Showing posts with label "Weird Al" Yankovic. Show all posts
Showing posts with label "Weird Al" Yankovic. Show all posts

Saturday, May 4, 2024

Weird: The Al Yankovic Story


The music industry is no stranger to biopics, and I’ve even seen a few myself, but they tend to stretch or omit the truth in places for the sake of telling its own story (Bohemian Rhapsody comes to mind). Though I was not aware of the original Funny or Die sketch, the announcement of Weird: The Al Yankovic Story (Weird), based on parody artist “Weird Al” Yankovic and a parody of such biopics no less, got me excited as a fan of his work. This excitement, however, was dampened by its exclusivity to the Roku platform, which I personally had a hard time figuring out and I didn’t want to sign up for something just to watch a single film. This excitement came back in full swing when I saw that Shout! Factory had announced a physical release, meaning I didn’t have to sign up for Roku to watch it. After watching the film upon receiving it as a Christmas present, I found it to be one of Weird Al’s funniest projects yet and an amazingly funny parody in general.

Friday, May 3, 2024

The Compleat Al


“Weird Al” Yankovic is a musical artist that probably needs no introduction, as he is well-known for his longstanding career writing parodies of popular songs of the time, ranging from “Eat It” (parody of “Beat It” by Michael Jackson) to “White and Nerdy” (parody of “Ridin’” by Chamillionaire). While 2022 saw the release of the satirical biopic Weird: The Al Yankovic Story on Roku, with it finally receiving a home video release the following year, Yankovic is no stranger to joke depictions of his life story, as 1985 saw the premiere of the mockumentary The Compleat Al on Showtime, albeit in a 60-minute edited form, before releasing in full on home video. Shout! Factory’s announcement of the home video release of Weird: The Al Yankovic Story is what led me to discover the existence of The Compleat Al through their listing of a DVD release, which I would receive as a gift shortly afterwards. While I did overall enjoy my experience with it, the full 100-minute runtime sadly works against it at times.

Monday, July 28, 2014

Report from the Front: San Diego Comic-Con 2014


Another Comic-Con has come and gone and while I don’t pretend to yet be an expert on the event, I’ve only gone eight times out of the last nine, we at Trophy Unlocked would like to share our experience for those who didn't go and compare ours to those who did.

I recently read someone describe Comic-Con as the child of Las Vegas and Disneyland that liked to read comics and watch movies. That’s not too far from the truth, without the gambling and the prostitution. It is an overwhelming sensory overload. There is too much to do and see and no way you can come close to doing it all.

I am not the first person to call Comic-Con Line-Con, and it is certainly that. I don’t know what it’s like for professionals, vendors or the press, but Joe Congoer spends an inordinate amount of time in the queue. And I’m not talking about the crazies who spend the night in line for Hall H or arrive at three in the morning to be first in line for the Hasbro exclusives.

There is a line for everything from picking up your badge, to getting in, for autographs, panels and just about everything else. Now don’t get me wrong, you can develop some very intense and short-lived relationships in a line. My personal favorite was the younger woman with a crush on one of the artists involved in The Hacktivist. While standing in line it was obvious that she had a crush and short of squealing, it was easy to sense her excitement. I held her place in line while sending her to see if she could get his autograph, but she quickly came back. I asked if she wanted a photograph with him and she said yes and even though I was ahead of her in line, I hung around to take their picture together. She thanked me and gave me and my wife a hug of gratitude. I really felt like I helped to make her day.


Welcome to San Diego Line-Con 2014.

Like most Con goers, we plan and plan and plan, making spreadsheets and having discussions on what to take, who to see, what panels to try for and what off-site events we might be interested in. And plan as much as we do, sometimes you have to throw it out the window. Schedules change, artists and writers don’t show up on time and lines get capped. But there are also those moments when magic happens. As an example: Going by the Shout! booth on Saturday morning on our way to Toy Tokyo to buy a figurine of Zombie Kirk Hammett from Metallica, we noticed they were handing out free posters for “Weird Al” Yankovic’s UHF movie, a film we had recently reviewed here on the blog and a favorite of two of the writers. We were informed that there was going to be a signing that afternoon at 5, limited to 50 people with wristbands and just like that I’m going to meet “Weird Al” in person. But before that, my family met Kirk Hammett and in between I was able to meet Dave Gibbons, the artist behind Watchmen, and get him to sign my 12 issues of that ground-breaking comic book. Quite a day, but not the day we had anticipated or had planned out in our living room days before.

