Saturday, September 28, 2024

The Wild Robot


Amongst a number of major shifts within the animation industry at large, one was that DreamWorks Animation would no longer animate their films in-house beyond 2024, the last of which would be The Wild Robot, and afterwards pivot to outsourcing to other studios. The first trailer for The Wild Robot left a good enough impression on me that I read the original book by Peter Brown out of curiosity, with further trailers and learning of Chris Sanders’ (Lilo & Stitch, How to Train Your Dragon) involvement only making me feel more confident in its quality. This would lead to me seeing the film in 3D on opening day, after which I was grateful this was the studios’ last in-house feature production and not Kung Fu Panda 4.

Wednesday, September 25, 2024

The WereCleaner


While the art style of a game can be enough to pique my curiosity, it can help for it to have a premise and gameplay that can really grab my interest enough to play it. The WereCleaner is a game that filled all three for me, which I found for free while looking through my Steam Recommended. This would also not be the first time I had downloaded a game made by student developers, as I found out later that this game had been published through the USC Games program. Upon playing the game, it not only met my expectations for a fun time, I was also surprised by the amount of replay value for such a small game.

Saturday, September 21, 2024

Stubs - We're in the Money

 

We’re in the Money (1935) starring Joan Blondell, Glenda Farrell, Hugh Herbert, Ross Alexander. Directed by Ray Enright Screenplay by F. Hugh Herbert, Brown Holmes Producer Not Credited. Run time 61 minutes. USA Black and White. Comedy.

Warner Bros. had two young blonde comedic stars that they decided to pair together in a series of comedies. Together, Joan Blondell and Glenda Farrell, billed as the blonde bombshell comedy duo, appeared in five films, including Havana Widows (1933), Kansas City Princess (1934), Traveling Saleslady (1935), Miss Pacific Fleet (1935) and We’re in the Money (1935). If the last one sounds familiar, it is named after the song "We're in the Money," music and lyrics by Al Dubin and Harry Warren, which first appeared in The Golddiggers of 1933.

The film was shot in a little over a month, between May 8 to June 12, 1935, the film was released on August 17, 1935.

Thursday, September 19, 2024

Transformers One

The success of Bumblebee seems to have breathed new life into the Transformers films, resulting in the sequel Transformers: Rise of the Beasts and the prequel film Transformers One (TF One), which marks the franchise’s return to theatrical feature animation since 1986. Despite a more tempered reaction to the initial trailer, thanks in part to the mild confusion over the overall timeline post-Bumblebee caused by executive flip-flopping, I remained cautiously optimistic for TF One, enough to pick up an Optimus Prime popcorn bucket from a local Cinemark as well as jump at the chance to purchase tickets for an early TF One Fan Event for the Wednesday of release at a local AMC. Within that time, though I had heard positive word of mouth from previous early screenings, I also went so far as to hold off on buying any actual toys until I had seen the movie for myself to form my own opinion, regardless of availability. Upon finally getting the chance to see it, I genuinely found it to be the best piece of Transformers media I had seen (aside from the current Skybound comic) since Bumblebee.

A Celebration of 1600 Reviews

If it weren't for a miscalculation, this header
image would be Resident Evil 4 (2005).

Below is a list of links to every review from 1201-1300, broken up every 25 links for easy navigation. Each review will also be color-coded as such: MovieVideo Game.

 
 

 
1568. Speedway
1570. Pushover
1574. Blondie!


 
1576. X-Men
1577. X2
1596. Chaplin
 

Movies: 73 (1,025 Total)
Video Games: 27 (519 Total)
Comic Books: 0 (28 Total)
DLC: 0 (26 Total)
Book: 0 (1 Total)
Stage: 0 (1 Total)

Wednesday, September 18, 2024

Final Fantasy VII Rebirth


Note: This review contains spoilers for Compilation of Final Fantasy VII and Final Fantasy VII Remake

Ever since the success of Final Fantasy VII: Advent Children, the idea of remaking the original Final Fantasy VII (FF7) with the movie’s visuals had floated around at Square Enix. Fifteen years later, this idea manifested with Final Fantasy VII Remake (Remake), the first in a trilogy of games that would bring FF7 into the modern day. While the game received a mixed reception from fans, mainly due to its story changes, it nevertheless proved successful enough that Square Enix would release the second part of this project, Final Fantasy VII Rebirth (Rebirth) in February 2024 on the PS5, skipping the PS4 for the first time.

