Deadpool & Wolverine

Following the success of the original Deadpool, Fox had plans for at least two sequels: Deadpool 2 and another film featuring the X-Force. However, the Disney/Fox Merger, which completed in 2019, nixed those plans and left the future of any X-Men films uncertain, though Disney CEO Bob Iger had assured audiences that Ryan Reynolds’ Deadpool would be integrated into the Marvel Cinematic Universe (MCU) and that any Deadpool films would remain R-rated despite Marvel’s prior PG-13 output. While Marvel Studios spent some time gathering the creative team for a third Deadpool film, Hugh Jackman, who had retired the role of Wolverine after his performance in Logan, joined Reynolds on the project after learning that the film wouldn’t conflict with Logan. When filming finally started in 2023, the production faced a notable delay when the dual WGA/SAG-AFTRA strikes kicked in, as the initial WGA strike meant that Reynolds couldn’t improvise any dialogue on set, but SAG-AFTRA joining in put filming on hold until its resolution, after which it compensated with a new release date of July 26, 2024.

The finished film, Deadpool & Wolverine, has released in a very interesting climate. Although the MCU remains popular, it has suffered diminishing returns during Phase Five and Marvel Studios has fatigued viewers to the point that they scaled back their TV and film production. Deadpool & Wolverine not only has the honor of the first R-rated MCU film, but also the only MCU film of 2024 (with Joker: Folie à Deux the only DC film of the year). On top of that, the film released during the same weekend as San Diego Comic-Con, which meant that thousands of fellow nerds potentially had to go up to four days dodging spoilers and I couldn’t watch it until the following Monday. Considering the added pressure for the diminishing box office returns of the post-Endgame MCU films, it’s very fortunate that Deadpool & Wolverine felt more than worth the wait and mostly lived up to the hype.

Second Look - Deadpool (Game) (PS4)

Note: This review contains spoilers for Deadpool.

Back in 2008, Daniel Way started his run on the Deadpool comic, which ran for 63 issues and ended in 2012. This run would give Deadpool more mainstream popularity, to the point he became the new “Wolverine” for selling Marvel comics, and served as many peoples’ gateway for the character, myself included. While the 2016 Deadpool film would expose the character to an even wider audience, including those who had otherwise never seen an X-Men film, the character also had one other notable mainstream release in 2013, the Deadpool video game developed by High Moon Studios, best known for the Transformers: War for Cybertron and Transformers: Fall of Cybtertron games, and written by Daniel Way. Although Acitivision would delist the initial PS3, 360 and PC release just a year after launch, a PS4 and Xbox One re-release would follow in 2015, likely to tie in to the film’s pre-release hype, followed by another permanent delisting in late 2017. Both releases garnered a mixed critical reception.

Back when I played the game in 2013, I had fun with it in spite of its faults and hoped for a sequel that never came. Fast-forward to now and our goal of catching up with the X-Men film series before the release of Deadpool & Wolverine inspired me to take another look at the game, this time through the PS4 port, and see how well it held up over a decade later. As a representation of an earlier point in Deadpool’s history, I still enjoyed the game for its writing, but the gameplay didn’t hold up very well.

The New Mutants

As someone who had been watching a lot of superhero movies at the time, the idea of a superhero horror movie sounded interesting to me when I learned of The New Mutants, one of Fox’s later installments in the X-Men film series. However, while the quality of Dark Phoenix had nothing to do with Disney’s acquisition of Fox, The New Mutants unfortunately did, which resulted in it being the last of the X-Men films to be released. Although production went smoothly for an April 2018 release, things got a bit dicey when the merger occurred, with planned reshoots being continually delayed until the film was declared complete without any having been done at all. On top of this, the COVID-19 pandemic affected distribution plans, with Disney initially planning on a streaming release before changing their minds and finally giving it a theatrical run in August 2020. As it stands, while the final product is surprisingly decent considering the circumstances, it serves as an example of what can happen when your project becomes a crossfire victim of a corporate merger.

Stubs - Dark Phoenix

 

Dark Phoenix (aka X-Men: Dark Phoenix) (2019) starring James McAvoy, Michael Fassbender, Jennifer Lawrence, Nicholas Hoult, Sophie Turner, Tye Sheridan, Alexandra Shipp, Jessica Chastain Directed by Simon Kinberg Screenplay by Simon Kinberg Based on X-Men by Stan Lee, Jack Kirby;  "The Dark Phoenix Saga" by Chris Claremont, John Byrne. Produced by Simon Kinberg, Hutch Parker, Lauren Shuler Donner, Todd Hallowell Run time: 114 minutes. Color. USA Superheroes, Fantasy

What is the worst thing a Superhero film can be? It’s a question that Dark Phoenix succeeds in answering: boring.

