MEN IN BLACK (1997) Starring: Tommy Lee Jones, Will Smith, Linda Fiorentino,
Vincent D’Onofrio, Rip Torn and Tony Shaloub. Directed by Barry Sonnenfeld.
Screenplay by Ed Solomon. Based on the Men in Black Marvel comic series by
Lowell Cunningham. Produced by Walter F. Parkes and Laurie McDonald. Run Time: 98.
Color. U.S. Science Fiction, Comedy.
It’s summer, which means Hollywood will be
coming out with its big blockbusters, several of which will be sequels. So far
this summer, it is business as usual. The first big mega film of the year has
been Marvel's The Avengers, which is in essence either the ultimate sequel or a film with five
prequels depending how you want to look at it. This summer, we’re supposed to line
up for Madagascar 3, Batman (the reboot) 3, Ice Age 4, Bourne 4 and Men in
Black 3. Lots of new ideas in tinsel town.
Leading up to MIB3, I’ve started to watch its
prequels, beginning with the original Men in Black. This was back before Will
Smith and family became an entertainment entity all to themselves. He was still
the kid from Fresh Prince of Bel-Air fresh off his previous summer hit,
Independence Day. Tommy Lee Jones’ career had started in the early 70’s playing
a Harvard student in Love Story. He had worked pretty steady since then,
perhaps the highlight of his career coming with an Academy Award for The
Fugitive in 1993.
Teaming Mr. Jones and Mr. Smith together for a
big blockbuster must have seemed like not much of a gamble. The film would go
on to reap $589 million, which believe me used to be a lot of money, and it
would spawn a sequel five years after that and a second sequel ten years after
that.
In Men In Black, Jones and Smith play agents K
and J respectively, this probably has more to do with their locker assignment
at MIB headquarters than anything else. Men In Black is a secret agency without
ties to any one government, but manned primarily by Americans and all of the
action takes place, true to its Marvel Comic roots, in and around New York
City, which is apparently space alien central. The first time, though, we meet
K and his then partner Agent D working along the Mexican border. Interrupting a
Border Patrol stop, K and D are looking for a particular type of illegal alien.
Not one from south of the border but from outer space. In the back of a
smuggler’s truck, they find a man who doesn’t speak or understand Spanish.
When one of the border patrol agents gets too
close, K has to blast the alien which sends blue gloop everywhere. This is only
the first time someone gets glooped; there is more slime in this movie than a
Nickelodeon Awards show. Since the border patrol agents know too much, K has to
use a neuralyzer to wipe out the memories of the agents and then next to his
partner D, who isn’t up to the job any longer.
As a replacement, K convinces Chief Zed (Rip
Torn) into letting him pick James Darrell Edwards III (Smith), a New York
policeman who singlehandedly runs down an alien criminal on top of the
Guggenheim museum after a long chase through the streets of Manhattan. He is
trained on the job as they are confronted with the invasion by Edgar the Bug
(Vincent D’Onofrio), who has come to Earth to steal the “Galaxy”. In doing so,
he kills not only Edgar, a Mid-west farmer whose skin he wears over his own
cockroach body, but two Arquillians who are protecting it. Along the way, they
pick up Dr. Laurel Weaver (Linda Fiorentino), who despite being zapped a couple
of times by the neuralyzer, is still helpful to the agents. It is in her morgue
that one of the Arquillians, barely still alive in his robot human body, tells
the agents that the Galaxy is on Orion’s belt.
The agents and the Bug both figure out that the
Orion in question is a cat once owned by the Arquillian and the belt is
actually Orion’s collar. But the Bug beats the agents back to the morgue and
takes Dr. Weaver along as a snack for the trip back to his home planet.
When the Arquillians learn of what is happening
they dispatch a fleet to destroy Earth, rather than let the Galaxy fall into
enemy hands. J and K have an hour to stop the Bug from leaving the planet and
from stealing the Galaxy. Saving the girl is a secondary idea.
The ending takes place at the site of the 1964-65
World’s Fair in Flushing Meadows, which was put on to hide the fact that aliens
had landed there. The two Observatory Towers, one of a handful of buildings
still standing, were actually alien ships, one of which the Bug is going to fly
home now that the MIB have his original space ship.
In the end, K jumps inside the Bug to retrieve
his weapon and while J distracts him, K blows the Bug up from inside with more
slime to go around. But the Bug is not dead and while K tells J that he has
trained him not to be his partner, but to be his replacement, the Bug creeps up
behind them. They are only saved because Dr. Weaver picks up J’s weapon and
blows the Bug away before he can attack.
J neuralyzes K, who returns to civilian life and
to the woman he had to leave behind when he joined MIB. Dr. Weaver, now Agent L,
is J’s new partner and all seems right with the world for the moment.
In MIB, Will Smith proves again that he can be
funny and heroic, traits that would bode well for his career. His films were
usually all box office hits, no matter how good they were, until he apparently
stopped acting in 2008. He has become a producer (The Karate Kid) and promoter
for his children’s movie ambitions. MIB3 will be his first film in front of the
camera since that year’s Seven Pounds.
Tommy Lee Jones has continued to act and was in
two films in 2011, including Captain America: The First Avenger, and will be in
three films this year.
Linda Fiorentino’s career has slowed to a crawl.
Her biggest splash had come in 1994’s The Last Seduction, in which she played a
sexy femme fatale opposite Bill Pullman and Battleship director, then actor,
Peter Berg. She hasn’t appeared on film since 2009’s Once More With Feeling.
The aliens are nightmare fuel if you are the
least bit squeamish about insects, as they all seem to be some form or another
of that species. But the teaming of Smith and Jones paid off. As mentioned
before, the film was a big success at the time.
The film is fun, but not always a laugh riot, to
watch, unless you find bug guts funny. There are some funny lines, mostly
spoken by Smith, but it is a sort of gross out comedy, having more in common with
Ghostbusters than the work of Woody Allen. Still it was smart summer fare at
the time and it does hold up very well.
When you watch the film, knowing that there is a
sequel or two to follow, you can’t help but wonder why it took so long to put
them together. We’ll take a closer look at MIBII next week on this same blog.
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