots, which ran from 2015 to 2018. During Puss’ time in the spotlight, effectively taking over the franchise, DreamWorks had announced a Shrek 5, which has yet to see a proper release, let alone any solid news on its development.

In the meantime, Puss in Boots recently received a sequel, The Last Wish, in late 2022. Considering the 11-year gap, the announcement came as quite a surprise and I initially didn’t have much interest, as I hadn’t seen the previous film out of a lack of interest. Its very positive reception, however, convinced me otherwise and I finally saw a theatrical screening after it received an Oscar nomination for “Best Animated Feature”. As it turns out, not only does The Last Wish live up to the hype, it may have actually surpassed the quality of most of Disney and Pixar’s own output from the last few years.

The Bad Guys

Some film adaptations of books (ex. The Great Mouse Detective, Ernest & Celestine) have gotten me interested in checking out their source material right after, but rarely has it occurred where I was interested enough in a movie to look at its source material before seeing the movie. The Bad Guys is one such film, being based on a popular series of children’s books by Aaron Blabey about a group of bad guys who want to turn their reputation around, often with humorous results. In anticipation of the film, after finding out what it was based on, I was curious enough to read the first three books in the series through a collection so that I would have some idea of what they were working with, and found said books enjoyable to read even as an adult. After deciding to take the risk to see the movie in a theater, while I did not expect to see a 1:1 translation of the books, I thought it was a good adaptation and a well-made film in its own right.