Showing posts with label Spider-Man: Homecoming. Show all posts
Showing posts with label Spider-Man: Homecoming. Show all posts

Sunday, December 31, 2017

2017 - The Highlights (lionsroar)

Films watched for the first time and reviewed in 2017

Note: Since Trophy Unlocked has to pay for most of the movies we see in the theaters and for most of the films we watch at home, we don’t have the scope of a newspaper reviewer. We don’t see everything that’s out, so our ratings of films are based on what we decide to spend our money on.


Top 5 Best Films of the year:

In No Particular Order:




Wonder Woman

Finally the DCEU gets one right. Wonder Woman establishes Gal Gadot as the best thing in this comic book-based universe. Gadot is not only beautiful but also atheletic, strong and with a real screen presence. It's too bad that she alone is not enough to save this franchise which seems almost doomed from the start.



Hidden Figures

Well-done biographical film that rather than one person concentrates on the fate of three brilliant African-American women at NASA -- Katherine Johnson (Taraji P. Henson), Dorothy Vaughan (Octavia Spencer) and Mary Jackson (Janelle Monáe) -- who worked in virtual obscurity during the Mercury missions which launched the US manned space program.



Logan

Not all comic-book films are made solely for the fan base. In what maybe a victory lap for his portrayal as Wolverine, Hugh Jackman co-stars with Patrick Stewart as  Charles Xavier / Professor X: in a story that takes place in the future. Now an older man, Wolverine must cope with old age while fighting to save a young girl Laura (Dafne Keen) from the evil Transigen corporation that made her. Also available as Logan - Noir, the same film but in black and white. This presentation tones down the blood, but also makes this feel what is, the kind of movie that they don't make anymore.



Loving Vincent

After his suicide, the postmaster of Saint-Rémy, Joseph Roulin (Chris Dowd), discovers a letter that the late artist had sent to his brother and sends his son, Armand Roulin (Douglas Booth), to find Theo, not realizing the brother is also dead. Armand develops a fascination with the late artist and spends an extended time trying to find out the truth about Van Gogh's death.  A fascinating story told exclusively through the use of paintings in the artist's style.




Wonderstruck

The stories of two deaf young people separated by 50 years are interwoven in this film based on the novel of the same name by Brian Selznick. Each must go on their own journey of discovery, which takes both to New York City and eventually to each other. Heartwarming story with good acting make this one to watch.

Best Classic Movie Reviewed:


Key Largo (1948)

It's very hard to go wrong with Humphrey Bogart, Lauren Bacall, Edward G. Robinson,  Lionel Barrymore, and Claire Trevor. Deported gangster tries to make a comeback during a hurricane that hits the Florida Keys. Post-war gangster film with a solid cast directed by John Huston. Honarable mentions: King Kong (1933) and The Lady Vanishes (1938).


Disappointments of the Year:

In No Particular Order:



Justice League

Is it really a disappointment when you sort of expect it to not be very good? I go hoping for better, but come out resigned to know that it is. Having killed his greatest ally, Batman has to put together a team of others with superpowers, Aquaman, The Flash, Cyborg and Wonder Woman to fight an exterrestrial with an Oedipal complex who is out to cleanse the Earth. But things are going well for the team until they manage to resurrect the fallen Superman.





Spider-Man Homecoming

Sony doesn't seem to know what to do with Spider-Man other than reboot the franchise and each time with diminishing returns. On its third try, Spider-Man is really Spider-Young Adult, which is the literary genre the film mimics when telling the story. Does the super-hero film have to be so high school? While I like the actor playing the title role, I can't wait for him and the series to grow up.


Despicable Me 3

Third time is not the charm with Despicable Me. Seems that they've gone to the well one time too many and now its really running dry. Too many storylines for this animated film to juggle. And, frankly, the Minions are a little over-exposed and getting a little old, sort of like bananas that have  been out too long.



Kingsman: The Golden Circle

I remember really looking forward to the new Kingsman film. The original seemed to be so interesting and fun. The premise of a secret British secret service was too quickly disposed of in my opinion. Now strapped to an American version, which sadly is so stereotypical as to be embarrassing. Can Americans ever be depicted not wearing cowboy hats as our native dress? The film tries too hard for its own good.



Started off the year watching one of last year's Best Picture nominees. Restrained science fiction, read that low on its reliance on special effects, the film features some pretty good acting from its leads. Still, the film goes one step too far and loses out when it makes time seem too circular. 

Worst Classic Film Reviewed this Year:



Detour (1945)

Don't believe the hype that this is one of the great film noirs. Low-budget feature includes the worst of the genre with a plot based almost solely on the protagonist making the worst decision possible in any situation and an over-reliance on coincidence. To top it off, the acting is wooden.

