Tim Burton’s 1984 live-action short Frankenweenie has an odd place in his career. Not only did it have a more niche audience for the longest time, only seeing a home video release within certain releases of The Nightmare Before Christmas, but the short’s creation also led to Disney firing him for what they considered a waste of company resources. Fast forward to 2007, when Disney hired Burton to direct two 3D films, one of which was a feature length remake of Frankenweenie, this time in stop-motion. The finished product would release in 2012 to generally positive critical reception and also had the honor of being both the first black-and-white feature and first stop-motion film shown in IMAX 3D. In the context of its creation and release, Frankenweenie is certainly a technical achievement, as well as a personal one considering that not many people can say they got to remake a project that got them fired by the same company that hired them. In the context of the rest of his output, however, Frankenweenie’s second chance at life doesn’t change the fact that it’s not one of Burton’s best creations.