Kirk Hammett from Metallica was at Comic-Con signing zombie figurines.

Speaking of standing in line to meet someone, here’s a pet peeve: You’ve been standing in line for sometimes up to an hour to have a moment with someone, maybe it’s a geeky moment, but you’ve put in your time in line for a few moments of face time and someone the artist knows, or someone passing by the signing, will stick themselves into the midst. I had a least two occasions in Artists Alley when I got up to the front and someone who knew the artist would come over and start talking to them. “Have you seen so and so?” “You know it’s been a long time since we talked…” Not that I’m an attention hog, but I’m suddenly just standing there watching two old friends catch up rather than blurting out what I’d been practicing in line to say. It’s rude of that other person to just come up as if the artist wasn’t busy and start talking to them, taking away the time I’ve put in to see them, just because you’re old friends. This is not as bad though as the artist/actor/whatever who is not dedicated to the moment or the reason they’re there, especially when they’re charging for their time (Bruce Boxleitner), but gratefully we didn’t run into any of those this year.


And let's not forget The Aquabats! They were there, too.

Every artist, writer, editor and musician we spoke with were all very nice people. Tired and sometimes overwhelmed by the attention they’re receiving, but very nice and appreciative. You can tell the ones, like Hammett, Gibbons and Yankovic, who are used to the attention from those who are just starting to get it and it’s all so new to them.


One of the coolest exclusives was a Gumball comic book inside a SNES gaming cartridge from BOOM!

If you’re doing a booth signing, most will let you know about their other work they’ve done, which are usually at their fingertips for sale, but that’s part of the dance. And if you like their work, the least you can do is support them. You'd want the same in return, wouldn’t you?

And while you stand in line quite a bit, you also walk and walk, whether you’re going from Artists Alley to the IDW booth and back or just wandering up and down the aisles, you need a comfortable pair of shoes. Comic-Con (in reality the SD Fire Marshall) has a no loitering policy, so you have to keep moving and most walls have a no standing or sitting policy on them. Now I know how sharks feel.


Even the bathrooms seemed to have sponsors.

In the five days were down there, including Wednesday, in which we essentially drove most of the day and Sunday, which was a short day, the Walking Mate app on my phone shows I walked 50.9 miles or a little over 10 miles a day. Add to that I’m carrying a ten pound backpack most of that time and while your mileage may vary, that’s not a bad work out. (Still gained a couple of pounds, which doesn’t really seem quite fair.)


Dave Gibbons, the artist on Watchmen.

That will lead me to food, I guess. We usually bring ours in with us, which saves time and money. Believe it or not the lines are pretty long at the snack bars and they’re not cheap. Though that pizza looked and smelled a lot better than the fried chicken breast I ate on day three, which was about four days old at the time. In years past, we’d relied on the nearby Subway sandwich, which we’d bought the night before. Those got pretty old after a while, so we haven’t quite got the food bit nailed down. Hey, it’s only been eight times.

"Weird Al" speaks to one of the writers on Trophy Unlocked.

One of the improvements/upgrades we made as a family this year was getting smart phones. Part of the reason was to be able to check prices. Sale Items at the Con are oftentimes higher than they would be at say Amazon. But we also wanted to be able to better use the free provided Wi-Fi so as to better communicate with each other. This worked only so-so. I think there are still texts I’ve sent that haven’t been received, such as “Where are you?” and other missives that would have been nice to get more immediately than not. I had to sign in repeatedly to the ATT service because the phone and the ISP didn’t remember each other and who has to suffer? We do. Still you can always call as long as the person you’re reaching out to can hear the phone ring over the din. Someone pointed out that the hall is carpeted to deaden the sound; otherwise I can only imagine how loud it would be.

Another issue with smart phones is that the battery seems to run down very quickly. I would recommend taking a pre-charged charger with you in case your phone is down to 10% and you still have the evening ahead of you.