A sequel to X-Men: Apocalypse (2016), Dark Phoenix manages to build on that film’s failures, actually making that film look better by comparison.

This is the second time this franchise decided to tell the Dark Phoenix story based on an extended X-Men comic book storyline published by Marvel Comics. Created by writer Chris Claremont and artist John Byrne, the storyline first appeared in X-Men #129 (January 1980); one of the most well-known and heavily referenced stories in mainstream American superhero comics. In the previous telling, X-Men: The Last Stand (2006), Jean Grey is played by Famke Janssen.

Following the release and disappointing returns on Apocalypse, Fox was said to be pressing "the reset button" on the franchise. Bryan Singer was not going to be back in the director’s chair, but they kept on screenwriter Simon Kinberg, who decided it was time to again tell the Dark Phoenix story, but reiterating that he would adapt it differently than they had in The Last Stand, if given another opportunity to do so. Kinberg was also tapped to direct, his debut.

Second Look - Deadpool 2 (All Three Cuts)

Note: This review contains spoilers for Deadpool and Deadpool 2.

Deadpool 2 sits in a unique position within the X-Men film series. Not only did Fox greenlight this sequel by the time the first film released, but after its premiere in May 2018, it would receive two additional cuts within the same year: the direct-to-video extended Super Duper Cut in August and the theatrically-released PG-13 Once Upon a Deadpool in December. Due to a lack of an official word on the matter, one could conclude that Fox wanted to make as much money as possible ahead of the Disney/Fox merger that completed in March 2019, but in any case, Deadpool 2 did break additional box office records on in its initial release, including highest-grossing R-rated film of all time (by just $3 million over Deadpool) until 2019’s Joker.

Since I’ve made it no secret that I’m a fan of Deadpool, it should come as no surprise that Deadpool 2’s existence piqued my interest enough that I watched all three cuts of the film as they came out. Although I still liked the film after rewatching it in the context of the rest of the X-Men films, I now find that the difference between Deadpool and Deadpool 2 feels more like the difference between Shrek and Shrek 2: while the sequel has more narrative complexity and shows more technical competency than the original, it doesn’t age as well due to the dated humor rooted in the exact moment it came out.

Second Opinion - Logan (+ Logan Noir)

Note: This review contains spoilers for Logan and X-Men Origins: Wolverine.

As the X-Men film series started going beyond the original trilogy, it was natural that the fan favorite Wolverine would receive his own solo films with the rough X-Men Origins: Wolverine and the improved The Wolverine. This would be later followed up on with the R-rated third film, Logan, and although Deadpool’s own R rating did not factor into Logan’s, Deadpool’s success paved the way for further R-rated superhero films in the Hollywood landscape, as well as Logan’s own critical and financial success. While I had barely any familiarity with the X-Men films on my initial viewing, extending only to the first two Deadpool films and maybe the original X-Men film, I thought it was one of the best comic book films I had ever seen, enough to also watch the alternate version, Logan Noir. During my recent deep dive of the X-Men films in release order, I found it interesting to rewatch Logan again in the context with the rest of the series, finding it to still be just as good as I remembered.

Stubs - X-Men: Apocalypse

X-Men: Apocalypse (2016) Starring James McAvoy, Michael Fassbender, Jennifer Lawrence, Oscar Isaac, Nicholas Hoult, Rose Byrne, Tye Sheridan, Sophie Turner, Olivia Munn, Lucas Till. Directed by Bryan Singer. Screenplay by Simon Kinberg. Based on X-Men by Stan Lee and Jack Kirby, Apocalypse by Louise Simonson, and  Jackson Guice. Produced by Simon Kinberg, Bryan Singer, Hutch Parker, Lauren Shuler Donner. Run time 144 minutes. Color. USA. Superhero, Action, Adventure, Sci-Fi

What happened?

