Showing posts with label Edge of Tomorrow. Show all posts
Showing posts with label Edge of Tomorrow. Show all posts

Wednesday, December 31, 2014

2014 - The Highlights (EHeroFlareNeos)

2015 is just around the corner, which makes for a good opportunity to reflect back on what came out during the year. Unfortunately I didn’t get to see as many new movies or play as many new games as I’d have liked, partly due to going through my first semester of college, but I was still able to create a list for the end of 2014. Below are my selections for the top movies and games which came out this year, as well as the top disappointments. As always, they are in no particular order.

Top Movies of 2014

From initial previews, I wasn’t really sure what to make of The Lego Movie, but once I finally saw it I found myself pleasantly surprised. In fact, as soon as the movie was over, I wanted to play the tie-in game and spent months anticipating the next time I’d get to view it. Unfortunately, I can’t really say anything about The Lego Movie since saying anything about the story is a potential spoiler. In this case, you’ll just have to take my word that it’s good and see it yourself. You won’t regret it, especially if you’ve ever played with Legos.

Marvel Studios movies are generally good, but Guardians of the Galaxy easily became one of their best. It’s certainly one of their most fun movies and I haven’t gotten tired of watching it yet. Guardians of the Galaxy is humorous and witty, but its lighthearted atmosphere allows for the writers to sneak in very touching moments of pathos now and then which don’t feel out of place at all. The villain is admittedly a little flat, but the main characters are fleshed out very well (which could be the reason for said flatness in Ronan the Accuser) and I’m now a fan of both Rocket Raccoon and Groot. It’s simply amazing that Marvel was able to take such an obscure comic and turn it into a fun ride that simply shouldn’t be missed.

As I said, Marvel Studios movies are generally good, which can be said as well for Captain America: The Winter Soldier, a movie that came out only four months prior to Guardians of the Galaxy. Where Guardians of the Galaxy was a very fun experience, Captain America: The Winter Soldier is much more serious in tone and centers mainly on Captain America and his life in the 21st-century. The result is a movie that’s very well-written and action-packed as it explores both the identity of the titular Winter Soldier as well as the growing tensions between S.H.I.E.L.D. and Hydra. As a bonus, this movie also doubles as what is perhaps the best Metal Gear Solid movie we may ever get, with parallels between the two franchises that Metal Gear fans will very much appreciate.

I’m not the biggest Tom Cruise fan, but I wanted to see this movie mainly because I read the manga adaptation of the source material, All You Need Is Kill, as it was serialized in the US edition of Weekly Shonen Jump and became curious as to how the movie would handle the story. When I finally saw the film, I was pleasantly surprised as to how good it was. The plot moves along at a very good pace and Tom Cruise shows that he can actually act pretty well when he’s not a total action hero from the start. The Groundhog Day-style plot is also put to use to show great character development and any deviations from the original story still fit in well with the atmosphere. Fans of Tom Cruise and/or All You Need Is Kill are more likely to enjoy it, but I would definitely recommend people to check this one out anyway.

Top Video Games of 2014

Since my post about game demos at Wondercon 2014, I really wanted to play JoJo’s Bizarre Adventure: All-Star Battle, though I’m glad I waited to see the David Production anime through Crunchyroll before getting a copy at SDCC 2014. Though not perfect, and certainly not something entirely tournament worthy, this game is definitely fun due in part to its accuracy to the source material and variety of extraordinary abilities not seen in any other fighting game I’ve played. The accuracy to the source material is perhaps the most incredible feat, as every single animation and line of dialogue is a reference to the manga, plus the art style manages to reflect Hirohiko Araki’s evolving art style very closely without being unusual in three dimensions. This is a game by JoJo fans for JoJo fans, though I’d encourage fighting game fans looking for something original to give it a shot as well. It’s an experience that’s very hard to put down.

Though I didn’t get to play Infamous Second Son until a few months after launch, it was an experience I had been anticipating since my time with Infamous and Infamous 2. The story is a little short, but still written well and the gameplay is very much improved. With room for multiple powers and pretty creative uses for abilities one wouldn’t consider having, Delsin Rowe is a fun protagonist to play as and there is never really a dull moment within the beautifully rendered Seattle. This game is worth owning a PS4 to play, though the free Paper Trail DLC should only be attempted at one’s own risk and only if they have a lot of time on their hands.

Top Disappointments of 2014

Since I wasn’t really a fan of The Amazing Spider-Man, Sony’s attempt at rebooting the Spider-Man property in order to keep the rights, I had lowered expectations for Mark Webb’s second outing and unfortunately found those expectations to be accurate. The origin of Electro was far-fetched even for a comic book movie, Rhino hardly does anything and Harry Osborn shows up out of nowhere while the movie expects us to believe his supposedly pre-existing friendship with Peter Parker. Add in the hero’s really cocky attitude, though not in the fun way, and you get a movie that made me wish I had been watching Sam Raimi’s Spider-Man 2 instead. I wouldn’t be surprised either way if Sony goes through with its plans for this incarnation of the webslinger or ends up rebooting the whole thing with a new actor.

After the huge disappointment that was My Little Pony: Equestria Girls, I had little hope for the sequel, Rainbow Rocks, though I watched anyway in order to have a more informed opinion. As I watched, I actually found myself more engaged with the movie in general, as though Hasbro actually tried this time. However, there was still some wasted potential, including a plot twist that would’ve actually made sense, and I still feel that Twilight Sparkle had no reason to get involved and that the plot should’ve focused more on Sunset Shimmer proving herself as a reformed character. Though the sequel is marginally better and the original music was generally improved, Hasbro will really need to pull out the big guns in the inevitable third installment if they want something worthy of praise.

