Last year, Warner Bros. released Suicide Squad, the third film in the DCEU. While Suicide Squad had promise, it failed
to fully connect with its audience due to its odd pacing, overabundance of
underdeveloped characters and poorly written script. Two years prior, DC and
Warner Bros. released a direct-to-video animated film also based on the Suicide
Squad, but this time set within the Batman: Arkham universe. Though its
existence is perhaps not as widely known, it does manage to handle the concept
of the team much better.
After Batman (Kevin Conroy) rescues Riddler
(Matthew Gray Gubler) from a black ops assassination and returns him to Arkham
Asylum, Amanda Waller (C. C. H. Pounder) invokes Priority Ultraviolet, which involves
capturing and gathering a group of villains for the Suicide Squad. Said group
is composed of Black Spider (Giancarlo Esposito), Captain Boomerang (Greg
Ellis), Deadshot (Neal McDonough), Harley Quinn (Hynden Walch), KGBeast (Nolan
North), Killer Frost (Jennifer Hale) and King Shark (John DiMaggio). Their
mission is to break into Arkham Asylum and recover a thumbdrive hidden in
Riddler’s cane, as the drive contains information about the Suicide Squad that
Riddler acquired while employed by Waller and intended to make public. To keep
the group in line, Waller has implanted nano-bombs within their necks, which
KGBeast unwittingly demonstrates. At the same time the Suicide Squad set out on
their mission, Batman is searching Gotham for the location of a dirty bomb
planted by Joker (Troy Baker).
The plot, though simple, is executed
well and does a good job at tying its two main threads together and balancing
its core cast of villains. There is enough screentime for each Suicide Squad
member, apart from KGBeast, to get a sense of who they are and how they
interact with each other, even for the lesser-known characters. For example,
there is sense of a budding romance between Killer Frost and King Shark as well
as a competitive rivalry between Deadshot and Captain Boomerang. Naturally the
76-minute runtime doesn’t allow for any one of the characters to be fully fleshed
out (especially KGBeast, Black Spider and Amanda Waller) and the audience is
expected to already be familiar with characters and relationships as presented
within the Batman: Arkham universe. Still, the story is at least accessible for
the uninitiated.
The animation is also done very well and
is faithful to the style of the Batman: Arkham games, including the more muted
color palette. While the designs of the characters are very distinct from one
another, Deadshot and Black Spider have somewhat similar designs when unmasked.
Befitting its PG-13 rating, the movie also doesn’t shy away from hints at
nudity, mainly with Harley Quinn and Killer Frost, or use of swearing. On that
note, the voice acting is also pretty good, particularly the performances of
Kevin Conroy and Troy Baker, the latter of whom does a convincing Mark Hamill
impression.
Batman: Assault on Arkham is pretty good
overall. Although the plot is simple, it does a good job of highlighting the
characters and giving the audience an idea of who some of the more
lesser-knowns are. The action does a good job of portraying each character’s
abilities and the animation stays true to the style of the Batman: Arkham
Universe. If you’re a fan of the Batman: Arkham games, then this is a worthy
entry to watch. If you’re a fan of the Suicide Squad but found the 2016 DCEU
film lacking, then consider viewing Assault on Arkham.
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