Even before X-Men: Days of Future Past (2013) was even released, the followup was already in the planning stages. According to director Bryan Singer, the next film would concentrate on the origins of the X-Men and feature younger actors in the roles of Cyclops, Jean Grey, and Storm. The idea was to complete the trilogy of X-Men films that began with X-Men: First Class (2011) and would take place in 1983, 20 years after First Class and ten years after Days of Future Past.

Filming began on April 27, 2015 with Singer back in the director’s chair in Montreal, Canada and production would last until late August, with additional filming in January 2016. The film was released on May 6, 2016 in London and not until May 27 in the U.S.

Second Look - Deadpool (Film)

Note: This review contains spoilers for Deadpool

Back in 2016, the original Deadpool film left a major impact, as it not only stood out within the superhero landscape at the time, but also altered Hollywood’s perception of the R-rating when it raked in a massive profit (~$782.8 million against a budget of $58 million) and broke several box office records, including the highest-grossing R-rated film ever made. However, the film faced a tough road before it saw the light of day. Although the idea of a Deadpool film with Ryan Reynolds attached had floated around since the 2000s, it hit some resistance at multiple points, including Tom Rothman (chairman of Fox Filmed Entertainment) rejecting the film, believing it wouldn’t be successful, and having his mouth sewn shut in X-Men Origins: Wolverine (Origins). Origins still proved successful enough that a Deadpool project moved forward, though it didn’t get greenlit until some test footage leaked onto the internet to a very positive reception. Even then, however, Fox gave the project a much smaller budget than usual for a superhero film, an amount Ryan Reynolds once described as the “cocaine budget”.

At the time I first saw Deadpool, as someone already a fan of the character, I found it a breath of fresh air in the otherwise serious superhero landscape between the MCU, which had just finished Phase Two and would start Phase Three that year, and the DCEU, which would finally have a second movie in the gloomy Batman v. Superman after the dreary Man of Steel. Watching the film again now, in the context of viewing the entire X-Men film series in anticipation of Deadpool & Wolverine, I still enjoy it and appreciate its significance to the history of comic book films, but I admit that it lost a little luster with time.

X-Men: Days of Future Past

Following the release of The Wolverine, the next film in Fox’s X-Men series, X-Men: Days of Future Past (DOTP), returns to the greater ensemble cast. Released in 2014 while the concurrent Marvel Cinematic Universe was in the middle of Phase Two (both figuratively and literally), this film notably beats Marvel Studios to the time travel punch by five years, serving as a soft reboot of the X-Men films (while incidentally serving as the literal middle of it) by setting up an alternate timeline. While I was aware of this film as it came out, I did not end up watching it until I began my earnest viewing of the series as a whole, though I did know about the timeline reset going in. While it actually does a good job with this premise, there are places where it gets a little muddy.

The Wolverine

Note: This review contains spoilers for X-Men, X2 and X-Men: The Last Stand.

Despite the cold reception X-Men Origins: Wolverine (Origins) faced on release, the X-Men film series continued going strong and development began on a follow-up film simply titled The Wolverine, based on the original Japanese arc of the Wolverine comics. Although development began in 2009, with Darren Aronofsky later set to direct, it ran into certain production troubles along the way. These troubles included a delay brought on by the 2011 Tohoku earthquake and tsunami, Aronofsky’s departure and finding a replacement director willing to take on the lengthy commitment. In spite of these obstacles, the final film released in 2013 to higher critical praise than Origins and greater box office returns, earning $414.8 million against a budget of $100-132 million.

Considering how much Origins had missed the mark, I knew going into The Wolverine that there would be some improvement, especially after seeing some fans characterize it as an “apology” for its predecessor. What I didn’t quite expect, however, was that The Wolverine not only held up very well after over a decade, but is easily one of the stronger films in the franchise.

Stubs - X-Men: First Class

X-Men: First Class (2011) starring James McAvoy, Michael Fassbender, Rose Byrne, January Jones, Oliver Platt, Kevin Bacon. Directed by Matthew Vaughn. Screenplay by Ashley Edward Miller, Zack Stentz, Jane Goldman, Matthew Vaughn. Based on X-Men by Stan Lee, Jack Kirby. Produced by Lauren Shuler Donner, Bryan Singer, Simon Kinberg, Gregory Goodman USA/UK, Color, Run time: 132 minutes. Superhero.

