It is only natural for a fan of a video
game series to want to see a movie based on that series. Also natural is the
hope that it will be a video game movie that’s actually good, which is quite a
rarity. Since I had played nearly every game in the Assassin’s Creed series, I
had anticipated the release of the Assassin’s Creed movie to the point that I
pre-ordered a ticket (this is apparently a thing now). After finally getting
the opportunity to see it, I would consider it a good movie, but it manages to
hold itself back from being great.
Convicted criminal Callum Lynch (Michael
Fassbender) is taken in by Abstergo Industries during what is meant to be his
execution. Sophia Rikkin (Marion Cotillard) informs Callum that Abstergo is
looking for a powerful artifact known as the Apple of Eden. She also reveals that
he is descendant of an Assassin named Aguilar de Nerha (Michael Fassbender) and
makes him the next subject of the Animus, a machine which allows the user to
relive ancestral memories. By having Callum relive Aguilar’s memories during
the Spanish Inquisition in 1492, Abstergo hopes to learn the current whereabouts
of the Apple of Eden.
The story is, unfortunately, rather
thin. It’s not bad by any stretch, but it suffers from uneven pacing, as it
gets into itself rather quickly, but has a slow time leaving. The scenes in the
present also take up more screen time than the Spanish Inquisition, resulting in
a time period that’s not as thoroughly explored as it could have been. On the
upside, it did manage to introduce the concept of the Animus fairly well, although
the shift in the style of the machine from the games, while certainly more
visually exciting for a filmgoing audience, does take some getting used to.
If anything, the real weak link is the
character development. We only know the bare minimum about Callum Lynch to know
some semblance of a background, but we otherwise know too little about him to
truly care what happens to him. I extend this sentiment to Sophia Rikkin, who
goes through a character arc that is also difficult to care about. What’s
really criminal, however, is the complete lack of background about Aguilar or
his partner, Maria (Ariane Labed). We have no clue about his motivation for
joining the Assassins or how he truly feels about Maria. In short, the central
characters feel more like vehicles to get from Point A to Point B as opposed to
people you can get emotionally invested in.
In an odd contrast, the acting is fairly
decent, or at least good enough. Michael Fassbender and Marion Cotillard show
their capability as actors in their own right and Jeremy Irons plays the part
of Alan Rikkin fairly well. The pedigree of the actors, then, feels somewhat
wasted on characters who aren’t given proper depth.
A high point for this film is definitely
the action sequences, particularly the ones in the past. Along with his partner
Maria, Aguilar shows off his skills and ingenuity as an Assassin during his
fights in 1492 Spain, some of which we see Callum imitate. The fights are
pretty well choreographed and fit in well with the style of the games. They
even recreate a leap of faith as a nod to one of the most iconic elements of
the franchise. What aids these scenes are the well-done special effects and a
setting in the past which seems to faithfully recreate 1492 Spain. The quality
of the fight scenes is somewhat counterbalanced, however, by the dark lighting,
which can make it difficult to keep track of what’s happening in the present.
While Assassin’s Creed is one of the
better video game movies out there, itself a big accomplishment, it could have
spent more time developing its characters and providing a reason to invest in
them further than what the plot requires. The uneven pacing and relative lack
of development for the characters and story in 1492 Spain also hold it back
from being a truly great film. I recommend this movie to all fans of Assassin’s
Creed who want to finally see one of their favorite franchises hit the silver
screen, but it would be harder to recommend to others who want more than an underdeveloped
adaptation with good fight scenes. This film is also apparently supposed to act
as the beginning in a trilogy, so hopefully the sequel makes an effort to
rectify the mistakes made the first time around; I know I’d still watch it.
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