Sunday, July 9, 2017

Stubs - Spider-Man: Homecoming


Spider-Man: Homecoming (2017) Starring Tom Holland, Michael Keaton, Jon Favreau, Zendaya, Donald Glover, Tyne Daly, Marisa Tomei, Robert Downey Jr. Directed by Jon Watts. Screenplay by Jonathan Goldstein, John Francis Daley, Jon Watts, Christopher Ford, Chris McKenna, Erik Sommers. Based on Spider-Man by Stan Lee and Steve Ditko. Produced by Kevin Feige, Amy Pascal Runtime: 133 minutes. USA Color Superhero, Action

Sony has had an interesting history with the Spider-Man franchise. There were the three films directed by Sam Raimi, starring Tobey Maguire, Kirsten Dunst, and James Franco. After breaking with Raimi over creative differences, the studio tried to relaunch the franchise as The Amazing Spider-Man directed by Marc Webb and starring Andrew Garfield and Emma Stone. While successful at the box office, these efforts paled by comparison with the original series.

Following the North Korean hacking of SPE's emails and the executive reshuffle that followed, Sony allowed Spider-Man to appear in an Avengers' film, Captain America: Civil War (2016), with a new actor, Tom Holland, playing the web-slinger. Now, Holland gets to star in his own reboot, Spider-Man: Homecoming.

Tom Holland as Spider-Man.

As compared with The Amazing Spider-Man series, this new film is a success. Holland is at 21, a good choice to play the teenage Peter Parker, and runs rings around Garfield's depiction. However, this version seems less like a Spider-Man series and more like Iron-Man 3.5. Like his depiction in the Amazing Spider-Man films, Spider-Man is less organic than the first go around. The web not only doesn't come out of Parker, but originates from devices that were apparently designed by Tony Stark (Robert Downey Jr.). Even the Spider-Man suit is an elastic version of Stark's Iron Man outfit. A reboot without an origin story, Homecoming does hint that Parker was bitten by a spider, but it seems that much of his powers originate from the suit and not from the spider bite.

Iron Man is never far away in Spider-Man: Homecoming.

The connection to Iron Man is underlined by the nearly constant presence of "Happy" Hogan (Jon Favreau), Stark's bodyguard/chauffeur, as well as the repeated appearances of Stark/Iron Man. Part of the backstory involves the move of Avenger headquarters from New York to some location upstate and the cleanup in the aftermath of the epic battle at the end of Marvel's The Avengers (2012), placing this film well within the Marvel Cinematic Universe.

The villain, Adrian Toomes/Vulture (Michael Keaton) is taken from the pages of the long-running comic book series, but his origin story has been updated to fit into the MCU. Keaton, who started out as a comedian, has proven himself to be a very good dramatic actor. He came to fame playing the caped crusader in Batman (1989) and Batman Returns (1992) and has most recently been seen in such films as Birdman or (The Unexpected Virtue of Ignorance) (2014) and The Founder (2016). As good as he was a hero, he is equally good as a nemesis, which the film sets up for a possible return. While I have no idea what Sony/Marvel have in mind for the next Spider-Man film, we're told Spider-Man will return, they could do a lot worse than bringing Adrian Toomes back.

Michael Keaton plays Adrian Toomes/Vulture.

Now that we're up to three different versions of the story and three different actors, so far, playing the lead character, one starts to do a James Bond-like comparison. While Holland is good, Maguire gets the nod as the best so far to have worn the suit. Garfield, unfortunately, will end up with a comparison to George Lazenby, an actor who tops no one's list as the best 007.

This is definitely a different way to view Spider-Man. He is more Spider-Boy than Man, though he seems to be growing into the role. Homecoming is definitely aimed as much to a millennial audience as it is to the longtime fans of the comic book. This time around Parker's world is explicitly diverse. There is no Mary Jane or Harry in this version, rather there is a Michelle "MJ" Jones (Zendaya), a
non-love interest, and Ned (Jacob Batalon), who plays his best friend. These two will no doubt be back, as will his modernized Aunt May Parker (Marisa Tomei). His love interest, Liz (Laura Harrier), is a senior while he is a sophomore, but there never seems to be any real chemistry between them as Parker's secret life keeps trumping his love life.

Like any superhero film, there are the requisite big battles and action scenes and Homecoming has at least three that would qualify. The special effects are very good and the film looks very good in 3D/Imax if you're in the mood to pay more to see more.

One of the problems with the MCU is that you don't feel like you can miss any of the films without falling behind. I've used the analogy of school to describe how this makes me feel as a movie-goer. I feel like I'm required to see some of these films. However, Spider-Man: Homecoming was not that kind of film. I would have seen this one even if it wasn't so entrenched in the MCU.

That said, while I can definitely recommend this film, beware that it doesn't supplant Spider-Man 2 (2004) as the best in the series and I would go so far as to place it third behind Spider-Man (2002). Good, but not quite great, Spider-Man: Homecoming is a good summertime movie and should be seen if you want a good time at the theater.