As someone who ended up loving most of Compilation of Final Fantasy VII and felt cautious optimism after playing Remake twice, I wasted no time hopping onboard with Rebirth so I could see where they would take the story (I even played the demo beforehand for the unique bonus of skipping the first segment in the full game). However, the time it took for me to reach the end point grew exponentially, both in calendar days and in-game time, due to juggling other games and biting off more than I could chew with the in-game content. Finally finishing the game months later left me curious how the third game would handle the rest of the original FF7’s story, though the new twists in Rebirth’s narrative and gameplay left me confused and a little worried about the project’s current trajectory.

Saturday, September 14, 2024

Stubs - The First Auto

The First Auto (1927) starring Barney Oldfield, Patsy Ruth Miller, Charles Emmett Mack, Russell Simpson. Directed by Roy Del Ruth. Screenplay by Anthony Coldeway, Jack Jarmuth. Produced by Darryl F. Zanuck. Run time: 75 minutes. Black and White. USA. Silent with sound, Drama.

Made at a time when Hollywood, specifically in this case, Warner Bros., was experimenting with synchronized sound, the beginning of the end of the silent era, the studio was making a film about the end of the horse as the main mode of transportation, The First Auto. The synchronized sound, captured on a disc synchronized with the film, included music, sound effects and a few spoken words.

Wednesday, September 11, 2024

20 Small Mazes


I’m not much of a PC player in comparison to console, so it’s not often I play a game based on Steam recommendations. Recently, while getting free items from a string of Fests, I decided to take a look and was recommended the indie puzzle game 20 Small Mazes, which looked interesting enough to try, especially since it was available for free. While short, the amount of creativity on display makes it a fun time while it lasts, even with the limited replay value.

Sunday, September 8, 2024

Beetlejuice Beetlejuice - Is the Sequel as Good as the Original?


Beetlejuice Beetlejuice (2024) starring Michael Keaton, Winona Ryder, Catherine O'Hara, Justin Theroux, Monica Bellucci, Jenna Ortega, Willem Dafoe. Directed by Tim Burton, Screenplay by Alfred Gough. Miles Millar. Based on Characters by Michael McDowell, Larry Wilson. Produced by Marc Toberoff, Dede Gardner, Jeremy Kleiner, Tommy Harper, Tim Burton Run time: 104 minutes, Color, USA Comedy, Horror

Note: This review contains spoilers for Beetlejuice Beetlejuice.

Sequels seem to be taking longer and longer to get made. The original King Kong's sequel, Son of Kong, came out the same year, but the turnaround has only gotten longer since. Two years ago, Top Gun: Maverick came out 36 years after its predecessor, Top Gun, and this year, Beetlejuice follows suit with its sequel, Beetlejuice Beetlejuice. While Maverick was an improvement over the original, can the same be said for Beetlejuice x 2?

Saturday, September 7, 2024

Stubs - Chaplin

Chaplin (1992) Starring: Robert Downey Jr., Dan Aykroyd, Geraldine Chaplin, Kevin Dunn, Anthony Hopkins, Milla Jovovich, Moira Kelly, Kevin Kline, Diane Lane, Penelope Ann Miller, Paul Rhys, John Thaw, Marisa Tomei, Nancy Travis, James Woods Directed by Richard Attenborough. Screenplay by William Boyd, Bryan Forbes, William Goldman Based on My Autobiography by Charles Chaplin, and Chaplin: His Life and Art by David Robinson. Produced by Richard Attenborough, and Mario Kassar. USA/United Kingdom Color Run time: 145 minutes. Biography

Oftentimes when you learn the truth about your heroes, they become very human. Such is the case with Charlie Chaplin, one of the most influential filmmakers to have ever lived. If you’re not familiar with him, then you should be. Besides his genius, Chaplin had a fascination with young women, read that very young women, that would eventually catch up with him and be the excuse the U.S. government would use to ban him, for two decades, from entering his adopted country.

Since Chaplin was so influential in films, his being the subject of a film seems to be a no-brainer. Director Richard Attenborough, following his success with Gandhi (1982), had announced his plans to direct a Charlie Chaplin biopic, as part of his $75 million, three-picture deal with Universal Pictures. A longtime fan of Chaplin’s, Attenborough recalled seeing The Gold Rush (1925) at the age of eleven and credited the silent film star with inspiring his early acting career. He had also become friendly with Chaplin and his family in the 1970s while vacationing near them in the south of France. With the blessings of Oona Chaplin, Charlie’s widow, Attenborough acquired the rights to Chaplin’s autobiography, My Autobiography, and footage from his films.

For the title role, Attenborough apparently tested seven of the total thirty actors considered for the role, including Kevin Kline, Dustin Hoffman, Billy Crystal, and Robin Williams. He was looking for someone between the ages of thirty and thirty-five, who was small in stature, as he believed the body likeness was more important than the face.