Following a trilogy of X-Men films and a rather disappointing X-Men Origins: Wolverine (2009), 20^th Century Fox, which had the license for the franchise, decided make X-Men: First Class. While viewed by some as a prequel, it is really a reboot of the series. We’ll get to more of that later but the film is a sign of a franchise in free-fall. Unlike the MCU, which was planned out for nearly a decade of films, X-Men seemed to be making it up as it went along.

X-Men Origins: Wolverine

Note: This review contains spoilers X-Men Origins: Wolverine.

Despite X-Men: The Last Stand’s mixed reception among fans and critics, the X-Men property still proved lucrative enough for Fox that they greenlit the film series’ first prequel and spin-off, X-Men Origins: Wolverine (Origins). The final film, which came out in 2009 during the earliest stages of the Marvel Cinematic Universe, went through a rather troubled production and received the lowest critic scores in the series up to that point, with most criticism aimed at the lackluster script. While Origins does have its fans, I can’t say I disagree with the criticisms, especially with one contentious aspect in particular. I’ll also freely admit that while aspects of a film’s production shouldn’t necessarily factor into a review, it’s difficult in this case to ignore just how much of a negative impact an out-of-touch executive can have on the finished product.

Stubs - X-Men: The Last Stand

 

X-Men: The Last Stand aka X-Men III (2006) starring: Hugh Jackman, Halle Berry, Ian McKellen. Directed by Brett Ratner. Screenplay by Simon Kinberg, Zak Penn Based on the comic book series X-Men created by Stan Lee and Jack Kirby. Produced by Lauren Shuler Donner, Ralph Winter, Avi Arad Run time: 104 minutes. Color. United Kingdom, United States. Adventure, Science Fiction

Following the success of X2 (2003), it seemed only natural that there would be a third film in the series. However, the director of the previous two films wasn’t all that interested in pursuing it. Singer stated that he "didn't fully have X-Men 3 in my mind" and was more interested in making the next Superman film, Superman Returns (2006) at Warner Bros.

Finding a replacement was not easy. Hugh Jackman's contract included the approval of director, and the job was offered to Darren Aronofsky, with whom he had just finished filming on The Fountain (2006). But Aronofsky was not the last person to be offered the position. Joss Whedon, Rob Bowman, Alex Proyas, Zack Snyder, Peter Berg, and Guillermo del Toro were all approached, but had other projects that kept them from taking the job.

In February 2005, even without a director, Fox announced the film’s release date (May 5, 2006) and that production would start in July 2005. A month later, it was announced that Matthew Vaughn had been secured to direct, but family issues would force him to resign from the project. Apparently, Vaughn also wasn’t happy about the tight deadlines imposed by Fox, stating that he "didn't have the time to make the movie that I wanted to make".

X2

Note: This review contains spoilers for X-Men

Like many other superhero films, both past and future, 2000’s X-Men proved so successful that Fox immediately commissioned a sequel, X2 (also marketed as X2: X-Men United). While the production didn’t proceed without its own hiccups, including budget cuts, rewrites and on-set disputes, Director Bryan Singer’s concept of a more personal angle and having a human villain persisted throughout the writing process, with the initial outline based on Chris Claremont’s X-Men: God Loves, Man Kills graphic novel (which we haven’t read at the time of this writing). When X2 finally released in 2003, it received rave reviews, with critics considering it a rare time when a sequel surpassed the original (although this sentiment wasn’t universal). As a modern viewer experiencing the full X-Men film series for the first time, I found myself agreeing with the critics of the time and thought the film actually aged pretty well and felt like a breath of fresh air from other superhero films from recent memory.

X-Men

The early 2000s proved to be quite the boon for superhero films, with the Spider-Man and X-Men films proving that the genre could be financially successful if put into the right hands. While I did grow up during this time, I didn’t have much of an interest in X-Men at the time outside of the X-Men: Evolution cartoon on Kids’ WB (I was more interested in Spider-Man at the time), only ever feeling motivated to watch a select few of the X-Men films years later. After recently watching all three X-Men cartoons at the time of this writing (X-Men The Animated Series, X-Men: Evolution, Wolverine and the X-Men) in their entirety (with X-Men: Evolution still being my personal favorite), I felt more motivated to actually watch the film series in earnest from the beginning, with additional motivation from the upcoming release of Deadpool 3 as well as Spider-Man: No Way Home setting a precedent for the MCU now requiring intimate knowledge of outside film continuities. After rewatching the original X-Men film from 2000 that started it all, I found it to be a solid beginning for the series, one that is still enjoyable over two decades later.