Clothing is another consideration. We all wore jean jackets, mostly for the pockets, but those get very hot and the last thing you want to be is sweaty. Jackets have their place, but it is not in the Con. We’re looking into cargo pants or some other wardrobe option.

One of the best reasons to go to Comic-Con are the panels, whether they are professional or for pleasure. We didn’t attend as many as we have in the past, but sometimes you have to decide if the panel is worth the time suck. And even for those that are worth it, there is a limit. We had to pass on one for Gravity Falls, because the line was impossibly long. If a show like that is popular then you really need to attend the panel prior and in that case the one before that, in order to get a seat. An hour wasn’t long enough and there was no guarantee of getting in.

The Penny Arcade booth at Comic-Con.

We barely got into one panel thrown by the Warner Archives: Trailers from Hell. Seems it was the panel before one on Mass Effect and the line was not really full of lovers of old films, but rather video gamers. We got in by the skin of our teeth and only as long as we promised we weren’t staying for the next panel (nothing against Mass Effect) and then in individual seats, which turned out to be one behind the other behind the other. But that’s the cool part about the Con, people get exposed to new things and I would imagine a few of those in attendance will check out the Warner Archives Instant streaming service now that they learned it exists. I know that’s how I became exposed to Watchmen; we were attending a panel, Watching the Watchmen so we could attend another panel afterwards. And yes, I told that to Dave Gibbons when I met him.

While everyone’s convention experience is quite different, I really had a good, but exhausting time. I was able to meet people I had only been communicating with through email and Facebook messaging (I won’t name names so they can maintain credible deniability that they know me).

After attending, it’s always a good idea to think about what you did that you don’t want to do again and what you still have on your plate to do. For the latter, it’s getting up at 4 am to get in line for Hasbro. There is something demoralizing when that’s not early enough. It really takes it out of you and when your day can go to 11 as ours did that night, it’s really exhausting and for what? No, we’re done trying to get that golden ticket (or red stamp if you want to be honest).

Things I’d still like to do: Well, there are so many things outside the convention center that I can never seem to get to. And the Con is only expanding out. There’s so much to do inside the Convention Center that getting outside seems nearly impossible. And, of course, there is Hall H. Every year you hear about everyone who lines up the night before and I’ve seen them. But I don’t want to be a part of that. And just about as often I hear that people walk into Hall H later in the day into panels that are not full. So I might just have to try that one afternoon.


Something else I didn't make it over to was the Fox salute to the Simpsons next to the Hilton.

After last year, I wasn’t sure I wanted to go again, but now I’m already looking forward to the next one.

Sunday, July 20, 2014

UHF - A Humorous Time Capsule From The Years Of Analog TV


Within the last week, popular parody artist “Weird Al” Yankovic has released his newest album, Mandatory Fun, to much fanfare while also representing the end of his long-standing recording contract. To commemorate this, we on this blog present a review of his 1989 feature film, UHF (Note: The title refers to the Ultra High Frequency analog band, which was how low-budget programming was often broadcasted on TV). When this movie was originally released, the original distributor, Orion Pictures, was facing financial trouble, and so believed that this movie would rescue them from bankruptcy due to test audiences reacting positively. However, the movie ended up being a major flop in theaters (it was released in the same summer as Indiana Jones and the Last Crusade; Ghostbusters II; When Harry Met Sally; Honey, I Shrunk the Kids; and Tim Burton’s Batman to name a few), and thus wasn’t exactly the savior they were hoping for. I’m not sure I would say this failure at the box office was to blame, but Orion would go under some time later and get swallowed by MGM, a fact so well-known to the point that it was used as a punchline in Mystery Science Theater 3000: The Movie. The good news though is that UHF would attain cult status after hitting the home video market, where it would remain successful for quite some time; it quickly went out of print when it hit on VHS, causing demand to become so high that it became a #1 seller not long after its later DVD release. While its popularity as a cult film is something that continues to persist, is UHF a movie worth tuning in to?

