Showing posts with label The Lord of the Rings. Show all posts
Showing posts with label The Lord of the Rings. Show all posts

Monday, March 13, 2023

Stubs - The Lord of the Rings (1978)

 


The Lord of the Rings (1978) Voices of Christopher Guard, William Squire, Michael Scholes. Directed by Ralph Bakshi. Screenplay by Chris Conkling, Peter S. Beagle. Based on the novels The Hobbit, Or, There and Back Again; The Fellowship of the Ring: Being the First Part of "The Lord of the Rings" and The Return of the King: Being the Third Part of "The Lord of the Rings" by J. R. R. Tolkien (London, 1937 and 1954). Produced by Saul Zaentz. Run time: 115 minutes. USA. Color. Animated, Fantasy

While Peter Jackson’s The Lord of the Rings trilogy is the best-known film adaptation of J.R.R. Tolkien’s books, it is not the first one. Interest in making Tolkien’s fantasy trilogy into a film dates back to 1956 and Walt Disney Pictures' acquisition of the rights. No Disney film materialized, but he wasn’t the last one to try to make a film from it.

Apparently, The Beatles tried in 1968 to acquire the rights. According to a BBC report, if the film had made its way into production, the cast would have been composed of Paul McCartney as Frodo, John Lennon as Gollum, George Harrison as Gandalf, and Ringo Starr as Sam. They were also interested in Stanley Kubrick as the director. However, Tolkien didn't like the idea of a pop group doing his story and nixed the sale.

United Artists acquired rights in 1969 after two years of negotiations, partnering with Katzka-Berne Productions, Inc. in the deal. It was reported, in 1970, that John Boorman had been hired to produce, direct and co-write with Rospo Pallenberg an adaptation of The Lord of the Rings trilogy. However, UA balked at the cost of producing Boorman’s script.

Ralph Bakshi, perhaps best known for films like Fritz the Cat, Heavy Traffic and Coonskin petitioned UA several times to direct The Lord of the Rings as an animated feature. In 1975, the studio allowed Bakshi to take control of the project at Metro-Goldwyn-Mayer. However, MGM’s involvement ended when studio brass failed to grasp Bakshi’s creative vision. They did allow Bakshi to retain the rights if he could reimburse UA the $600,000 the company had spent to develop the property. Otherwise, the rights would revert to MGM the next day. Bakshi contacted Zaentz, who acquired the rights immediately and agreed to be his partner.