Note: This review contains spoilers for The Emperor’s New Groove.
In 1994, Disney started production on a musical epic titled Kingdom of the Sun. Over the course of four years, however, the project went through a troubled production period (as detailed in the documentary The Sweatbox, viewable through Internet Archive), only reaching about 25% completion. As a result, studio executives stepped in and, after some discussion, the film changed direction to a lighthearted comedy. The final product, renamed The Emperor’s New Groove, would see a theatrical release in early December, 2000. Though it received a generally positive reception from critics, with an 86% on Rotten Tomatoes, the film underperformed at the box office, making only $169.9 million on a budget of $100 million.
Although I was only eight at the time The Emperor’s New Groove came out, I distinctly remember watching it in a theater and enjoying it. However, it would be about 20 years before I would watch it again through a TV broadcast, which reinforced the fond memories I had of the film. After watching the first episode of the Disney+ series Sketchbook, in which Story Artist Gabby Capili drew Emperor Kuzco, we felt compelled to watch the film again, which led us to conclude that even after 22 years, The Emperor’s New Groove still holds up as a Disney classic.