Watch Dogs is a great example of a game that sounds good on paper, but is lackluster in its execution. The idea of hacking in an open world is a very fascinating idea and I looked forward to playing something with great potential, but in the end it feels more like a poor man’s Grand Theft Auto. Hacking comes off as pretty unrealistic and its potential is limited to screwing with traffic lights and blowing stuff up, plus the driving controls are sort of loose and riches are insanely easy to come by. The only real saving grace is the fun Digital Trips and the fact that Chicago is rendered rather nicely. If you must play this game, do so at a bargain price and be prepared to weed out the few good songs in the soundtrack for your listening pleasure.

Thursday, July 31, 2014

Edge of Tomorrow - Live. Die. Repeat.


Many of you have probably heard of the movie Groundhog Day, known for its plot involving its central character going through a time loop until circumstances allow him to break the cycle. This type of plot is also present in many other works, so much so that this type of plot is referred to as a Groundhog Day Loop, including a Japanese light novel by Hiroshi Sakurazaka called All You Need Is Kill, in which this same plot line is used to depict a soldier going to war against an alien threat. I have not read this light novel, but I have read its manga adaptation in the US Weekly Shonen Jump digital service, adapted by Ryosuke Takeuchi and illustrated by Takeshi Obata (best known as the artist of the Death Note manga by Tsugumi Oba). This adaptation was released during the time leading up to the release of another adaptation of All You Need Is Kill, being the movie Edge of Tomorrow, the subject of this review. While I enjoyed reading the manga version of the story, I had an interest in seeing Edge of Tomorrow to see how close/different it would be from the source material. Having seen this movie recently, I can say that, while it obviously takes some liberties with the plot, I actually enjoyed it for what it was.

The world has been invaded by an alien race called Mimics, with countries doing everything they can to put a stop to them, among the better soldiers fighting the Mimics being Sergeant Rita Vrataski (Emily Blunt). Through TV broadcasts, we are introduced to Major William Cage (Tom Cruise) from the US, who is later called to see General Bringham (Brednan Gleeson) in London about the Mimics. General Bringham soon reveals to Major Cage that he (Cage) is being sent to France in order to fight the Mimics on the front lines. When Major Cage refuses and makes threats to give a bad impression of the General, he is placed under arrest and knocked unconscious. Cage later wakes up at a base at Heathrow Airport, where he is in handcuffs and greeted by Master Sergeant Farrel (Bill Paxton); though Cage tries to get out of it, he is brought and assigned to J Squad, where he becomes acquainted with the soldiers there. The next day, Cage is put in a suit of armor, or Jacket, like his squadmates, though before they can be properly deployed onto a beachhead below them, the carrier they are flying in gets blown up; the members of J Squad make it down intact, though soon there are casualties. As Cage and his squad are facing off Mimics, all while Cage tries to ask how to turn his safety off, they eventually have to fend off a Mimic while taking cover in a pit. Cage manages to turn off his safety in time to survive the Mimic attack, taking out a blue Mimic in the process. However, he is taken out as well and is splattered in the Mimic’s blood. Afterwards, Cage wakes up at the base at Heathrow Airport, where everything plays out as it did the day before, though only he is aware of it.

Being a film adaptation of a book, specifically a Japanese light novel, it should be expected that there are differences between the two versions. However, the changes made to suit the movie work in its favor, giving it a unique feel while still preserving the basic story and terminology (they don’t even shy away from Rita Vrataski’s nickname in-universe, the “Full Metal Bitch”). The movie also takes opportunities to expand on parts of the story to suit the new narrative, though giving examples might create spoilers for those who have yet to see Edge of Tomorrow. The romance angle between the two leads (Cage and Vrataski) is an element preserved from the original All You Need Is Kill story, which the movie handles really well, coming off as feeling like a natural part of the story rather than feeling shoved in for the sake of a romance, helped by the performances of Tom Cruise and Emily Blunt portraying their respective characters near flawlessly. The movie also does a good job of explaining its mythos while keeping itself internally consistent, which is a must for this type of story.

William Cage (Tom Cruise) facing off against an unusual Mimic.

As mentioned, Tom Cruise and Emily Blunt perform their parts well, allowing their parts to feel more natural and thus you are able to feel for their characters. Tom Cruise in particular does well with displaying William Cage’s character arc as he goes from wanting to stay away from the field of battle to figuring out how to work with the hand that he has been dealt over the course of the movie. However, the actors portraying the secondary and minor characters in the movie also pull off good performances, with each character feeling unique given the amount of screen time they have and their personalities come across as believable within the context of the story.

The visual effects are also pulled off really well, with the CGI Mimics blending well into the movie and not feeling out of place with the rest of the action. I also enjoyed seeing the animation of the Mimics themselves, since, while it is of course a different interpretation of their appearance than in the manga adaptation, I thought their designs were interesting and helped set them apart from other depictions of aliens in other movies. Though the Mimics have a general appearance to them, there’s still some visual variety among the different types of Mimics so that they don’t seem monotonous. The designs of the Jackets that the soldiers wear are also interesting, seeing them in action even more so. There’s also some visual variety in the Jackets, even if it’s just an aesthetic difference, and I liked seeing how different parts of the armor work to activate different functions. Visually, this movie does not disappoint.

Edge of Tomorrow is not only a good interpretation of All You Need Is Kill (again, based solely on having read the manga adaptation beforehand), it also works well as a movie on its own. The acting from the main leads is very impressive and believable, the visual effects are pulled off well, and the story makes good use of the Groundhog Day Loop plot. This is a movie I would recommend for those who are familiar with All You Need Is Kill in some way, though I would also say to watch it at least once if you are a fan of action movies (and /or Tom Cruise) since it manages to work well on its own. Having enjoyed it myself, Edge of Tomorrow is a movie that I wouldn’t mind watching again.