The story opens with a parody of the opening scene of Raiders of the Lost Ark, which is soon revealed to be the daydream of George Newman (“Weird Al” Yankovic), whose overactive imagination keeps costing him and his friend, Bob Steckler (David Bowe), a number of jobs, including their current one at Big Edna’s Burger World. Once the two of them get fired, George finds it hard to face his girlfriend, Teri Campbell (Victoria Jackson), and during their conversation he ends up constructing mashed potatoes in the shape of a hillside in a brief parody of Close Encounters of the Third Kind. Later at a party, George’s uncle, Harvey Bilchik (Stanley Brock), arrives after winning the deed to a UHF station in a gamble, later giving it to George after a suggestion from his wife. Sometime later, when George and Teri arrive at the station to scope it out, George is weirded out at first by its sole resident, a scientist named Philo (Anthony Geary), but decides anyway to try and turn the station into a success.

Indiana Jones fans should be able to recognize this.

Using this premise, not to mention the part of the plot where the UHF station (Channel U62) faces some competition with Channel 8, the movie is able to showcase some great comedy, with George’s (day)dreams and the channel’s programming offering a perfect excuse for a good portion of the humor to take place. There are a few moments of gross-out humor here and there, which I’m personally not too fond of in comedies, but these moments are overshadowed by such gems as a game show called Wheel of Fish and fake ads for such things as a U62 program called Conan the Librarian and a store named Spatula City. Of course, there’s also a good deal of slapstick and funny dialogue to help mix up the humor a bit, but through all of this the movie also manages to tell a coherent story from beginning to end. Aside from a few misses here and there in the comedy, these elements combined result in a very funny movie, although admittedly some of the parodies present would only really be funny to someone familiar in any way with what is being parodied (for example, a music video parody of the Dire Straits song “Money for Nothing” and its music video).

Wheel of Fish: It's like Wheel of Fortune, except not really.

On the subject of music, that is another positive aspect of UHF, some of which includes original material by “Weird Al” Yankovic (it is his movie after all). When the background music is there, it does help the tone of a scene, to the point of also being able to sell some of the parodies on display. As mentioned previously, one of these parodies includes a Dire Straits song, the parody called “Money for Nothing/Beverly Hillbillies*” (because lawyers), and while the music video does have some context, it does appear to come somewhat out of nowhere, seeming to primarily serve as a way to show the video. Getting back on track, the soundtrack is good and is available as a “Weird Al” album, UHF – Original Motion Picture Soundtrack and Other Stuff, though it should be noted that the album also has some original material on it due to not being able to include all the music and sound bites on it that they wanted. Some of said “other stuff” to me is better than others, but if you enjoy some of the music and audio from the movie, then this is an album worth seeking out.

Available now!

The movie also has a pretty decent cast, with “Weird Al” Yankovic himself showing that he has some range as the lead character George Newman (though this is also evident in some of the many TV cameos he has made over the years in various cartoons). David Bowe helps to serve as a good secondary lead to Yankovic, though he’s more or less in the background for much of the latter half of the movie, and Michael Richards does a good job as Stanley Spadowski, who gets in some funny moments of his own. Kevin McCarthy also does a great job with his character R.J. Fletcher, the mean head of Channel 8 who would want nothing more than for Channel U62 to go under. The movie also has a good supporting cast, with cameos made by Emo Phillips and Dr. Demento, the latter of whom Yankovic owes much of his musical success to, with a special mention to Trinidad Silva in his final film role as Raul, who runs an animal show on U62 from his apartment; unfortunately, Silva passed before his parts could be completed, though his character was kept in the movie in his memory. In any case, I wouldn’t really have any complaints about the acting or the casting.

Raul's (Trinidad Silva) parts are worth it for a laugh.

UHF is a funny movie and deserving of its cult following, though it’s mainly for fans of “Weird Al” Yankovic and the style of humor the movie presents. It has a good cast and a great sense of humor for the most part, and Yankovic’s music shines through when possible, most notably in the aforementioned Dire Straits parody. This isn’t one of the greatest movies ever made, nor is it exactly for everyone, but for fans of Yankovic’s work this is definitely a must-see. If you are a fan of comedy movies and just want a good laugh, this movie is probably one of the better options to consider.

Here’s hoping “Weird Al” Yankovic sees success in any future endeavors.

On sale now!