Following the success of Tim Burton’s
2010 take on Alice in Wonderland, a sequel was inevitable, although this time
James Bobin takes the directorial reins from Burton. Appropriately, this
movie borrows from the title of the second Alice book, Through the Looking-Glass, and What Alice Found There (aka Through the Looking-Glass), and as such is
based more so off of that than Alice’s Adventures
in Wonderland. Having read both of the original Lewis Carroll books and
found Tim Burton’s take interesting, I was curious to see what would be done
with this movie, even knowing from the trailers that the plot would be very
different (having played American McGee’s take though, I was more okay with the
idea). Walking away from this sequel, I thought it was worth the Time.
After traveling the world for 3 years on
her father’s ship, the Wonder, Alice Kingsleigh (Mia Wasikowska) returns home
only to find that, due to legal circumstances occurring while she was gone,
Hamish (Leo Bill), whom she had refused to marry, essentially has her home
hostage in exchange for the ship. Not wishing to give up the boat, Alice exits
a conversation with her mother (Lindsay Duncan) to blow off some steam. During
this, Absolem (Alan Rickman), now a butterfly, leads Alice into a room where he
enters a mirror (also called a looking glass, as in the title). Once Alice
enters the mirror to prevent Hamish from finding her, she ends up back in
Underland, where she must console the Mad Hatter (Johnny Depp), who believes
his family survived the Jabberwocky attack years prior to the events of the
previous movie. Despite her beliefs in impossibility, Alice believes this to be
impossible, and is forced out of the Hatter’s house. With no other option,
Alice, as suggested by the White Queen (Anne Hathaway) has to seek help from an
unlikely person: Time (Sacha Baron Cohen), the personification of the concept
of time.
As mentioned above, the film’s plot
drastically deviates from the book it is named after, although the 2010 Tim
Burton movie and its story would make a straight adaptation a little difficult,
since this continuity assumes that the Queen of Hearts (Alice’s Adventures in Wonderland) and the Red Queen (Through the Looking-Glass) are the same
character (they are not, though it is a widespread misconception). Rather, the
story involves time travel, which is usually associated with creative
bankruptcy, save for series like Back to the Future where time travel is the
central focus. Though this may be off-putting for some, the given approach to
time travel logic makes some amount of sense (only Alice and Time are able to move
freely, otherwise seeing your past self will destroy all of space-time in
relation to Underland, though time-travelling at all will put Time itself and
himself in jeopardy) and I give the film makers credit for staying consistent
with their logic and weaving it in with the previous movie’s events and this
movie’s overall message about learning from the past. For the sake of
notability, however, I will point out that there is one scene that is more or
less directly adapted from the movie’s namesake, and that is the scene where Alice
enters the mirror world for the first time.
The acting in this movie is good, with
returning actors playing their characters well. Sacha Baron Cohen, playing the
original character of Time, displays that his performance in Hugo was not just
a fluke; though he is best known for acting silly, it is evident that he is
able to put in a dramatic performance when necessary, and this is one such
instance. Notably, this is also the final acting role for the late Alan Rickman
prior to his unfortunate passing earlier this year. While he reprises his role
as the blue caterpillar/butterfly, named Absolem in this series, his character
does not have many lines, either due to him not having very many lines in the
first place or the filmmakers working with what had already been recorded
before his death. In any case, his final performance was still good for what made
it in, and the movie is dedicated to his memory.
The visual effects are really well-done,
especially in regards to the visualization of time travel, which is presumably
where a lot of the budget went. The animated characters interact very
seamlessly with the live-action characters, as do any visual effects on the
actors themselves. Of note is the character Time, who is seemingly mechanical,
and so the effects are done to where you actually believe it. There are also
the assistants to Time, the Seconds, which fit well with the well-rendered
clock aesthetic of Time’s domain. In general, the lighting is also noticeably a
little brighter than in the previous movie, likely due to the fact that it’s
not directed by Tim Burton.
For what it is, Alice Through the
Looking Glass is actually pretty enjoyable. The story doesn’t really get too
complicated, even with the time travel shenanigans, and some events make more
sense when you factor in the Tim Burton movie and its flashback sequences.
Admittedly, it does edge close to being a Johnny Depp movie, as per usual with
a lot of movies he appears in, but that’s likely due to star power and likely
won’t be an issue for Johnny Depp fans. I would recommend this movie to fans of
Alice in Wonderland that enjoyed the 2010 movie, and in fact I would highly
suggest watching that one first for the sake of story, though there are
understandably some purists out there, for whom this movie will most likely not
appeal. In any case, it’s interesting to see someone try something new with the
story, and it’s likely to get a continuation if it does well enough, however I’m
not sure what they can call it since there’s only so many books to borrow names
from (unless you also maybe count the original manuscript, Alice’s Adventures Under Ground).
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